Archives For Salem

On Sunday WGN America debuted its first originally-scripted TV series: Salem. Crafted in the horror genre, the show follows in the footsteps of the popular American Horror Story: Coven.  WGN uses the tag line: “The Witch Hunt Has Begun – In Salem, witches are real, but they are not what they seem.”

On opening night Variety reported that the show earned “1.5 million viewers” which is “seven times the network’s season-to-date average in the 10 p.m. timeslot.” WGN is capitalizing on the recent popularity of witches in order to launch its new original production offerings. In July the network will premiere its second series, Manhattan, and then in 2015, Ten Commandments.

WGN America's Salem Promotional Poster

WGN America’s Salem Promotional Poster

WGN’s Salem is the latest in a very long-line of television and film productions using the city as its setting. Hollywood began its love-affair with the trials in 1909 with the release of Edison’s In the Days of Witchcraft. Perhaps the most famous rendering of the Salem story is Arthur Miller’s play “The Crucible” which transforms the city’s history into an allegory for McCarthy-era politics. Kate Fox, executive director of Destination Salem said, “The Salem Witch Trials are a rich and compelling subject for novelists and screenwriters…”

In this latest adaption, the witches are rendered as actual creatures. WGN’s Salem presents a historically-derived Puritan world complete with “witch” panics alongside the genuine existence of Satanic-based witchcraft. In doing so, it attempts to offer a far more complex ethical structure than past Salem or witch stories.

When production was initially announced, a group of Salem citizens and business owners discussed the potential for damage caused by yet another Hollywood show conflating history and horror. Should they protest? Elizabeth Peterson, director of Salem’s Witch House, said:

The Witch House is the only historic site left that was an absolute witness to the conversations and phenomena [of that time].  It is our responsibility to dignify and intellectualize that history. 

After multiple conversations, the group opted for a different approach. Fox said, “I will welcome the opportunity [the show] will afford to talk about the destination Salem with viewers who may find a new interest in our town.”

Salem Witch House [Photo Credit: Scott Lanes]

Salem Witch House [Photo Credit: Scott Lanes]

After seeing the show Peterson said, “I’m not worried that [Salem] could be mistaken as historical because it is so fantastical.” She points out that show contains many inaccuracies but it’s presented in such a way that there is no danger in mistaking it for fact. In other words, WGN’s Salem is not even pretending to be real. It is pure horror entertainment.

Due to the continued fascination with the trials, Salem and New England in general have ascended historicity to become a modality within American popular myth. Salem as a backdrop is strongly rooted within Hollywood’s own narrative symbolism. Even Samantha makes a trip to Salem for a Witches Convention in 1970. If you make a witch movie or show, it should be set in a small town in New England.

Just as it capitalizes on historical lore, WGN’s Salem also makes use of the archetypal Hollywood Satanic witch. Narratively speaking these witches are villagers who have sold their souls to the Devil for personal gain. They perform magic with oils, frogs, lizards, hogs, blood and fire. They hold sabbats in the dark woods wearing beastly masks. They have familiars and understand the nuances in “life, love, war and death.”

Visually speaking the witches are monstrous, zombie-like creatures that only appear in quick cuts or extreme close-up. Such shots are often flanked by tilted visions, screams and flashes of light. These are all very typical elements of the modern horror montage. To counter that extreme, these same witches appear as their respectable former selves during the day and are shot in a non-dynamic simple composition.

At first it might seem WGN’s Salem is yet another horror show fostering the negative representations of witches. It is after all presenting a typical Satanic witch story. However it does do something a bit different. It offers an atypical dynamic morality that embraces the complexity of contemporary social issues. This complexity is best demonstrated though three characters: John Alden, Cotton Mather and Mary Sibley.

John Alden is defined as the imperfect but good secular American. He fights for “his country,” befriends Native Americans and stands against the Puritan moral panic. At one point he tells Mather, “She needs a doctor not your prayers.” John is the open-minded, modern cowboy who believes in love and even Paganism. When Anne Hale explains that Mather calls drawing “idolatry” or nature worship, Alden responds, “There are worse things to worship.”

Cotton Mather is the polar opposite. He represents the religious zealot who publicly defines life through absolutes found in the testimony of his books. Giles Corey describes Mather as the “most dangerous type of fool…The kind that thinks he knows everything.” Mather is further demonized through his apparent hypocrisy. While inspecting the wounds on an hysterical young girl, Mather pushes her dress up to her thighs. At that point, the camera rhythmically cuts between his face, her face and his hands on her thighs. Then the show abruptly cuts to a salacious scene of Mather in a brothel. The viewer is left wondering if Mather abused the girl.

WGN America's Salem Poster

WGN America’s Salem

To complete the triad, there is Mary Sibley, the witch.  As a young unwed pregnant girl, Mary is led to witchcraft by Tituba in order to escape public shame and punishment. The show posits that Mary and ostensibly the others turn to the Devil in order to escape the horrors of Puritanism. However at the same time, Mary is also depicted as cruelly toying with John Alden, driving a young girl mad and killing Giles Corey. Her vengeance knows no boundaries.

These witches are morally complex representing a type of social defiance that is very contemporary. The show appears to oppose the tyrannical religious teachings of its conservative Christian environment.  At one point Giles Corey says, “Puritans know their sun is setting. Nothing like a new enemy … to get people behind ya.” This statement recalls recent discourse surrounding the religious climate in the Unites States.

Similarly Puritan leader George Sibley yells out, “We cannot expect God to be on our side if we tolerate abominations or those that commit them.”  While he is referring to “fornication,” his line resembles language used to counter the Marriage Equality movement.

WGN’s Salem explores the progressive ethics that are now appearing within contemporary American discourse. It is mediating the mythological Salem story through very current cultural politics. The witches themselves are the tipping point that places the viewer into the uncomfortable position of liking the goal but disliking the means. Through them we can ask, “success at what the cost?”

Are these witches representative of real Witches, Wiccans or Pagans?  No they aren’t.  As with the use of Salem, the witches are merely typical Hollywood archetypes representing social defiance. In fact the narrative makes a direct distinction between a “nature worshipper” and the Witch.

How the show proceeds over its run will be interesting. How will it negotiate the issues presented? How will it handle race and explain the origins of the young, beautiful Tituba as instigator of Salem’s witchcraft?  What is Nathan and Anne Hale’s story?

With all that said, was it a good entertainment? It was average, sensationalistic and at times campy. It falls into the category of recent shows pushing the limits of television horror by exploring the limits of our humanity. If the show continues on its current course, it may hold a season worth of interest beyond that, who knows.

 

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up. This week? It’s (almost) all about Halloween, and Pagans, and Witches, and how we celebrate (or don’t) during this time of year. So pull up some of that leftover candy, and let’s get started…

Ashley Bryner, senior Druid at CedarLight Grove. Photo: Tony Cenicola/The New York Times

Ashley Bryner, senior Druid at CedarLight Grove. Photo: Tony Cenicola/The New York Times

  • Let’s start with the New York Times, who decided that this Halloween was going to be about Druids. Quote: “How many folks will spend the next few days and nights worshiping the old gods? The 2008 American Religious Identification Survey put the number of American Druids at 29,000. But then, many Druids connect with the practice of paganism, and the survey counted 340,000 souls in this category. Add another 342,000 wiccans (fellow travelers), and Samhain starts to look like a pretty big party. Of course, that number would swell if you were to include the ancestors who have passed on — and Druids do, especially in this liminal season.” Author Ellen Evert Hopman, and members of Ár nDraíocht Féin are quoted in the piece.
  • CNN decided to go with Witches for Halloween, and found one who isn’t fond of the secular holiday. Quote: “Trey Capnerhurst dons a pointy hat and doles out candy to children who darken the door of her cottage in Alberta. But she’s not celebrating Halloween. In fact, she kind of hates it. Capnerhurst says she’s a real, flesh-and-blood witch, and Halloween stereotypes of witches as broom-riding hags drive her a bit batty.” Capnerhurst goes on to claim that “traditional” Witches are hereditary, and Wiccans are converts. Which is a new one on me, since “trad” Witches generally means Witches who are members of an established initiatory line. Anyway, the article also interviews sociologist Helen Berger, who shares some basic data on the number of Pagans in America. Amusingly, the American Spectator got their underwear in a bunch over this article, so there’s that.
  • Some Wiccans have no real problem with Halloween, it should be noted.
  • While I’m making the rounds of the big-name publications, I can’t not mention the Newsweek article on how Witchcraft and occult practices are becoming, like, super-hip among young people these days. Quote: “We’re currently in the middle of an occult revival, says Jesse Bransford, a New York University art professor who co-organized an occult humanities conference earlier this month. He sees a connection between increasing interest in the occult and postrecession anxiety. Magic ‘has always been a technique of the disenfranchised,’ he says. ‘It’s something you do when the tools you have available don’t seem like they’re enough.’ These people aren’t just wearing black lipstick and watching witches hex each other on-screen; they’re also experimenting with, well, sorcery.” Let’s hope this augers an uptick in the quality of Pagan music.
  • Meanwhile, Paper Magazine interviews some event promoters in Bushwick, who are drawn to Witchcraft as an aesthetic oeuvre to operate within. Quote: “I think people just want to believe in something. But with Bushwick I think there is this underground movement, or a want to bring people together, that doesn’t have any formality to it. It’s just people who have their own rituals coming together. I think the social commentary aspect of it is there, but it’s super-subconscious. And I do think there’s a dark energy that people are now willing to talk about in a playful way. At least for us it’s playful. We’re definitely the entertainment side of Wiccan culture. Bushwiccans.”
  • For this Halloween, Reuters decided to focus on psychic scammers. Quote: “The law relating to such activities is not always definitive, Little said, noting that fortune-tellers and others who offer occult services often use a ‘for entertainment purposes only’ disclaimer to prevent legal problems. Even as people who sell occult services move online, some continue to run storefronts, offering psychic readings for a small fee and trying to talk customers into paying more to resolve problems.” However, I suspect that most party-goers looking for a quick tarot readings are fairly safe. Just don’t let anybody “cleanse” your wallet. Seriously.
shutterstock 1114023

Tarot cards.

  • Well played Yorkshire post, well played.
  • If you enjoy reading about Christians freaking out about Halloween, you’ve got your pick of the litter. Right Wing Watch, as always, picks a doozy. Quote: “Why am I concerned about the way Halloween, the media and our current culture encourage the celebration and trivialization of spiritism, occultism, Satanism, hedonism, witches, zombies and walking on the dark side with demons? Because the supernatural world is real, and no one is immune to it regardless of their education or worldview. God is real. Angels are real. Satan is real. Demons are real. Real gladiators and real Christians died in the Colosseum and circus even though many Roman leaders and citizens just considered their destruction an evening of entertainment.” See also: Southern Baptists talking about the “theological complications” of Halloween, and the Christian Post runs an editorial about the dangers of Wicca. Fun stuff, if you’re into that sort of thing. You know, feasting with Satan!
  • The Christian Science Monitor debunks the Salem Witch Trials, while scholar Owen Davies notes that the suspicion of witches has lived on far past those infamous trials. Quote: “Two centuries on from Salem and many Americans were still living in an essentially similar social, cultural, economic, and religious environment. The vicissitudes of life on the edge were all too real, and so was the fear of witchcraft as an explanation for misfortune and envy. Over the last three centuries, thousands of Americans, mostly women, have been abused for being suspected witches. Hundreds of court cases arose from accusations of witchcraft. Most startling of all, it is clear now that we know of more people murdered as witches in America after 1692 than were legally executed before that date.”
  • At the Washington Post, Starhawk contributes a piece on the holiday, noting that on Halloween “the past and future live.” Quote: “For us, Halloween is the time of year when we come together to honor our ancestors, to mourn our beloved dead and celebrate their lives.  In this autumn season, when the year itself appears to by dying.  As the leaves fall, and the harvest is gathered in, we celebrate the ancient Celtic festival of Samhain or Summer’s End.  The veil between the worlds is thin, we say, and those who have gone beyond can now return and visit us again, reminding us that death does not destroy our connection to those we love.” Elsewhere at WP, playwright Jeffrey Stanley extols the freaky fun of the supernatural.
  • UC Berkeley’s blog focuses on Americans and the occult, noting its ongoing popularity throughout this country’s history. Quote: “We have no polls, of course, to track occult beliefs before the mid-20th century, but, as I pointed out in a prior post, early Americans were deeply immersed in an enchanted world of spirits, incantations, and witches. Puritan ministers in colonial New England struggled to point out the contradiction between, on one side of salvation, pleading with God to shed His grace on an ill loved one and, on the doomed side, casting a spell to drive out an evil spirit that one believes caused the illness.”
  • The Los Angeles Times profiles Panpipes Magickal Marketplace, which is deemed “authentic in the way of a great London bookstore, yet with a glint of religion about it.” Quote: “[Co-owner Vicky] Adams is not a witch herself, she says, merely a pagan who says there are thousands of others like her across L.A., and she’s just here to help, no matter your chosen deity. ‘It’s hard,’ she says at the end of a busy day. ‘I had a customer who watched me work. When I finally got to him, he said, ‘I’m a psychologist and I get $400 an hour to do what you do.””

That’s it for now! There are a lot more Halloween-themed articles that feature Pagans, Witches, or occult practitioners, out there, but I feel this is a representative sample of what’s out there. Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. Pagan Community Notes is just one of the many regular features The Wild Hunt brings you to help keep you informed about what’s going on in our interconnected communities. If you appreciate this reporting, please consider donating to our Fall Funding Drive (and thank you to the over 50 supporters who have already donated). Now, on to the news…

Outdoor temple at the Maetreum.

Outdoor temple at the Maetreum.

The Maetreum of Cybele in Catskill, New York, which was recently attacked by an individual hurling rocks and epithets, has been in an ongoing property tax fight with the Town of Catskill over religious exemptions. They are currently appealing a State Supreme Court ruling against them on the issue, and are asking that all Pagans and supporters pray and work for justice. Quote: “The Maetreum is entering the final stages of our appeal process. We ask ALL Pagans and witches to do work to ensure justice, that the panel of judges will see the truth behind our case, that the Goddess speak through the mouth of our attorney during the oral arguements. I’ve said it before and will repeat it. This case is vital for the equal treatment of all minority religions in the US, particularly Pagans but not limited to them by any means. Please forward this request widely and quickly… and please do the magically [sic] work required.” Members of the Pagan religious order feel their case for appeal is strong, and note that this decision “should terrify ALL minority churches, Pagan, Christian and others because it set standards almost impossible for any small congregation to meet.”  We’ll keep you posted as this develops.

S.J. Tucker

S.J. Tucker

Popular Pagan musician S.J. Tucker follows up her release earlier this year of the mold-breaking soundtrack “Ember Days” with a new collection of songs entitled “Wonders,” inspired by author Catherynne M. Valente’s Fairyland novels. Quote: “All of the songs on Wonders were inspired by Cat Valente’s lovely book, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making.  Many of you may recall that I got hired to be the narrator for the audiobook of the sequel last summer.  Cat’s Fairyland books have been on my mind for quite a while now, so it’s really great to get to share with you ALL of the songs that those stories have inspired thus far!  Finally!  Yay for making a little bit of free space in my brain again!  Happy sigh…” The third installment of Valente’s series was released at the beginning of this month. You can see a promo video for Tucker’s new album embedded below. In addition to all that, Tucker has also released a mix for October of seasonally appropriate music (for a good cause).

with_love_from_salemThe documentary film from director Karagan Griffith, “With Love from Salem,” which I reviewed here back in August, is seeing its cinema debut on October 25th at CinemaSalem in Salem, Massachusetts. Quote: “This is it. Are you coming? If you want to be part of the Cinema Premiere of ‘With Love from Salem – the documentary’ buy your tickets now. Tell us if you are coming. [...]  This is the documentary about the Temple of Nine Wells, Richard and Gypsy Ravish and their journey of more than 20 years of rituals in Salem. [...] The Temple of Nine Wells has been walking to Gallows Hill on Samhain night for more than 20 years to honor the dead and the victims of the witch hysteria of 1692. This documentary will walk you through this event, from preparation to ritual, as well as through the differences between Samhain and Halloween, the sacred and the profane. An inside perspective of Samhain night in Salem, and of the men and women who through dedication and personal commitment continue to make a difference.” You certainly couldn’t ask for a better atmosphere than Samhain season in Salem to debut this film, one that I called a “surprisingly personal” and “intimate look at the lives of two elders whose duty to Salem has become deeply intertwined with their faith, their friendships, and how they interact with community.”

In Other Pagan Community News: 

  • In more Pagan music news, the project known as Kwannon, spearheaded by singer and songwriter Jenne Micale, has released a new album entitled “Ancestor” an “exploration of the Western Isle of the dead, of sunset, and the edges of things.”
  • John Beckett reports on the Dallas/Fort Worth Pagan Pride celebration that happened this past weekend. Quote: “The main ritual at noon was led by a local Sumerian group.  It was light in tone, it conveyed a good message for a community of diverse traditions and experience, and it was very participative – perfect for a Pagan Pride Day main ritual.”
  • The always fascinating Hedge Mason blog reports on the passing of Mestre Didi, a highly regarded Afro-Brazilian artist and priest of the Egungun tradition. Quote: “He believed there was no dichotomy between the arts, and that all the stories of his people were Afro-Brazilian songs. They were meant to be heard, sung and danced. This is why Master Didi was also recognized as a multifaceted artist, a Renaissance man of Afro-Brazilian culture.  He made the world a richer place for us all!” What is remembered, lives!
  • At the Llewellyn blog, Donald Michael Kraig announces a live “webinar” this Saturday entitled “How to Make and Use Talismans and Amulets.” Quote: “Throughout history, humans have used objects to bring health, safety, good luck, and to fulfill desires. Today, these objects are known as talismans and amulets. In this live, worldwide webinar, you’ll learn how to create them, how to turn them into powerful magickal tools, and how to use them effectively and safely.”
  • My excellent friend Cosette, who now lives in Australia, reports on Christian opposition to a Pagan/New Age event in Wedderburn. Quote: “Is there anyone or any organization to defend those rights, to assist festival organizers Jacquie Stallinga and Gaye Washington in engaging the local Christian community to assuage their concerns, and move forward in a cordial manner?” Hopefully more on this soon.

That’s all I have for now, please remember to support The Wild Hunt during our Fall Funding Drive so that we can continue to bring you reporting from our interconnected communities!

September 27th through the 29th in Salem, Massachusetts will see the debut of “OCCULT,” a “weekend long Esoteric Salon honoring, exploring and celebrating the intertwining vines which feed both Magick and Creative Art.” Co-produced by Aepril Schaile and Sarah “Jezebel” Wood the event promises to “recognize that, especially together, both Magick and Art are greater than the sum of their parts, and each in dwells the other; they are rooted together.” In anticipation of OCCULT’s launch next month, I conducted a short interview with co-producer Aepril Schaile to talk about the event, why this is the right time for it, and supporting the arts within a Pagan context.

Aepril Schaile. Photo by Cheryl Fair.

Aepril Schaile. Photo by Cheryl Fair.

OCCULT is called an “Esoteric Salon,” merging artistic and metaphysical pathways through performance, workshops, and talks. What inspired you to help make this event happen? Why is now the right time?

Sarah Jezebel Wood and I began talking about this vision last year. We are both Witches, and Thelemites, and practicing Artists. Sarah is an accomplished bellydancer and teacher, and she is devoted to nurturing the work of artists in her communities. Sarah worked with Alex and Alison Grey at CoSM for several years, and so this idea of Art and Magick being one unit is not a new one for her. The timing was an intuitive thing—we felt that the fact that the vision was forming for us both with such excitement in that very moment meant that its time had come–synchronicity! We also recognize a movement into a New Aeon, and with it comes new ways of doing things. At the time of the Parisian Salons of the turn of the last century, there was also a renaissance in occult and Magickal consciousness in connection to Art. We have the romantic notion that the time is now for this mixing of art, magick, thought, creativity, personality, passion, vision, and spirit to take place.

You are an artist who has worked in several mediums, most notably dance and music, do you think the Pagan community engages with the arts in a constructive way? Are we paying enough attention to the importance of art within our traditions, are we supporting our artists? If not, is OCCULT a step towards addressing that issue?

I personally feel that my work has been recognized and supported in wonderful ways by the Pagan and Witchcraft communities. In particular my work in dance, which probably most widely known, but music, too; I receive mail by email and even paper letter (fun!) with heartfelt and thoughtful words, and it is incredible to me what power art has to animate and inspire the spirit and imagination. I also tend to bring the Witches and Thelemites out of the woodwork wherever I travel for performance–they make themselves known in my workshops and after shows, as they come out to see me, and this is amazing to me! The Thelemic community has been great in supporting this work; OCCULT has many Thelemic presenters and artists on board for our debut year, and the full support of our local body, Knights Templar Oasis. That said, I am greedy; I’d like more overall engagement. Our Artists are our Shamans; they are our Seers and Healers and Guides. OCCULT is an effort to make this connection more conscious and enlivened. I’d like to see more Pagans, Witches and Occult practitioners support the arts by coming out to shows, explicitly recognizing each other’s work, and continue developing a more sophisticated sense of what art is and why it matters. OCCULT is, to us, a step in that direction.

occultYou live and work in Salem, and that’s where OCCULT is being held. Is there something special about Salem that makes an event like this possible?

We are here doing this work on the shoulders of those who came before us. As all things move in cycles, we feel that the time is correct for the coming together of new ideas and approaches. We feel that Salem is indeed an epicenter, and that is undergoing a renaissance of ideas and vision. Many of the old Witch wars have run their course, and there is a thirst for more visible and inclusive happenings that go beyond Witch-Disney type money making tourist hype. We have perceived that there is a new generation that seeks to engage with the magickal arts in a more sophisticated and integrated way. The greater Salem area is full of artists, and many of the Pagans, Witches, occult practitioners, Thelemites and Ceremonial Magicians we have in our circles are also creative artists. We are building on some of the occult themed art shows and events that have already happened in Salem, and expanding upon those ideas and happenings.

OCCULT’s vision statement seems to call for a return to meaning in art, a process of re-enchantment that rejects mere commercialism as the end-all, be-all of making art. That art needs magick just as much as magick needs art. How should the Pagan community start living this ethos? How should the world of fine art?

I hold a Master’s of Fine Art, so I am acquainted with the art world from both an academic and a practicing artist’s viewpoint. I felt alienated early on by the emphasis that I perceived on materials and form, as opposed to content and meaning. I was also, quite naively, stunned by some of the divorcing of spirit from the artistic process. I had automatically perceived art as being inherently spiritual, and magickal. I found that what I recognized as ancient mythological and archetypal patterns would often be dismissed as “cliché”. Would the ancient Greeks at Eleusis have said, “Let’s not do this ritual theatre thing anymore…its been done to death already…so…cliché?” Of course not! But there is a place for keeping art innovated and contemporary, and to keep it growing while honoring these ancient patterns. Many of the artists that Sarah and I chose for OCCULT create work which has this quality: it is informed by contemporary fine art, but it honors and expresses beyond that. Some of the work is deeply self-exploratory and shamanic, some is talismanic, some is ritualistic, some is qabalistic, some surrealistic, etc.

Assuming OCCULT’s success, what’s next? Will this be the first of many salons? Will you take it outside of Salem? Can OCCULT become a new model for Pagan and esoteric engagement with the arts?

Thank you for assuming our success! Wonderful! Yes, Sarah and I plan is to make this a yearly event. We hope to stay in Salem; one of the great challenges that we have had has been space, as it is as a premium in Salem! We have had great experience with the First Universalist Society, both with their open minded and all inclusive spiritual vision, and they have just been super easy and supportive to work with. It turns out that their event coordinator, Alex Coco, is also a Pagan, and along with his wife Nicke, runs Eastern MA Pagan Pride Day! So we lucked out! We’d like to keep it here in Salem, and continue to attract the caliber of teachers and artists that we have this year. We have been so very blessed thus far in manifesting this dream!

***

You can find out more about OCCULT at the event’s website.

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

Witchesmustdie001jpg-2568309_p9Last week, several Pagans became aware of a Facebook page entitled “Witches Must Die By Fire,” and a group called “Those Witches And Wizards Must Die By Fire By Force.”  While hate speech complaints seemed to initially work, the page is back up, and Facebook is sending back an automated message saying it doesn’t violate hate speech guidelines. A number of Pagan responses have emerged from the controversy as growing numbers of our interconnected community discover the page and group. These responses include a petition, a group on Facebook dedicated to removing hate pages and groups, a call to involve Interpol, and an overview of the issue from South African Pagan Damon Leff, who notes that rhetoric about burning witches shouldn’t be taken lightly.  Quote: Throughout Africa women, men and children frequently become targets for witch-hunters. Incitement to burn Witches anywhere in Africa must be taken deadly seriously and response to such credible threats of violence against Witches on Facebook aught to be immediate and decisive.” As an Atlantic Magazine article published yesterday about Saudi Arabia’s ongoing and deadly hunt for witches and sorcerers illustrates, the global problem of witch-hunts and witch-killings are not merely idle talk, and rhetoric underlying these actions should not be simply dismissed. The Wild Hunt is currently in contact with several Pagan organizations about further responses and constructive paths forward.

The Warrior's CallA call has gone out to Pagans in the United Kingdom to participate in a public ritual at Glastonbury Tor designed to “protect Albion from Fracking.” Quote: “Albion is in peril. Her sacred sites threatened like never before. Chalice Well and the Goddess Sulis (Bath’s geothermal springs) are in danger of becoming toxic. The Great Mother’s flesh is to be cracked open and drained dry, uncaring for consequence to bird and beast, land and life. All those of good intent are summoned hither – regardless of age or gender, color or Creed – to gather at noon on Saturday the 28th of September atop Glastonbury Tor. There, we are to engage in group magickal working for the betterment and protection of this sacred landscape.” One of the co-sponsors of the ritual is Wiccan Marina Pepper, a politician and environmental activist, who has made the issue of fracking a key concern. Pepper’s concern seems well founded, as Heritage Daily has also sounded the alarm over potential damage to the famous wells of Aquae Sulis by hydraulic fracturing. As I mentioned last week, prominent UK Pagans like Damh the Bard and Philip Carr-Gomm have already been protesting fracking operations, and it seems like concern over this issue is only intensifying as Britain’s natural landscape is threatened by this process.

Peter Dybing

Peter Dybing

This past week Pagan activist Peter Dybing, a logistics specialist who works in disaster management, has been in Idaho helping to fight the wildfires raging through Sun Valley, the biggest fire in 25 years. Wildfires are currently spreading throughout the Northwest region of the United States, which has been plagued by drought and dry weather. In a missive posted to his blog, Dybing noted how his Pagan faith, and his work fighting these fires intertwine. Quote: “Today I am back from a fire, in Boise, resting, planning and preparing to respond again. As I reflect on my actions it is clear that the most profound influence my beliefs have had on me are my instinctive actions in crisis. When direct decisions are necessary NOW, they are laced with compassion, internal tears for the destruction Gaia faces in this firestorm and the need to be of service. The most profound expression of my Pagan beliefs and practice shine through most brightly when I have little time for piety.” Our prayers go out to Dybing, and all the brave first responders fighting these fires. May the rains return soon.

In Other Pagan Community News:

  • Modern Witch Magazine is now accepting submission for its fifth volume, entitled “Veils and Visions.” Quote: “The theme is centered on working with the other side, ancestors, energy work, and psychic development.” Deadline is September 25th, you can find guidelines and more information, here.
  • Water, the quarterly newsletter of the Pagan Educational Network, has just released its Lughnasadh edition. The publication is for members only, but you can get a membership subscription on a sliding scale.
  • September 27th through the 29th in Salem, Massachusetts will see the debut of “OCCULT,”“weekend long Esoteric Salon honoring, exploring and celebrating the intertwining vines which feed both Magick and Creative Art.” Co-produced by Aepril Schaile and Sarah “Jezebel” Wood the event promises to “recognize that, especially together, both Magick and Art are greater than the sum of their parts, and each in dwells the other; they are rooted together…To raise consciousness, challenging false perceptions of separation between these so-imagined opposed sorceries. With OCCULT, we seek to challenge old beliefs through the juxtaposition of beauty and magick, of art and ritual, blending the ingredients to make an event of highest harmony, a conjunctio of non-opposites.” You can see a lineup of OCCULT workshops and events, here. Artist line-up, here. Presenter bios, here. There will also be a masque.
  • This Saturday, August 24th, Friends of the Gualala River are starting a public action campaign to convince a winery to spare 154 acres of Gualala River’s redwood forest in California. Pagan author and activist Starhawk will be on hand to do a ritual that will (hopefully) turn “wine back into water.” Quote: “I’ve been working with Friends of the Gualala River and representatives from the Kashaya Pomo to help build a campaign to save an important Kashaya heritage site from being clearcut for vineyards.  Artesa, a Spanish company and the third largest wine corporation in the world, is planning this conversion.  It’s the last redwood-to-vineyard conversion planned in California, after the defeat of the huge Preservation Ranch proposal, which thankfully was defeated.”
  • Medusa Coils reports that the Lammas issue of Seasonal Salon, the online publication of the Re-formed Congregation of the Goddess International, has been released.
  • On September 22nd, the Stella Natura festival, held in Sierra Nevada’s Tahoe National Forest Desolation Wilderness will begin, and will include the Norwegian experimental runic band Wardruna in an exclusive American performance. Meanwhile, Circle Ansuz, a Heathen Anarchist collective, has begun a series of posts digging into the beliefs and past of influential Heathen Stephen McNallen, whose Asatru Folk Assembly is acting as co-sponsor for Stella Natura. I will be following this story in the coming weeks, and will update you on any responses or new information.
  • As I noted previously, the Gerald Gardner documentary “Britain’s Wicca Man,” renamed “A Very British Witchcraft,” was finally aired in the UK after being shown in a truncated version in Australia. You can see the 46-minute version of the documentary on Youtube, here (for as long as it lasts). Enjoy!

That’s all I have for now, have a great day!

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.

1892 Lithograph depicting a somewhat exaggerated presentation of the Salem Witch Trials.

1892 Lithograph depicting a somewhat exaggerated presentation of the Salem Witch Trials.

Image of Ann Tuitt and Cornelius Jarvis. Part of a larger photograph of people serving prison sentences for obeah in the Antigua prison, 1905. TNA CO 152/287. Courtesy of The National Archives, UK

Image of Ann Tuitt and Cornelius Jarvis. Part of a larger photograph of people serving prison sentences for obeah in the Antigua prison, 1905. TNA CO 152/287. Courtesy of The National Archives, UK

  • The BBC reports on the abolishment of punishments for the practice of Obeah in Jamaica, and whether this development will lead to a resurgence of the practice. Quote: “Until recently, the practice of Obeah was punishable by flogging or imprisonment, among other penalties. The government recently abolished such colonial-era punishments, prompting calls for a decriminalisation of Obeah to follow. But Jamaica is a highly religious country. Christianity dominates nearly every aspect of life; and it is practiced everywhere from small, wooden meeting halls through to mega-churches with congregations that number in the thousands.” More on Obeah’s history, here.
  • Is Newark, New Jersey Mayor Cory Booker, a favorite to win a Senate seat for the Democratic Party, a stealth Religious Right candidate? Quote: “Cory Booker is very, very tight with the religious right wing — but he’s also very careful about what he says, since he hopes to run for president one day and cultivates strong LGBT support. The problem is, he hangs with the Dominionists [...] So here’s the question: Does Cory Booker simply cultivate useful relationships with a lot of un-American, unsavory, pro-corporatist, right-wing religious extremists — or is he one of them? I can’t read his mind, but I’ve had enough of giving so-called Democrats the benefit of the doubt on this stuff.” Is this all mere speculation? Talk2Action has some more background. All I know is that the New Apostolic Reformation is bad news, and some deeper questions should be asked of Booker if he’s truly allied with them.
  • Welsh, one of the surviving Celtic languages, is in trouble. Quote: “Only half of 16 to 24-year-olds consider themselves fluent, compared with two-thirds of over 60s, and only a third of the younger generation use Welsh with their friends In the language’s stronghold of Carmarthenshire there were five electoral areas where more than 70% of the people spoke Welsh in 2001, now there are none. The statistics have led to calls to protect the language, and 84 per cent of people indicated that they would welcome the chance to use it more.” The article notes that living next to a “language superpower” makes preservation difficult. Let’s hope things don’t get as bleak as it once did for Cornish
  • Practicing Witchcraft isn’t actually legal grounds to have your children taken away, no matter how much some would wish it to be so. Quote: “‘Nobody was able to articulate specific crimes associated with the ideology,’ wrote one officer. ‘Nobody on scene was able to articulate specific reasons (to remove the daughter) besides the religious views of the (boyfriend). All parties were advised that religion was constitutionally protected.’” 
  • The Pew Forum asked various religious leaders about the morality of life extension, and while they didn’t talk to any Pagans, they do interview Unitarian-Universalist, Hindu, and Buddhist leaders. Quote: “According to Michael Hogue, associate professor of theology at Meadville Lombard Theological School in Chicago, a Statement of Conscience on life extension ‘would probably come down [against it].’ Opposition would likely stem from ‘ecological concerns as well as concerns about economic justice,’ he says, referring to the environmental impact of faster population growth and the possibility that only the wealthy would be able to afford life-extension therapies.” Hindus, on the other hand, maybe be OK with life extension. Quote: “According to Arvind Sharma, a professor of comparative religion at McGill University in Montreal who has written about Hinduism and life extension. ‘The normal blessing in Hinduism is ‘Live long.’ So why not live longer?’ he says.” 

That’s it for now! Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

Patrick McCollum

Patrick McCollum

The Association of Correctional Food Service Affiliates (ACFSA) international conference in Reno Nevada is this week, and Pagan chaplain Patrick McCollum will be addressing them to give guidance about requests for special diets from Pagan inmates. Quote: “Rev. McCollum will share information about basic Pagan practices and beliefs, and the give guidance to the Association on how to accommodate religious diets for Pagans. In the past, Pagan traditions have not been considered legitimate religious practices in correctional facilities and as a result, Pagans have not been been afforded equal accommodation in this area. Many practicing Pagans are vegan or vegetarian, but are forced to eat meat while other mainstream faiths are offered alternatives. The ACFSA has decided to utilize Rev. McCollum’s expertise in this area to change prison policies worldwide to be more receptive to Pagan beliefs. This is a huge step forward toward equality for Pagans, and bodes well for a better future for all minority faiths.” According to McCollum, this is the first time that a Pagan has addressed this body. Here’s hoping this will lead to a better understanding of our diversity, and the valid needs of Pagan inmates. You can find all of my coverage of Patrick McCollum, here.

41SC-bWNDqL._SY346_Professor Ronald Hutton, author of “The Triumph of the Moon” and “Blood and Mistletoe,” has a new book coming out in November of this year in the UK ( and February of next year in the United States) from Yale University Press entitled  “Pagan Britain.” Quote: “Britain’s pagan past, with its astonishing number and variety of mysterious monuments, atmospheric sites, enigmatic artefacts, bloodthirsty legends and cryptic inscriptions, has always enthralled and perplexed us. Pagan Britain is a history of religious beliefs from the Old Stone Age to the coming of Christianity. This ambitious book integrates the latest evidence to survey our transformed – and transforming – understanding of early religious behaviour; and, also, the way in which that behaviour has been interpreted in recent times, as a mirror for modern dreams and fears. From the Palaeolithic era to the coming of Christianity and beyond, Hutton reveals the long development, rapid suppression, and enduring cultural significance of paganism. Woven into the chronological narrative are numerous case studies of sacred sites – both the well known Stonehenge, Avebury, Seahenge and Maiden Castle, and more unusual far-flung locations across the mainland and coastal islands. Celebrating the powerful challenge and stimulus offered to our imagination by relics of Britain’s deep past, this rich book reveals much about archaeological and historical endeavour and our modern quest to know.” Hutton was host of the recently aired documentary about Gerald Gardner entitled “Britain’s Wicca Man,” and was elected a Fellow of the British Academy last month.

Philip Carr-Gomm at the fracking protest.

Philip Carr-Gomm at the fracking protest.

The process of hydraulic fracturing to harvest natural gas, infamously known as “fracking,” isn’t only controversial in the United States. Fracking operations are underway in Britain, and several Pagans, including musician Damh the Bard, participated in a protest against a well in Balcombe, Sussex. Quote: “This afternoon’s visit is not a happy return to a childhood stamping ground, but rather a way of supporting brave people in their fight against the madness of greed. What can I do? Add myself to the numbers, add my voice by taking my bouzouki with me and playing Sons and Daughters (of Robin Hood) at the top of my voice!” Other Pagans of note at the protest were Druid leaders Philip and Stephanie Carr-Gomm. At his blog, Philip Carr-Gomm penned an open letter in opposition to fracking. Quote: “The same story is repeating itself with fracking. Although people like money, when the chips are down they don’t want their countryside ruined, their roads clogged with lorries, their water and air risking pollution. They want to protect their country – if necessary from the government who promised to be the ‘greenest ever’. Remember your party has 130-177,000 members, the National Trust has 3.8 million. People really care about the countryside.” You can watch a video of Damh the Bard performing at the Balcombe, Sussex protest, here.

In Other Pagan Community News: 

  • The annual Festival of The Dead in Salem, Massachusetts is coming up! That includes the official Salem Witches’ Halloween Ball, and presentations by authors and teachers like Christopher Penczak. Quote: “The Witches of Salem honor this time with Festival of the Dead, an annual event series that explores death’s macabre customs, heretical histories, and strange rituals. Presented by Salem Warlock Christian Day and hosted by the foremost authorities on the spirit world, Festival of the Dead beckons guests to step through the veil into a realm where spirits await.”
  • The fist issue of the Melbourne-based magazine The Green Man Quarterly is now out and available for order. Quote: “The Green Man Quarterly is a new project based in Melbourne, Australia that aims to present an in depth exploration of Pagan, Witchcraft and Occult issues. Our ambition is to produce an affordable, high quality resource that is able assist in the promotion and growth of our diverse community.”
  • Speaking of magazines, a Starwood 2013 themed issue of the venerable Green Egg has been released. A direct link to the free PDF is here. In the introduction, the editor has announced they they plan to finish scanning all the back issues of Green Egg, to make them available as a resource. Quote: “When all the issues are put up, hopefully by one year from now, if not sooner, I plan to send out a mass email mailing to university departments and teachers about a wonderful resource for them and for their students. And it’s free!”
  • Congratulations to the Covenant of The Goddess Facebook page on surpassing 15,000 “likes”! 
  • Pagan Pride Day season is fast approaching, and press releases from local events are starting to be sent out. Here’s one from Philadelphia Pagan Pride, being held August 31st. Quote: “Entry to the event is free, but we do request the donation of a canned food item or other provisions for our beneficiaries. This year, our beneficiaries are the food bank at the Mazzoni Center, Forgotten Cats, and In-Reach Heathen Prison Services.”
  • Speaking of Patrick McCollum, the issue of American Jails that he contributed an article to won an award for journalism! Quote: “The issue that Patrick wrote the featured title article: Keeping the Faith – Religious issues in Jail, just received the Apex Award for Journalism, the top award for a print magazine in 2013!” You can read the article he wrote, here.

That’s all I have for now, have a great day!

“There is no escape from the cycle.” – Richard Ravish, With Love from Salem

Like another recent documentary involving modern Pagans that I enjoyed, Alex Mar’s “American Mystic,” Karagan Griffith’s “With Love from Salem” is not an introduction or history lesson, but is instead a portrait of a belief system, a culture, in action. It follows Richard and Amy Ravish, Wiccan clergy who led rituals on Gallows Hill in Salem, Massachusetts for more than 20 years.  While ostensibly about their Samhain ritual and procession on its 20th anniversary, what emerged to me on my viewing was surprisingly personal, an intimate look at the lives of two elders whose duty to Salem has become deeply intertwined with their faith, their friendships, and how they interact with community.

The mere mention of Salem, Massachusetts can be divisive within modern Pagan circles, with some Witches and Wiccans decrying the tourist-drawing Mardi Gras-like atmosphere around Halloween, and the Witches who have embraced that spirit of spooky fun as well. Yet, purposefully flamboyant Salem Witches like Laurie Cabot were instrumental in advancing tolerance and rights for Wicca and religious forms of modern Witchcraft. It was Cabot who founded the Temple of Nine Wells, “as a focus for worship and to facilitate a multi-traditional practice of the religion of Witchcraft in order to best serve the spiritual needs of the growing Wiccan community in Salem, Massachusetts.” A mission that was taken up by Amy and Richard as administrators of the temple. According to Amy “Gypsy” Ravish in the film, the ritual and procession at Samhain not only reminds people of the differences between Salem’s Halloween festivities and the religious observance of Samhain, it also gives an opportunity to those Pagan tourists who “can’t walk down the streets of their town, and say that they are Witches.” The tourism acts as a normalizing element, protective coloring for individuals across the country who see Salem as a pilgrimage.

Richard and Amy Ravish

Richard and Amy Ravish

“The commitment , passion and love for the Craft was and still is what moved Gypsy and Richard all these years.”Karagan Griffith, director of “With Love from Salem”

“With Love from Salem” subtly shows you how Salem has woven its way into the modern Wiccan mind, but it’s as much a meditation on aging in the Craft as it is about honoring those killed on Gallows Hill. Richard Ravish passed away in 2012, and as such much of the talk about aging, ancestors, and the spirit of Samhain take on a deeper resonance. It shows Wicca as a faith that endures through the Winter of their lives, and one that continues to resonate for new generations of Witches. The handheld camera work by Griffith gives an impression of home movies, which actually adds to the intimacy, rather than detracts. It’s like watching footage of the elders in your own group or community, talking about their work, their devotion. It gives us outsiders a chance to be a fly on the wall as these two elders plan a community ritual.

Ultimately, “With Love from Salem” is a time capsule, a document of a couple who quietly served a community since the 1970s, a fixed point where seekers and the curious could experience Witchcraft in a “land of ghosts.” It is about mortality and remembrance, not just for the victims of the Salem Witch Trials, but for our own elders as they age and pass on. As Richard Ravish says towards the end of the film, “there is no escape from the cycle,” there is only our acceptance, and our honoring of its gifts. Director Karagan Griffith has done an admirable job of documenting one couple’s journey within that cycle.

For updates on this film, see their official Facebook page.  You may also want to read my interview with director Karagan Griffith.

On June 12th, I reported on an upcoming documentary focusing on the Temple of Nine Wells in Salem, Massachusetts, and the lives of Richard and Gypsy Ravish, entitled “With Love From Salem.” Directed by Karagan Cratty Griffith, and produced by Logios Projects/Red Bird Productions, the first trailer for the film has been released.

Richard Ravish was one of the original “Witches of Salem,” and passed away in 2012 at the age of 59. Priestess Amy “Gypsy” Ravish is a popular Pagan singer-songwriter known for her albums “Enchantress” and “Spirit Nation.” Together they led Sabbats with the Temple of Nine Wells in Salem, Massachusetts for over 20 years. They helped shape the unique spirit that is modern religious Witchcraft in Salem, a spirit that is deeply entwined with those accused and executed for the crime of witchcraft in 1692.

“Salem is, on it’s own merit and historically so, a mark in American history. The year of 1692 was a time of suffering and injustice – 20 innocent people died at the hands of their accusers. Witchcraft was used as a definition and excuse for these trials. But what about now? How do witches today in Salem Massachusetts pay homage to these victims? The Temple of Nine Wells has been walking to Gallows Hill on Samhain night for more than 20 years to honor the dead and the victims of the witch hysteria of 1692. This documentary will walk you through this event, from preparation to ritual, as well as through the differences between Samhain and Halloween, the sacred and the profane. An inside perspective of Samhain night in Salem, and of the men and women who through dedication and personal commitment continue to make a difference. With love, from Salem.”

I was able to conduct a short interview with Director Karagan Griffith, an Alexandrian High Priest with a background in acting and directing, about the film, why it was made, and when the public will get to see the completed project.

Karagan Cratty Griffith

Karagan Cratty Griffith

What motivated you to tell the story of Richard and Gypsy Ravish and the Temple of Nine Wells? What does their story tell us about them, about the Temple, and about Salem?

I have been a personal friend of Gypsy and Richard for quite some time. Since I met them I became fascinated by what they were doing, their commitment and passion for the Craft and those who practice it. I remember going to the first Temple of Nine Wells Ritual. It was in the Old Town Hall in Salem, and I thought that if public ritual was something to be done, then that was the way to do it. The documentary is precisely about that passion and commitment not only in an internal perspective of the Temple of Nine Wells but also in a more broad community sense. The idea of making the documentary came from the first time I attended to a Samhain ritual at Gallows Hill with the Temple of Nine Wells. The adherence of the people, the walk chanting up to Gallows Hill and the ritual itself, told me that this could not remain untold. I had to keep it and record it. I didn’t want to do just a recording of the ritual, so I thought that it would be a good idea to expand the recording to a documentary that would include their history/story but also the history/story of Salem and of the victims of the Witch-Hunters hysteria of 1692.

I think those of us outside of Salem often have a distorted picture of Witchcraft there. There’s so much media, especially around Samhain, that I think the lives and practices of the Salem Witches can get buried. As clergy who officiated a Samhain ritual for 20 years, what do you think the Ravishes teach us about the reality of Witchcraft in Salem?

Love is the word. I think that this is why I did this and they let me do it. Twenty years of Samhain rituals (and not only Samhain but all the Wheel of the Year was celebrated by the Temple, although the documentary focuses more on the Samhain ritual) have to be done with love. There wouldn’t be any other way. Again, the commitment , passion and love for the Craft was and still is what moved Gypsy and Richard all these years. I would also add generosity to list of words, since it was out of generosity that Gypsy and Richard gave all of this to Salem. Every year, on Samhain night, they took us up to the Hill to remember all of those who passed the Veil, including those who died in 1692. As Richard say in the documentary, we claimed the unclaimed, we took and remember those who in 1692 no one took, those who are buried without markers. Gypsy and Richard teach us about love. That is truly what they teach us about.

Finally, could you share a little bit about the making of this film? What’s gone into it? How long has it taken you? What were the challenges of doing this documentary?

The documentary was completely filmed with a Sony Bloggie, hand-held, without a camera stand. It is a very real documentary. I follow the making and all the preparations for the ritual in Gallows Hill, including meetings and decision making. I covered the walk up to Gallows Hill and the silent candle light walk back to the Salem witch memorial, escorted by the wonderful policemen who every year are there to make sure we are safe. We can see the ritual in Gallows Hill, the beautiful music and dance up in the Hill, and intimate conversations with Gypsy and Richard about how did it all begin. It is a journey through the history/story of Salem, the Temple of Nine Wells and Gypsy and Richard’s life and contributions for more than 20 years for the Salem community.

I started to collect footage for the documentary in 2011, so it took me almost two years to complete this project. I do have a good excuse since I am the director, cinematographer, producer with Jimahl di Fiosa and RedBird Productions. It is a very modest project but one that took great pleasure to make. The challenges were of course many, but when you are doing a documentary where the love, commitment and dedication is contagious, you will thrive on that to overcome any of the challenges.

Oh, and now that we have the trailer, when can we expect to see the whole film, and how will it be released?

The documentary will be released soon in Salem to the public and we are looking at some of the venues here to do that. We do not have a date yet but will be between June and July. We will have of course a private viewing of the documentary at Nu Aeon here in Salem for the members of the Temple of Nine Wells. Right after the release in Salem to the public, we will host a world premiere through a Hangout on Google+ with the presence of Gypsy and a selected number of guests and representatives of the various communities all over the world.

***

For updates on “With Love From Salem,” see the film’s official Facebook page. I’d like to thank Karagan Griffith for taking the time to answer some of my questions, and I look forward to the film’s premiere. The Wild Hunt will keep you posted once further details are announced.

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

with_love_from_salemA documentary focusing on the Temple of Nine Wells, and the lives of Richard and Gypsy Ravish, entitled “With Love From Salem,” has announced that they’ve nearly completed the project. Quote: “I had the privilege of seeing some footage of this documentary, currently nearing completion, and to say it is phenomenal is an understatement. A beautiful, evocative and magical film – not to mention visually and emotionally stunning. Get ready to see something amazing.” Richard Ravish was one of the original “Witches of Salem,” and passed away in 2012 at the age of 59. Amy “Gypsy” Ravish is a popular Pagan singer-songwriter known for her albums “Enchantress” and “Spirit Nation.” I’m very much looking forward to a new Pagan-centered documentary, and will update you here once there’s screening/release information.

Erynn Rowan Laurie

Erynn Rowan Laurie

As mentioned previously here, Erynn Rowan Laurie, author of “A Circle of Stones,” recently won for best poetry collection at the Bisexual Book Awards (photos of the ceremony here). On her return, she announced at her official Facebook page that she’s considering a move to Italy, motivated in part by recent health issues. Quote: “As with so many other things in my life, I realized I could either let circumstance defeat me, or I could try to work it so that I could turn it into something interesting. If I’m going to be robbed of my ability to drive, why not have an adventure in a place where walking is normal? It won’t mean that nobody will ever see me again. The internet still exists, after all. I’m very likely to try to fly back to the US for PantheaCon every year, and try to visit Seattle once a year as well.” We here at The Wild Hunt wish Erynn all the best no matter where she goes, and any nation she moves to will be all the richer for her presence. Good luck! Oh, and speaking of the Bisexual Book Awards, they can apparently get you stopped at the Canadian border and held for several hours.

Christina Oakley Harrington

Christina Oakley Harrington

Acclaimed London esoteric book store Treadwells has announced the launch of a brand-new, more robust, website. Included is an extensive resources section headed by Treadwells founder, Christina Oakley Harrington. For example, individuals new to Paganism can find several introductory essays about Paganism in general, and about Paganism in the UK in particular. Quote: “The pages below are designed to be clear, direct and authoritative. The pages on  groups and events direct you to the more established resources, though there are many more that can be found in local communities.” Harrington notes that “if you feel like lookng round the site, it’s got lots of other sections, too. We’ve been working hard on it for ages and hope you all find it useful.” Treadwell’s recently held a number of talks and events in conjunction with the I:MAGE esoteric arts exhibition reported on recently at The Wild Hunt.

Sabina Magliocco at the Conference on Current Pagan Studies. (Photo: Tony Mierzwicki)

Sabina Magliocco

Chas Clifton reports that Dr. Sabina Magliocco, Professor of Anthropology at California State University, Northridge, and author of “Witching Culture: Folklore and Neo-Paganism in America” is launching a new research project on individual’s spiritual relationship with animals. Quote: “The purpose of this study is to understand how we imagine our relationship to animals, how we incorporate animals into our spiritual or religious beliefs, and how this may motivate our actions in the everyday world.” You can take the survey, here. At the survey page Magliocco elaborates on benefits of the study: “This research could shed light on how people come to imagine themselves as part of an interconnected community that includes domestic and wild animals, and develop feelings that lead them to want to protect, defend and care for both domestic and wild animals. It may also reveal areas in which individuals diverge from the theological teachings of their religion as a result of their personal experiences with animals. Findings could be useful in developing educational programs for children and young people that foster sustainability.” Again, the survey link.

pagan_history_projectThe Pagan History Project (PHP) initiated with a soft launch this week on Facebook, with a full website to follow soon. An oral history project created to “collect, store, share and preserve the history of the American Pagan Movement,” co-founder Murtagh AnDoile said the scope of the project would be broad. Quote: “We are using “Pagan” in its broadest sense, encompassing: Witchcraft , Traditional and other, Wicca, Heathenry, Druidry, various Reconstructionisms, Magical Lodges, etc. All the groups and traditions and paths that make up the American Occult/Magical/Pagan movement from the early days ( the 1930s, 40′s 50′s…) to present. We are focusing on everything and everyone pre-1995 at this time, due to our aging population.” Initial interviews have already been conducted, and an informational packet instructing those interested on how to participate in their local communities and festivals will be released soon. Wild Hunt staffer Rynn Fox has been following the development of this project, and will be filing a report soon.

In Other Community News: 

Temple of Witchcraft at Boston Pride.

Temple of Witchcraft at Boston Pride.

  • I love seeing pictures of Pagan organizations marching in LGBTQ Pride parades, so be sure to check out the Temple of Witchcraft’s Facebook page, where they’ve posted several photos of their involvement with the Boston Pride Parade. Quote from ToW co-founder Steve Kenson: “Thank you to all who came out to march and represent for the pagans in Saturday’s Boston GLBT Pride parade and to those who cheered us on! The gods rewarded us with a clear and warm day after a grey and wet morning. Many thanks and blessings!”
  • As was indirectly mentioned in my installment of Pagan Voices earlier this week, the Patheos Pagan Channel has launched a new group interfaith blog entitled “Wild Garden: Pagans in the Growing Interfaith Landscape.” Quote: “Interfaith involvement looks much like a wild garden. A tangle of contradictions, surprises, delights and sometimes disappointments, one must walk carefully. But the risk is rewarded richly, often in ways one could never have seen coming.” Good luck on the new blog! 
  • Also at Patheos, the Pagan Families blog interviews Tara “Masery” Miller about the process of “adopting while Pagan.” Quote: “The Missouri Family and Children’s Services, a government agency, intention to adopt form illegally asked what our religion was. Just as I suspected. I was aware it was illegal because my atheist friend had sent me plenty of references on religion and adoption. Well, instead of blatantly saying I’m Pagan and my husband’s a mage, I said we are spiritual and I belong to the Unitarian Universalist Church! And sometimes we attend a Methodist Church. Which is true. My mother is a lay minister!” That quote is from part two of the interview, here.
  • The Summer Solstice is coming up, and Llewellyn is holding a Twitter party to celebrate! Quote: “The beginning of June marks shorts days, grill days, and summer hours for our luckly Llewellyn employees–but it’s not very fair that you don’t get to participate, is it? So we want you to join us in a summer celebration! We are hosting our second annual Solstice Twitter party! [...] Use the hashtag #moonchat in your party tweets. We’ll tweet the questions, you’ll tweet the answers, and we’ll chat!” There are going to be prize giveaways for participants, so if you’re stuck in an office that day, why not? 
  • In a final note for all our Trad-Wiccan friends out there (and you know who you are), June 13th is Geraldmas! The celebration of Gerald Gardner, the father of modern religious Witchcraft (born June 13th, 1884). I think it’s a great idea to have a day where BTW groups do a day of outreach and socializing. Are you having a Geraldmas celebration in your area this year? 

That’s all I have for now, have a great day!