Archives For Rynn Fox

wild hunt buttonToday we are starting off with a big thank you to everyone who supported the 2015 Wild Hunt Fall Fundraiser. Whether you donated, shared our link, told people about the service or any other effort, the Wild Hunt team is grateful to each of you.

It came down to the last few hours but we managed not only to reach the goal but to exceed it. While we do not have the final figures at this point, the total raised is pushing $20,000. That number is higher than previous years.Thank you deeply to everyone for making it possible for The Wild Hunt to continue its service with room for new growth.

What can you expect in the coming year? First…more of what you have come to expect. Our columnists will be returning on their regular days to explore and discuss the issues of the day. We currently have a full lineup of weekend writers including, Rhyd Wildermuth, Manny Tejeda-Moreno, Eric Scott, Lisa Roling, Dodie Graham-McKay, Cosette Paneque, Christina Oakley-Harrington, Crystal Blanton, Alley Valkyrie and our newest columnist Heathen Chinese. Both Valkyrie’s and Wildermuth’s columns will continue to be sponsored by Hecate Demeter, who has been supporting their work for over a year. And, new this year, Blanton’s column will be sponsored by CAYA Coven, whose organizers wrote, “In celebration of the wisdom and achievements of Pagan Women of Color, CAYA Coven is proud to sponsor Crystal Blanton’s Wild Hunt column this year.”

Also returning will be our two hard-working weekly journalists: Cara Schulz and Terence P. Ward. They will continue to cover the news as it happens, as well as broader news topics. Additionally, we welcome Yeshe Matthews as our Strategic Planning Director. We are thankful to her for running our 2015 Funding Drive and look forward to her continued work as a member of the Wild Hunt team.

But what about the growth? As always, we welcome news voices and interesting stories for our guest columns. We will continue that tradition and invite writers to submit pitches and stories. We also welcome press releases, letters to the editor and news tips. Outside of that, we will undoubtedly continue to evolve over the year and will announce any exciting changes in that process as they happen.

For now, we are taking a moment to pause hold this space and simply say thank you.

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1272196_1504315986498225_3499266264717747598_o-e1417450132408-500x447In Sept, Niki Whiting announced that Many Gods West (MGW), the Polytheist conference held in Washington State, would be returning. This week Whiting announced the event dates would officially be August 5-7. Additionally, the key address will be delivered by Sarah Anne Lawless, a professional artist, writer, folk herbalist and sole owner of the new shop Fern and Fungi. Whiting said, “[Lawless] approaches polytheism through animism, herbalism, and witchcraft. It will be an interesting contrast to last year’s excellent keynote.” The well-received 2015 address was given by Morpheus Ravenna.

It was also clarified that the MGW conference will be held at a different hotel than last year. Organizers say that it is “bigger and better.” But the location will still be Olympia, Washington, which is located approximately 60 miles south of Seattle. As reported earlier, the opening and closing rituals will be hosted by Rynn Fox of Coru Cathubodua. Registration and tickets go on sale Tuesday of this week. Whiting also added that further details are coming soon. For those interested, follow the Many Gods West Facebook page.

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As reported in several mainstream news sources, psychic witch Lori Sforza, also known as Lori Bruno, was in court this week to request a “protective order” against Christian Day. According to the reports, Sforza has accused Day of repeatedly harassing her via the phone and in social media. Day denies these allegations calling the conflict a “business dispute” gone wrong. Outside of the courtroom, he told reporters that Sforza is lying and has repeatedly called him names in public spaces.

The judge, who was reportedly was “dismayed by the volume of late night calls,” granted Sforza the protective order. But Day has vowed to appeal the decision. And, as stated after the hearing, he offered $10,000 to anyone who could prove that he had made all of those calls. The local television news was at the hearing and posted a short clip. We are currently working on this story and will have more details in the coming week.

In Other News…

  • Starhawk will be doing a book tour February and March 2016. She will be working through a speakers’ agency called Aid and AbetThe tour will happen just a few weeks after the official release of her new novel City of Refuge. Starhawk said, “If you have connections with an institution that might want me to come, or if you think you might want to organize something in your area, please contact Jen Angel:” Starhawk added that she prefers small bookstores and university settings.
  • The Luna Press has released its 2016 Lunar Calendar “dedicated to the Goddessin her many guises.” This year marks the 40th anniversary of the calendar’s publication. The first one was produced in 1975 and has continued ever since. Today’s edition includes 23 artists, poets, and writers. Publisher Nancy Passmore said, “The art for this year’s 40th cover is about keeping ones’ moon boat afloat …” and was created by Jamie Hogan. Older covers and ordering information are on the publisher’s website.
1989 Cover Art of the Lunar Calendar

1989 Cover Art of the Lunar Calendar

  • Many people within our communities were interviewed by mainstream media during the October month. In article for Broadly Magazine, Ashley Mortimer, who is a Doreen Valiente Foundation Trustee and Director of the Centre for Pagan Studies was asked to comment on the work of Margaret Murray. The article, titled “The Forgotten Egyptologist and First Wave Feminist who Invented Wicca,” discusses Murray’s life, her influence on Gardner and the problematic place her work in Wicca’s history. Mortimer concludes, “It actually does not matter whether, or to what extent, Murray was right or wrong or that Gerald Gardner made it up or not … The system that was developed works for its purpose, which is religious and spiritual development. And that, in itself, is enough.”
  • Wild Hunt columnist Eric O. Scott authored an article for the religion news forum On Faith. This article, titled “10 Things I Wish Everyone Knew About Wicca,” was published on Oct 30. Scott is a second generation Pagan, who was raised in a Wiccan family. He writes, “The Halloween season invites many questions from people outside of Wicca about the nature of our religion. Some of those questions are things that even I didn’t have a good answer for, despite having been involved with Wicca since the day I was born.” Scott goes on to detail ten points about Wicca and its religious culture. The piece is unique in that it not only presents an un-sensationalized view point on Wicca within a mainstream media forum, but it was written by someone who has practiced the religion, as he said, “since the day he was born.”
  • Are you having Halloween withdrawl already? Go to Timeout‘s website and look over the dramatic photography from “Edinburgh’s Celtic Halloween ritual Samhuinn.” The twenty images show the Beltane Fire Society’s re-enactment of traditional rituals. As the report says, “Samhuinn is a riot of tribal drumming, pyrotechnics, body paint and symbolic, often violent street theatre.” The Beltane Fire Society is a “a community arts performance charity that hosts the Beltane Fire Festival and Samhuinn Fire Festival in Edinburgh, Scotland.” In 2012, writer Rynn Fox looked at the society and how they create these community rituals.
  • Finally, Pagan singer Misha Penton published her most recent music video, titled “The Captured Goddess.” Penton’s voice is classically trained and, in this video, she is accompanied by a solo piano, a viola, and the music of Dominick DiOrio. The song is inspired by the 1914 Amy Lowell poem of the same name.

That’s it for now! Have a great day!

Column: Many Gods West

Heathen Chinese —  August 22, 2015 — 19 Comments

Acknowledgement and thanks to the spirits of the land and the water, to the Nisqually and other Coast Salish-speaking peoples on whose sovereign land we were uninvited guests, to my ancestors, to my gods, and to the ancestors and deities and other allies of the humans at the conference. Thanks to my friend and traveling companion. Thanks to all those who showed me hospitality and friendship, and to the organizers of the conference: Niki Whiting, P. Sufenas Virius Lupus and Rhyd Wildermuth.

The Many Gods West (MGW) gathering was held at the Governor Hotel in Olympia, Washington from July 31st to August 2nd. Over the course of the weekend, 180 humans attended, along with innumerable gods and spirits and crows and other kinds of beings. The conference included twenty presentations, nine public rituals, a keynote address by Morpheus Ravenna, a musical and terpsichorean performance at a local venue, open hours at Skaði’s shrine in one of the hotel rooms, and a communal shrine accessible at most points throughout the day. As at any gathering, many private conversations were held as well, alliances were strengthened, previously separate threads of thought and experience were woven together.

many gods west
Many attendees and presenters have written about their experiences at MGW, or published the texts of their presentations.
These individual accounts are shards in a mosaic-in-progress, strands of wool on a spindle. There are patterns at play here, subterranean and subcutaneous, a fluid and shifting battle formation…if one is trained to notice such things.

The opening ritual was entitled “Many Lands, Many Ancestors, Many Gods, Many People/s.” Similarly to Reclaiming’s practice of mingling the Waters of the World, participants were invited to approach the communal shrine and pour water from a source near their home into a large basin. Soil from the many localities participants had traveled from were similarly mixed in another bowl. Each and every person has some sort of relationship with their local land and water, whether they recognize that relationship or not. This section of the opening ritual was intended to acknowledge and honor those relationships.

Any gathering is likely to be attended by a significant number of people who live in close geographical proximity to the gathering’s location: the logistics of travel dictate this. However, while individuals did travel from the Midwest and the East Coast and other regions to attend, this gathering’s very name reflected a deliberate intention to focus on the West Coast. The concept of “regional cultus” is being discussed in polytheist circles currently. “The West Coast” is a broad term, and certainly contains many smaller regions within it. The entire coast, however, is now united by the shared experience of heatwave and drought and wildfire. As those who live here know, however, from the ashes, new growth springs: a proliferation of new regionalisms, praying for transformation like the knobcone pine, resilient like the manzanita and the madrone.

A fallen madrone (also called madrona or arbutus) provided the wood for the figures which enshrined the ancestors of the conference attendees. Figures carved with faces enshrining Female, Male, Gender-variant, Warrior and Spirit-worker ancestors were passed around the room, allowing each participant who wished to the opportunity to honor their own ancestors in these various categories personally. Meanwhile, the room resounded and reverberated with the song, “Ignis corporis infirmat; ignis sed animae perstat” (“the Fire of the body diminishes; but the fire of the soul endures!”). The Ancestors Of And In The Land and the Dead Who Are Not Yet Ancestors were honored on the communal shrine as well, though their figures were not passed around the room.

Last, but certainly never least in a room full of polytheists, individuals were able to enshrine images of deities and other spirits they have relationships with on the communal shrine. The key word, as ever, is “relationship.” Morpheus Ravenna’s keynote address, entitled “Deep Polytheism: On the Agency and Sovereignty of the Gods,” reiterated this theme with the grace of poetry and the force of a smith’s hammer or a chieftain’s axe. Not just any archetypal “smith,” or any archetypal “chieftain,” however. Morpheus took care to introduce Goibniu and the Dagda—two gods she has devotional relationships with—to her audience, and to tell stories about their individual personalities and pasts, pointing out that “Living beings don’t just exist, they have stories. They have an origin, they come from somewhere in particular, and they experience an arc of change.”

And of course, they exert change upon the world as well. The mark of the Dagda’s axe can be seen in the cleft of every oak in Ireland. Morpheus argued that the gods leave similar marks on the landscapes of our psyches: “Even when we think the Gods are gone, Their marks on us remain. We ourselves are a map shaped and carved by Their memory.” But human beings have our own agency and sovereignty as well, and Morpheus eloquently wove this deeper understanding of reciprocity into her description of what “true relationship” might look like:

In being another of the peoples that have worshiped, fed and sung songs to Them, we become part of Their stories. This is what comes from engaging with the Gods on this level. This is true relationship. […] They become part of our story. We begin seeking to create a story together, a shared future.

One story, one shared future, found its roots deep in the blood-soaked battlefields of ancient Gaul and the beginning of a new chapter in a dimly lit room at Many Gods West. Three members of the Coru Cathubodua, Morpheus and Brennos and Rynn, conducted a ritual in honor of the Gaulish goddess for whom their priesthood is named. After Cathubodua, the Battle Crow, was worshiped through polyphonic song and offering, those individuals who were called received the Warrior’s Mark from her priestesses and priest. A call “aims at those who can hear it.” That is its power. There is another power in standing and bearing witness, as many of those present at the ritual chose to do. As Rhyd Wildermuth said, “meaning is never a solitary act.”

mgw communal shrine

MGW Community Shring [Photo Credit: Finnchuill]

Rhyd’s talk on “meaning” began with a rejection of the concept of absolute Truth, which, Midas-like, fatally corrupts all that it touches: “Looking for the material being-ness of a thing, rather than its tapestry of meaning, is to destroy it.” For example, a body undergoing vivisection—a cruel name, as it quickly turns into the dissection of a corpse: “What are you, really, when we get to your core existence? A dead and dis-membered pile of bloody muscle and gore.” Better to recognize that “There was [and is] no Truth, only potential meaning.”

Heimlich A. Laguz’s lecture, “Dreaming, Death, and Memory: Sketches for a Heathen Cosmology,” based upon his 2010 essay in Hex Magazine, touched upon the concept of “dis-memberment” during the same time slot that Finnchuill spoke about the history of “disenchantment” and the practice of reenchantment. Their presentations were held in adjacent rooms, in fact. Heimlich utilized a pun to highlight the subtle relationship between “dis-memberment” and memory, “When we re-member the essence of this dis-membered world we discover that death and life are one.”

Heimlich began by pointing out that the Germanic cosmological concept of the World Tree does not exist in some sort of independent stasis, but is watered by “the wells of Urd (Past), Mimir (Memory), and Hvergelmir (the ‘bubbling cauldron’ from which the rivers of the world arise and beside which the death-dragon Nidhogg dwells).” As a living system, the newly-created memories of the present necessarily flow “back down into the wells again to create new layers of history.”

Within this dynamic ecological cycle, death is a source of fertility, and it is memory that “has the power to carry the dead back into the world of the living.” Heimlich told the story of the shepherd Hallbjorn, who slept many nights upon the grave mound of the poet Thorleif, with the intention of writing a poem about Thorleif, though his skills in that area were few. Eventually, Thorleif appeared to Hallbjorn in a dream and taught him how to write poetry. Heimlich pointed out that “poetry is a force of unfettered life and excitation, and the idea that it could be sought through necromantic communication is potent and fascinating.” Furthermore, sleep is associated with death, and Hallbjorn learned poetry in a dream. With such connections as these (and many more), Heimlich deftly tied together the three major themes of his lecture.

Death and memory were also powerful forces behind Sean Donahue’s talk on “The Rattling at the Gates: The Dead as Allies in Resistance,” subsequently typed up and titled “Restoring Life to Death.” Sean spoke of two kinds of death: one beautiful and life-nourishing, and the other untimely and traumatic. He spoke of the salmon dying after they spawn: “Like sacred kings, their bodies and their blood nourish the land.” He spoke of the salmon dying this year before they spawn, slain by the drought and the heat. Those killed before their time are restless, denied the beauty of dignified death, prevented from moving on.

Sean quoted his Colombian friend Hector Mondragon: “Hector said “My murdered compañeros were killed twice . . .” once by bullets or machetes or bombs, and once by a world that refused to acknowledge their lives and their deaths.” He spoke of the importance of recognition and memory: “Witnessing and remembering are the beginning of restoring sacredness to the death around us to enable it to feed new life.” Morpheus used similar language during her speech, “the 20th century had already forgotten that the Gods are alive.” But some people never forgot, and others are now waking from amnesia into the dream of remembrance.

Once forgotten, but still alive, still powerful, and newly resurgent, splendid in their beauty: the Matronae, “a collective of indigenous Germanic and Celtic goddesses who were worshipped syncretically in the Roman Empire,” honored in a devotional ritual led by their priestesses River Devora and Rynn Fox. A well was set up in the middle of the room, filled with water from Olympia’s Artesian Well, surrounded by roses and other flowers. Libations of goat’s milk were poured. Singing, dancing: “Mothers of victory, Matronae. Mothers of the tribes, Matronae.” Oracular trance, messages both for the group and for individual petitioners. Wishes made on pennies, tossed into the well. Weaving.

These words you’re reading now? Merely a thin and tiny thread in a vast tapestry.

The various report-backs on MGW delighted in using the word “many” in their titles. But while there are “many” experiences to be remembered, there is also “more,” for relationship is a continual, ongoing process. There is more work to be done, there are more battles to be fought.

Though I’ve written thousands of posts for The Wild Hunt, I couldn’t help but feel a certain sense of excitement writing today’s. Not just because I’ve been away for over a week, but because this is the first post of a newly independent Wild Hunt. A Wild Hunt that, while maintaining many of the things you’ve grown to love about our site, will also see a number of changes. The first will be that The Wild Hunt is no longer a solo venture. I am proud to welcome two new writer/reporters who will be making regular contributions each month here at this site: Rynn Fox and Heather Greene (Miraselena). Both have excellent resumes and backgrounds, and I’m excited about not only for what they’ll bring to you as readers, but also what they’ll allow me to do: spend more time writing and researching original journalism for the Pagan community.

In addition, The Wild Hunt is standing on principle, and will not only be paying our two new reporters, but will also be paying all contributors to the site from this point forward. I’ve seen a troubling trend within our culture to expect content and excellent reporting to happen without support from the community the writers are serving. While there is amazing free content out there, and many, many, talented writers who are doing this for the love of it, I feel there needs to be a space where this work is nurtured, supported, and paid for. From guest posts by top-notch writers like Eric Scott, a contributing editor at Killing The Buddha, to the contemplative writings of Teo Bishop, or the latest breaking story from a Pagan Newswire Collective bureau. So with my first post of the newly independent Wild Hunt, let me announce our annual Fall Funding Drive.

Fall fund large

Over the next month I’m hoping to raise $6000 to not only cover costs here, but to use that money to turn The Wild Hunt into an enterprise that pushes this site to a different level, one that sustains, trains, and propagates excellence in Pagan journalism, analysis, and commentary. Head over to the official IndieGoGo site for a full explanation of what the money will be used for, the various perks of becoming a Wild Hunt funder, and why your donation is so important. So spread the word, and if can, please contribute!

Now, having said all that, it’s been a while since we’ve unleashed those hounds, hasn’t it? Let’s take a look at some stories that have been percolating while I’ve been away.

That’s all I have for now, but expect much more in the days and weeks (and hopefully years) to come! Thanks to all of you for your support, and I hope you’ll spread the word about our Fall Funding Drive and consider donating to help us achieve our goals!

Thanks to Valerie Herron for allowing me the use of her lovely “Cernunnos” illustration for The Wild Hunt.