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Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

10585339_10152348396531365_1555763864_nYesterday was the funeral for slain teenager Michael Brown in Ferguson, Missouri. Throughout the country, vigils were held in solidarity with Brown’s family. Among them was #HandsUpDC in Washington DC. Quote: Join us for a candlelight vigil as Michael Brown’s family lays him to peaceful rest. We’d like to stand in solidarity with #Ferguson and demand the de-escalation of the police and military.” A group of local Pagans took part in the event, carrying signs that said “Justice for the beloved dead.” Pagan author and activist David Salisbury, who lives and works in Washington DC, also organized an informal ritual at the vigil which “will invoke the justice goddesses: Libertas, Justica, Columbia, and Themis.” For more on Pagan responses to Ferguson, please see Crystal Blanton’s Wild Hunt post from this past Sunday

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ice-bucket-challenge-fb-user-profile-1There’s been a huge viral outpouring of support on the Internet for the ALS Ice Bucket Challenge, in which participants in the challenge are doused with ice water to help raise money and awareness for those living with Amyotrophic lateral sclerosis, a progressive neurodegenerative disease. At this point in the campaign an immense assortment of prominent individuals (including an assortment of non-human individuals) have participated, so it stands to reason that there have been Pagan who’ve accepted the challenge as well. Notable Pagans who’ve taken part include author and Pagan Unity Festival co-founder Tish Owen, Pagan children’s book author Kyrja Withers, Llewellyn Worldwide authors Deborah Blake and Melanie Marquis, and ADF Archdruid Rev. Kirk Thomas. Those are just the ones I could easily produce links for, I know there are more out there, so feel free to share them in the comments. As for myself, I prefer Patrick Stewart’s utterly sensible response. I’ve embedded the video featuring Archdruid Kirk Thomas below.

Covenant of the GoddessThis past weekend in Atlanta, Georgia, the Covenant of the Goddess (COG) one of the largest Witchcraft and Wiccan organizations in the United States, held their annual business meeting, known as the Grand Council. Our own Heather Greene will have more about the Grand Council and the accompanying public event Merry Meet on Wednesday, but I can report on one piece of news today: the organization has adopted a formal policy on environmental issues. Quote: “The CoG environmental statement was originally proposed and developed by longtime member and national CoG interfaith representative M. Macha NightMare (Aline O’Brien.) She said, ‘It gives me a great sense of accomplishment that we, the Witches of the Covenant of the Goddess, have crafted a statement about our beloved Mother Earth that reflects our shared values and expresses our mutual concern for our planet, as well as our responsibilities for its current state and our hope for the future. Having this official statement on behalf of the entire membership will be immensely helpful to those of us who work in interfaith arenas. I am proud to have it to share.’” You can read the entire policy statement, which includes a section on climate change, here.

In Other Pagan Community News:

That’s all I have for now, have a great day!

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

Cara Schulz

Cara Schulz

Earlier this month I gave an overview of Cara Schulz’s candidacy for a city council seat in Burnsville, Minnesota. Schulz, a Hellenic Polytheist and staff writer for this publication, has long been active in politics. As a candidate for this non-partisan seat she has endorsed a “Socially Accepting and Fiscally Responsible” platform, and it looks like enough voters in Burnsville liked what they saw. Quote from her Facebook campaign page: “THANK YOU to everyone who volunteered, told their friends about me, and are heading to the polls today to vote. If you think people are selfish, not involved, or lazy … run for office – you will be disabused of those erroneous notions. I’ve been offered help before I could even ask and volunteers helped an insane number of hours. I’ve made some great friends and learned from kind mentors. I’ve met some incredible people from all over Burnsville. [...] The final tally is in! Thank you to everyone who volunteered, sent me messages cheering me on, told others about me, and took the time to vote in the primary.” Schulz will now advance to the general election in November, where the top-two vote getters will fill the two vacant seats on the city council. Our congratulations go out to Cara! 

10557341_10203741099061740_6626525900185221594_nAuthor and Dianic Witchcraft Elder Zsuzsanna Budapest sent out a press release last week announcing that she had bestowed a blessing on Claudiney Prieto, part of Brazil’s Nemorensis Dianic Tradition, for his work on behalf of the goddess Isis. Quote: “I was greatly impressed by Claudiney Prieto in Brazil, who has successfully nurtured an Isis revival. I have blessed him to be a Priest of Isis, which he already is. I saw what he has done and I think he serves the Goddess with his personal leadership. Everybody loves the man. He is dynamite in circle. Such a man with ten years of experience richly deserves the blessing. Both sexes are part of the rituals and sacred plays and always have been. This fits us well. I connect with this because I am also a play write. The original Isis plays have all been translated. It will be great fun creating a religious experience within the medium of theater for this community.” Budapest went on to clearly state that this blessing was not a shift in her beliefs concerning gender and her tradition’s Dianic rituals. Quote: “Although there was some initial confusion about the blessing, it was clarified that he was awarded by her as an honoring of his work with the Goddess [...]  Budapest honored Prieto and bound him as a priest to the Goddess within the constructs of Prieto’s own Nemorensis Dianic Tradition and not her own Dianic Tradition, which is women-born only.” The stated “confusion” and subsequent clarification is most likely related to the fact that Budapest’s form of Dianic Witchcraft is open to cisgender women only, and this blessing could have been interpreted as a move away from that ethos. Such a shift would have been dramatic news indeed, as Budapest has received criticism from within the Pagan community in the recent past for holding “genetic women only” rituals that exclude not just men, but also transgender women, at Pagan events that are open to the public.

green-faiths-3atransThe Covenant of the Goddess (COG), one of the largest Wiccan and Witchcraft-focused organizations in the United States, is holding their annual business meeting, the Grand Council, this week in Atlanta, Georgia. Grand Council, which is held in conjunction with an open-to-the-public event called Merry Meet, is where the sprawling consensus-based organization elects its board and decides on policy. I’ve personally held forth on why I think COG could have a vital role in Wicca and religious Witchcraft’s future, and The Wild Hunt has covered these meetings for the past three years. This year, Merry Meet will feature Selena Fox of Circle Sanctuary as a special keynote speaker. Quote: “We are very excited to have Selena Fox as our Guest of Honor for Merry Meet 2014 and as our Friday Night Keynote Speaker. Selena has been a leader and mover in Interfaith for many years and has worked, and continues to work, tirelessly within the Interfaith Community. Join us for what is sure to be a lovely evening of good food, camaraderie, and our shared passion for ‘Standing on Common Ground’!” Stay tuned for a report on the event from Managing Editor Heather Greene in the near future.

In Other Pagan Community News:

  • Polytheist and spirit-worker Sarah Kate Istra Winter has announced the publication of a short booklet on working with animal bones. Quote: “Working with Animal Bones introduces the reader to the biological processes which form bone; gives advice on how to find bones in a natural setting, and subsequently identify and thoroughly clean them; discusses the types of crafts that can be made with bones; and explores the history and modern practices involving the sacred use of animal bones, including divination. An annotated bibliography and list of online resources for collectors are also included.” The book can be purchased at Etsy, or on Amazon.com.

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  • Over at the Patheos Pagan channel, The Staff of Asclepius blog has welcomed two new contributors: Nornoriel Lokason and CJ Blackwood. Quote: “Nornoriel Lokason is a thirtysomething Norse pagan and demonolater living in the Portland metropolitan area with spirits and a cat [...] Nornoriel is a disability and LGBT rights advocate and in his spare time he enjoys thrifting, communing with nature, reading, and being an armchair historian. [...] CJ Blackwood graduated from Illinois State University with a Bachelor’s in journalism and a minor in English [...] She’s been a practing witch and Pagan for eight years. Her path began with eclectic Wicca, but has now taken her to dusky realms of warrior goddesses, creative goddesses, and crones.”
  • Hungarian Pagan band The Moon and the Nightspirit have released a new album entitled “Holdrejtek.” Quote: “Just like its predecessor ‘Mohalepte’, ‘Holdrejtek’ is much influenced by a deep veneration for and love of nature as far as its concept is concerned, while this time, mastermind Mihaly Szabo approaches the subject in a less romantic and more intellectual way. The lyrics are rife with the philosophical idea of simultaneous oneness and duality of micro- and macrocosm, which is attributed to Hermes Trismegistos and his screed ‘Tabula Smaragdina’.” You can purchase the album digitally on iTunes and at Amazon.com.

That’s all I have for now, have a great day!

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

Seekers TempleThis past week we reported extensively on the case of the Seekers Temple in Beebe, Arkansas, where allegations of a religiously biased local government exercising its power against a Pagan family have reverberated through our interconnected community. Now, it seems that a City Council meeting scheduled today in Beebe might mark the next flashpoint in this increasingly tense situation. Quote: We have been notified by a brave young Pagan girl that her mom is involved with a group of Christians who feel they must save Beebe, AR. from the Devil.  This group is planning to be at City Hall on Monday, June 23 at 6:30pm to combat us with our attempt to be recognized by the City Counsel. We would like to invite everyone to attend this meeting in the hopes that such a presents will keep things from getting out of hand.  We pray that the Christians AND Pagans will be Civil and polite and that our numbers alone will encourage the Mayor to rethink his position against Pagans.” We will keep you updated on this story as it continues to develop. 

Covenant of the Goddess

Covenant of the Goddess

Wiccan/Witchcraft credentialing and advocacy organization Covenant of the Goddess (COG) has launched a national survey to get feedback for a revisitation of their mission. Quote: “We are including a link to our national survey addressing our current Covenant of the Goddess Mission.  The Covenant of the Goddess(CoG) was founded in 1975.  Almost 40 years later, we would like to revisit our mission. To that end, we are surveying our membership and the Pagan/Wiccan community at large to determine whether these goals have been achieved, or should remain and/or whether others should be added. The survey is completely anonymous and should only take a few moments of your time.  Your input is really needed!  We will provide a report of the outcome (summary) data at the next CoG annual meeting in August 2014. Deadline for submission of this survey is July 20thPlease feel free to share the link to this survey to others in the Pagan/Wiccan community at large. We need feedback from all of you!!” The link for the survey is right here.

[Photo Credit: Damh the Bard]

[Photo: Damh the Bard]

On June 14th we reported on the installation of a commemorative Blue Plaque for “father of modern Witchcraft” Gerald Gardner. That article ended with a questions, which English figure would next receive that honor? Well Asheley Mortimer, trustee of the Doreen Valiente Foundation, does have some ideas on that front. Quote: “A Blue Plaque is a marker for an historic moment, at the Centre For Pagan Studies we see it as a duty to ensure that as individuals like Doreen Valiente and Gerald Gardner pass, inevitably, from persons of living memory to figures of history the place they take in history is their rightful one, the blue plaques add to the positive wider public perception of Pagans and demonstrate that their achievements are every bit as life-changing and important to the world as historic figures from the mainstream [...] As for who is next . . . it doesn’t have to be a witch at all, we are thinking about other figures from the Pagan community such as the druid Ross Nichols, and the like . . . , Alex Sanders and Aliester Crowley have also been mentioned as has Stewart Farrar . . . . basically we’re very open to suggestions . . . “ Do you have a suggestion? You can contact the Centre For Pagan Studies here.

In Other Pagan Community News:

Sabina Magliocco at the Conference on Current Pagan Studies. (Photo: Tony Mierzwicki)

Sabina Magliocco at the Conference on Current Pagan Studies. (Photo: Tony Mierzwicki)

  • I hope everyone had a good Summer Solstice (or Winter Solstice if you live ’round Australia), here’s how the Patheos Pagan Channel marked the holiday.
  • Hungarian Pagan band The Moon and The Nightspirit have a new album coming out! Quote: “We are happy to announce that our new album, “Holdrejtek” will be released on August 15th on Auerbach Tontraeger/Prophecy Productions. In tandem with “Holdrejtek”, our early albums, “Of Dreams Forgotten and Fables Untold” (2005), “Regő Rejtem” (2007), and “Mohalepte” (2011) will be re-issued in digipack format with revised layouts.” Here’s the label website.
  • The Council for a Parliament of the World’s Religions have announced the open bidding process for the next parliament. Quote: “We are pleased to announce the opening of the bid process for a city to host the 2017 Parliament of the World’s Religions. A Parliament event showcases ways in which religions shape positive action to address the challenges of our times, and seeks to develop new tools for implementing those actions in the years to come.” As The Wild Hunt has noted on several occasions, modern Pagans are deeply involved with the council and the parliament, and we will be keeping an eye on this process as it moves forward.
  • So, after your crowdfunding project gets everything it has asked for, what do you do next (aside from fulfill the funded project itself)? Morpheus Ravenna ponders the question. Quote: “I’m contemplating other ways to give back to the community out of the funds that are continuing to come in. I would love to hear from you. What else would you like to see as a next stretch project?”
  • Struggles between the Town of Catskill in New York and the Maetreum of Cybele continue. Quote: “This time the Town of Catskill is bringing suit against us for refusing a fire and safety inspection. (To clarify: this is actually a separate – though related – issue from the ongoing property tax case). Cathryn represented us and she did an excellent job. There was a different attorney representing the town this time (NOT Daniel Vincelette), this one was just as much of an obnoxious bully, though. He was accusing us of running an illegal Inn, pointing his finger at Cathryn and making aggressive gestures.” You can read our full coverage of the Maetreum’s tax battles with the town, here.

That’s all I have for now, have a great day!

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

Sociologist Helen Berger discussing new Pagan census data (more on that soon).A follow-up to the Pagan Census Revisited is now up and asking for Pagan participation. Here’s a quote from sociologist Helen A. Berger, who is overseeing this project along with James R. Lewis: “The PCR II is a follow up to the Pagan Census Revisited, which itself is a follow up the Pagan Census. You don’t need to have responded to either of those to participate in this survey. This survey is short, they contain some of the question we wished we had asked in the PCR. For those of you who don’t know about the PC it was the first large scale survey of US Pagans. I published a book on it Voices from the Pagan Census and all the results are online at the Murray Institute at Harvard University for any and all to view. The more information we have about contemporary Pagans the better for understanding the religion, its participants and how it might be changing. Thanks to those of you who have taken the time to complete the former surveys and those of you who complete this one.” I encourage wide participation in this survey, as it shapes research into our communities, and gives insight to those of us inside of the movement. The 2009 revisitation data was a big eye-opener for many, and it will be important to know how we are changing over the years. Click here to take the survey (https://www.surveymonkey.com/s/PCR-II).

Morning Glory Zell

Morning Glory Zell

As has been reported here recently, Pagan elder Morning Glory Zell has been in and out of the hospital due to kidney issues and other complications. Her condition is serious enough that a celebration of her life is being planned for April 19th. Quote: “Celebration of Life for Morning Glory Zell-Ravenheart. Our intention is to give her the energy to stay with us as long as possible. Come celebrate Morning Glory’s life while she is still here to enjoy your stories: How did you first meet Morning Glory? How has she touched your life? We are working with a few people on plans to video-tape your stories, poetry, song – whatever you bring to share.” Morning Glory’s partner, Oberon Zell, adds that “Morning Glory remains at Santa Rosa Memorial Hospital; however, she is rallying against the pneumonia.” Today, April 14th, is Oberon and Morning Glory’s 40th wedding anniversary, and our congratulations go out to them on this milestone. “The Wizard and the Witch: Seven Decades of Counterculture, Magick & Paganism,” which focuses on the lives of Oberon and Morning Glory Zell, was recently released by Llewellyn Worldwide.

9931d7a41cff52affc54a1c0f3082178_largePagan singer-songwriter Arthur Hinds, a member of the band Emerald Rose, recently launched a Kickstarter to fund a new CD entitled “Dance In The Fire.” Quote: “So let’s talk about this new CD, which I’m already at work recording in the Kitchen Studio. It’s called Dance in the Fire, and you can expect a lot of energy and beats that are going to want to make you move. You’ll also hear soulful love songs, chants that honor the seasons and our connections to Spirit, rousing rock anthems that you won’t be able to stop singing along with (so my Lovely Wife tells me), and more. But to get all of this out into the world, I need your help.” Happily, the Kickstarter has already reached and surpassed its modest goal of $2,500, and is now working on stretch goals. Quote: “If we reach 3500, I will be able to produce my next solo collection, tentatively called, Words of Mystery, and anyone who pledged forty or more will also get a copy of these bardic tales when it becomes available in the fall. So spread the word and lets bump this up. To be clear, if we hit 3500, everyone who has pledged forty dollars or more will get Dance in the Fire, a t-shirt, a tattoo,  Words of Mystery and I will throw in a copy of Poetry of Wonder for good measure. Thanks!!!!!” Congratulations to Arthur Hinds!

In Other Pagan Community News:

  • While I’m on the subject of Kickstarters, Pagan scholar and author Brendan Myers is looking to fund his fantasy series “Fellwater.” Quote: “It’s a series of novels about factions of ancient demigods and the everyday people caught in the conflict. Secret societies vie for control of the last corners of the Earth where the Mythic Age survives. It’s a world of alliances and betrayals, cults and politics, friendship and power. It’s what happens when you make a wish, and the horror of it coming true.” Sound interesting? Check out the campaign.
Character portraits from Brendan Myers' "Fellwater" series.

Character portraits from Brendan Myers’ “Fellwater” series.

That’s all I have for now, have a great day!

[The following is a guest post from Michelle Mueller. Michelle Mueller is a doctoral student researching polyamory in Pagan communities. She has integrated women's and gender studies throughout her study of religion, and thinks it's never a bad idea to think about representations of women in the media, as well as messages about queer culture and Pagans.]

As many of us in the Bay Area (and beyond) reintegrate into the “mundane world” after PantheaCon, it feels timely to turn an eye towards images of Witchcraft in pop culture. Some Wiccans were upset about Katy Perry’s performance of “Dark Horse” at the Grammys three weeks ago, during which she invoked theatrical imagery to refer to “the Burning Times.” In her grand finale, she attached herself to a broom (basically stripper pole style); the pyrotechnics produced a blazing fire around her, a reference to witch-burning.

I missed the Grammys but my good friend, Assembly of the Sacred Wheel member, Shelly Graves brought the performance to my attention with a Facebook post the next morning, “Did anyone just see that performance by katy perry? Wtf was that? Not cool with the whole witch burning imagery at the end” (Jan. 26, 2014).

I watched the video and caught up on aggravated comments from Wiccans and critics. Intrigued by the strong response, I asked my other Facebook friends what they thought.

Selina Rifkin, Executive Assistant to the Director for Cherry Hill Seminary also enrolled in its masters program, offered:

“I think it depends on how sacred you hold the symbolism she was using. The color black, graveyards, broomsticks, some flames, however we hold these images, they are also part of the broader (yes largely Christian) cultural view of what is dark and dangerous. We aren’t going to change the fact that we are a minority religion, and it’s not reasonable to expect that someone like Katy Perry is going to be interested in anything but addressing the largest audience possible. She has no reason what so ever to accommodate a minority religion, assuming she even knows Wiccans -or any other Pagans – exist.

That being said, Wiccans in particular are working to reclaim some of that “negative” imagery and I don’t think it[’]s a big surprise that a pop star used it to suit herself. After all, if it’s “art,” pretty much anything goes.” (Facebook, Jan. 26, 2014)

Shelly clarified her criticism, “I think that her performance tarnished the message of unity the Grammy’s were trying to present. I was really surpr[i]sed that Katy Perry would do that. I guess people really can be clueless and not understand that The Burning Times were as horrible as any of the genocides that have taken place. People were killed for no good cause.”


For me, Perry’s performance of “Dark Horse” in the Grammys was refreshing compared to other things I’ve seen her do, which I will describe shortly. I didn’t mind the references to witch-burning because it seemed she was identifying with the motif of the martyr or the persecuted witch. I am in good company. Abel R. Gómez, graduate student at the University of Missouri and past contributor to the Wild Hunt, commented, “I liked it. I think it’s possible to read into it more, but to me, it’s just a performance.” Of course, others find the performance offensive because Perry may have been making light of atrocities towards women and healers.

I liked Katy Perry when she first debuted. I’m a Hello Kitty and Sailor Moon aficionado. I liked Katy Perry’s girly style, lollipops, and teenage dream.
I became concerned over lyrics of “Last Friday Night,” which glorify blacking out as meaning a terrific night, especially because of the number of girls listening to her music and the impact this message could have on them. I pivotally lost respect for Katy Perry when I saw this video of a live performance (Sydney, Australia, October 2013) in which she jumps rope in platform heels for 17 seconds before the finale of “Roar,” the song whose lyrics unmistakably refer to the women’s liberation movement: I got the eye of the tiger, a fighter, dancing through the fire/’Cause I am a champion and you’re gonna hear me roar.

I love instances of women affirming their sexuality, but I do not like women being reduced to boobs, which is what I felt this performance did. Her fans loved it. You can hear them singing Roar along wildly in the video. As with the Grammys performance, we will disagree about the intentions of an artist and the quality of their art.

In an interview, Perry herself said, “I hate working out, but I love jumping rope. I think it’s because it’s like dancing; there’s a rhythm….I’m a really good rope jumper. I can double jump, I can cross, I can do all of it. I look like Rocky when I jump rope!’” (Mail Online, Oct. 28, 2013) Somewhere some women may have found her message empowering, an example of choice, free expression, or fitness. I did not.

Two years ago, Katy Perry’s “Ur so gay” made it on the radio, which Elena Rose of Starr King Unitarian Universalist seminary brought my attention to. See link for Katy’s explanation and performance on MTV Unplugged (June 2012). Somehow this song had skipped my radar. Maybe others were offended and the radio stations and DJ’s held back from playing it with the strength of other Katy Perry singles. It’s one thing to be disappointed that your crush likes the opposite gender and not you, but these lyrics are downright hateful to gender non-conforming people:

“I hope you hang yourself with your H&M scarf
While jacking off listening to Mozart
You bitch and moan about LA
Wishing you were in the rain reading Hemingway
You don’t eat meat
And drive electrical cars
You’re so indie rock it’s almost an art
You need SPF 45 just to stay alive

“You’re so gay and you don’t even like boys
No you don’t even like
No you don’t even like
No you don’t even like boys
You’re so gay and you don’t even like boys
No you don’t even like
No you don’t even like
No you don’t even like…

“You’re so sad maybe you should buy a happy meal
You’re so skinny you should really Super Size the deal
Secretly you’re so amused
That nobody understands you
I’m so mean cause I cannot get you outta your head
I’m so angry cause you’d rather MySpace instead
I can’t believe I fell in love with someone that wears more makeup than…”

In conclusion, many Witches are upset about “Dark Horse” at the Grammys. I find other things by Katy Perry more offensive. I found her Grammys performance creative while others found it triggering of genocidal history. I observe with patience and curiosity what in the next year will emerge from behind Katy Perry’s curtain. I hope to Goddess she develops into a more mature performer because I really would like to see her succeed as an artist. I had high hopes when she emerged (though I always felt “I Kissed a Girl” was a rip-off of Jill Sobule without credit.) I believe Perry can use her power and fame more constructively than with lyrics like “Ur so gay,” and I pray she chooses to.

Many have said Katy was tipping her hat to the wildly popular series American Horror Story: Coven. I hope to hear at a future date from Crystal Blanton about this series, as I know she has been following!

Occasionally, I get such a flood of Pagan-related music news, that I’m obligated to round them all up in a special music-themed post! So open your ears, and let’s get to it!

IGG-MainIcon-D1-SQUAREPagan-friendly Canadian songstress Heather Dale has launched a new IndieGoGo campaign to fund an Arthurian-themed touring show, DVD, and educational youth program. Quote: “The CELTIC AVALON touring show. A big, gorgeous stage show that musically tells the legend of King Arthur… a story about finding hope & love in tough times. [...] As we tour CELTIC AVALON from city to city, I want to offer a special YOUTH EDUCATIONAL PROGRAM to teachers & schools. Our show’s cast members perform a special youth-oriented concert (either in-school or in-theatre), and talk with students aged 9-14 about inner strength, anti-bullying, using your unique talents & skills, embracing differences, and defending others positively. We give teachers a printed resource kit that ties our concert to various curriculum goals.” The goal is an ambitious $40,000 dollars. The campaign launched on Monday, and as of this writing she’s raised over $1000 dollars of her goal. You can watch the pitch-video here.

a2799640720_2Anilah, a solo project from Canadian vocalist and composer Dréa Drury, has released its debut album “Warrior.” Quote: “She combines the shamanic and esoteric with modern elements, weaving a soundscape that is ethereal and yet solid with rhythmic pulse. For fans of Lisa Gerrard, Dead Can Dance, Wardruna, and Tool.” Her work is inspired by “traditional shamanic sound practices, invocation, and prayer,” and that’s apparent on the four tracks found here, many of which are long, expansive sound-and-voices-scapes that are meditative in nature. In a review, Wyldwood Radio says that the album “is something that will take you on a journey not only to another world, but deep within yourself. It is perfect for relaxing to, for meditating to, for anything spiritual. I am very much looking forward to hearing more from Anilah.” As the promotional blurb says, fans of Wardruna will like this, as will, I think, fans of Soriah’s work with Ashkelon Sain.

news_1114European Pagan-folk band Omnia has just finished recording their new album “Earth Warrior,” set to be released this Spring. Extensive photo updates, lyrics, and random thoughts on the album-making process can be found at their official Facebook page. Quote: “We are very happy with all the musick for the new album, we are sure that you will love it too. Last night, Stenny listened to half of the songs before going to bed, and couldn’t sleep for another 3 hours afterwards because of the energy it gave us. Yay! I can tell you, it’s going to a very interesting album, with many styles (as you are used to by now), some songs you might already know from live concerts last year, some completely never-played-live-before pieces, which we hope you’ll come to love just as much as we do, and some “oldschool-Omnia” pieces never released to our satisfaction, re-arranged ad re-recorded. You will find a few traditional melodies in there, but for the rest everything has been written by Steve and Jenny, arranged together with Rob and Daphyd. I am sorry you still have to wait for a while, but trust me, it’s going to be worth it.” For those who want to get their hands on the new album, and see the band perform live in the United States, they will be returning to the Faerieworlds Festival in Eugene, Oregon this coming July.

In Other Pagan Music News: 

That’s all I have for now, have a great day!

I want to acknowledge the passing of legendary folk musician and activist Pete Seeger, who died on Monday at the age of 94 of natural causes.

Mr. Seeger’s career carried him from singing at labor rallies to the Top 10, from college auditoriums to folk festivals, and from a conviction for contempt of Congress (after defying the House Un-American Activities Committee in the 1950s) to performing on the steps of the Lincoln Memorial at an inaugural concert for Barack Obama. For Mr. Seeger, folk music and a sense of community were inseparable, and where he saw a community, he saw the possibility of political action.”

While not a Pagan, Seeger did briefly belong to a Unitarian-Universalist church, and ascribed to himself a kind of pantheistic view of religion

“I feel most spiritual when I’m out in the woods. I feel part of nature. Or looking up at the stars. [I used to say] I was an atheist. Now I say, it’s all according to your definition of God. According to my definition of God, I’m not an atheist. Because I think God is everything. Whenever I open my eyes I’m looking at God. Whenever I’m listening to something I’m listening to God.”

Throughout his life, Seeger was an actively and unapologetically left-wing in his politics, which led to him being blacklisted by the entertainment industry for decades after his appearance at the House Un-American Activities Committee in 1955.

“I feel that in my whole life I have never done anything of any conspiratorial nature and I resent very much and very deeply the implication of being called before this Committee that in some way because my opinions may be different from yours, or yours, Mr. Willis, or yours, Mr. Scherer, that I am any less of an American than anybody else. I love my country very deeply, sir.”

There are many, many, places out there paying tribute to Seeger, for his politics, for his environmental activism, for his role in (at least) two folk-music revivals, but I want to leave this short tribute on a more whimsical note. You see, Seeger had a hand in popularizing the filk-music classic “That (Real) Old Time Religion,” which became something of a classic amongst certain portions of our community.

In the end, Seeger was someone who wanted everyone to sing along, to be engaged, and for that alone, he should be remembered and honored.

“He was a person who believed deeply that people should sing, in groups, with harmony, in public — and not just in church. He was a passionate director of probably thousands of pickup choirs, formed at the beginnings of performances and disbanded when they were over. That became even more true as he got older and his voice weakened, but it was true all along.”

Rest well Pete, thanks for everything.

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

Morning Glory Zell

Morning Glory Zell

As mentioned in last week’s installment of Pagan Community Notes, Pagan elder Morning Glory Zell is currently in the hospital due to kidney problems. Her partner, Oberon Zell, has posted an update on her status, saying that “she had a double-dose of blood extraction and filtration: phoresis all morning, and dialysis all afternoon. By the time they were done, she was really wiped out, and she had a very rough night. Today she was due for another phoresis treatment, and then they were going to alternate days of phoresis with days of dialysis. But she begged them to let her have a day off, and they agreed. So tomorrow she’ll be back on phoresis.” As treatments continue, a fundraiser has been organized to help cover costs associated with her long hospital stay. Quote: “Money for Morning Glory Zell is accepting donations to offset living and medical expenses for our Pagan Priestess.” As of this writing, over $4000 dollars of the $5000 dollar goal have been raised. Our best wishes go out to Morning Glory, her family, and loved ones.

Deborah Ann Light (photo via Anna Korn)

Deborah Ann Light (photo via Anna Korn)

It has been announced that Deborah Ann Light, a Wiccan Elder who has been heavily involved with the interfaith movement, has entered hospice. A Facebook group has been set up for those wishing to send messages or share remembrances as she prepares for this next stage in her journey. Here’s a short quote from Andras Corban Arthen of EarthSpirit on Light and her contributions to modern Paganism. Quote: “Deborah has been a great benefactor to the pagan movement over the years, and helped to open many doors for us, especially in the area of interfaith. At the 1993 Parliament of the World’s Religions, when, after much negotiation, the Parliament agreed to give one seat at the Assembly of Religious Leaders to be divided among the three co-sponsoring pagan organizations — EarthSpirit, Circle and COG — Deborah (as a member of all three organizations) became our joint representative and signed the Global Ethic document on our behalf. As a philanthropist, she has given substantial funding to many pagan organizations and causes, never wanting public credit or fanfare, only the satisfaction of knowing she had been able to serve her community.” Our best thoughts and wishes go out to Deborah Ann Light, her friends, family, and co-religionists.

Wendy Rule

Wendy Rule

Pagan musician Wendy Rule has just released a new album, entitled “Black Snake.” Rule calls the album one centered on “transformation.” Quote: “Black Snake is an album of transformation. It follows my personal journey of the past couple of years – of stripping back and letting go of everything that was holding me back, and of reaching a point of vulnerability that allows for true growth. It’s an album of great optimism, and although some of the songs are soft and dark and sad, many are full of the great exhilaration of Life and Nature and the incredible Universe. Even though the 12 songs explore my own journey, they are really celebrating universal themes of death and rebirth, of descent and re-awakening. It’s your story, too! And it’s Mother Earth’s story.” You can purchase the new album at her recently re-designed website, or at CD Baby. A launch party for the Australian singer-songwriter’s new CD will be held in March.

In Other Pagan Community News:

  • “Entering the Sacred Grove,” the 2014 Summer Intensive from Cherry Hill Seminary, will be held July 10th-13th in Butler, Missouri. Quote: “Myth signifies a story which encompasses deep meaning and insight into the human situation and life on this Earth. The sacred grove is a place where we may explore the interfaces where what is mundane and domesticated in us confronts the wild divine within and the transformation that results. The authentic spiritual life embraces both, searching for an alchemy that will move the seeker beyond the mundane.”

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  • “The Wizard and the Witch: Seven Decades of Counterculture, Magick & Paganism,” which focuses on the lives of Oberon and Morning Glory Zell, written by John C. Sulak, will be released on February 1st from Llewellyn Wordwide. Quote: “Telling the stories of their singular lives in this unique oral history, Oberon and Morning Glory—together with a colorful tribe of friends, lovers, musicians, homesteaders, researchers, and ritualists—reveal how they established the Church of All Worlds, revitalized Goddess worship, discovered the Gaea Thesis, raised real Unicorns, connected a worldwide community through Green Egg magazine, searched for mermaids in the South Pacific, and founded the influential Grey School of Wizardry.” Looks like a must-own for Pagan scholars and historians.
  • Chas Clifton notes that the funeral rites for Jonas Trinkūnas, the krivis (supreme priest) and founder of Romuva, can now be viewed online. The Lithuanian news site has also posted a lot of photos. You can read The Wild Hunt’s obituary for Jonas Trinkūnas, here.
  • Pagan musician S.J. Tucker has entered the “Song of Arkansas” contest. Quote: “New Song! Hope you all enjoy this. Pretty well sums up how I feel about the positive aspects & beauty of the place I came from. I wrote this for a song contest which closes today. The pro judges will pick the top 5 entries over the next two weeks, and then general voting begins on February 10. We’ll see if I make it into the top 5!” Good luck! I’ve embedded the video below.

  • The Imbolc 2014 issue of Pentacle Magazine“the UK’s premier independent Pagan magazine,” is now available for order. Offerings include: “Green Man: Albion Fracked!,” “Thoughts on Being Called a Heretic,” and “By Spellbook and Candle: a Guide to Cursing.”

That’s all I have for now, have a great day!

Through most of the 1970s, and into the 1980s, the genre of music that would become ‘New Age’ was a largely independent affair. Small labels, or records self-released by artists, sold their albums and cassettes in alternative venues like bookstores, metaphysical shops, alternative healing centers, and other places receptive to the spiritual and experimental nature of the sounds produced. However, momentum was building. The syndicated radio show Hearts In Space spread through the NPR affiliates, some radio stations started adopting a New Age format, and major labels started signing New Age artists (or buying up entire New Age labels). Then, in the late 1980s and early 1990s, everything exploded. For me, two records stand out in this regard: Enya’s “Watermark,” which seemed omnipresent as a musical force through the late 1980s, and Enigma’s “MCMXC a.D.” which was released in 1990 and topped charts in dozens of countries. After that, all bets were off. New Age was big, big, business, and a string of artists hit huge, often with diminishing results, until the genre became a parody of itself. As interest faded, and the music industry went into a tailspin, major artists went on long hiatuses, stepped sideways into lucrative non-musical gigs, or tinkered with their formulas. While the big artists would continue to draw big crowds, the gold rush decade was over.

If that narrative sounds familiar, it’s because New Age music shares it with a host of other musical genres. But unlike, say, grunge (or disco), few would stand up for those noodling space-ways travelers so easily mocked by comedians. Because it wasn’t just the music, New Age was joined at the hip to the market busily selling products and teachings to a large number of spiritual seekers. This symbiotic relationship between those who sold books and crystals, and those who made music to soundtrack inner spiritual journeys, would be hard to separate. However, a confluence of time, easy judgement-free access to music, and hunger for new sounds, have managed to push forward a new appreciation of the sonic adventurism and experimentalism of early New Age music. A central document of this movement in 2013, would be the compilation “I Am The Center: Private Issue New Age Music In America 1950-1990,” from Light In The Attic records.

“Forget everything you know, or think you know, about new age, a genre that has become one of the defining musical-archaeological explorations of the past decade. I Am The Center: Private Issue New Age In America, 1950-1990 is the first major anthology to survey the golden age of new age and reveal the unbelievable truth about the genre. For new age, at its best, is a reverberation of psychedelic music, and great by any standard. This is analog, handmade music communicating soul and spirit, often done on limited means and without commercial potential, self-published and self-distributed. Before it became big business and devolved into the spaced out elevator music we know and loathe today, this was the real thing.”

“I Am The Center” has crystalized (no pun intended) a movement to re-examine these early pioneers, a trend that’s been quietly bubbling under the surface of underground music for years now. Many electronic-minded artists moving in the realms of experimental and ambient sounds have acknowledged the debt these artists are owed, but that praise was often quiet and conditioned, as “New Age” (as a genre) became something associated with cynical money-making and hack-work. Listening to the artists on “I Am The Center” is something of a revelation, especially if you’ve spent years hating the genre. Here, on these two discs, are small treasures to be found. Individuals with a drive to make music serve a higher purpose, in an atmosphere that’s almost punk-rock in its DIY ethos. Those who’ve opened their minds to this new retrospective have been surprised at how much there is to like, and respect.

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“With an open mind I sat down to listen. Not four tracks in, I soon found myself impressed with how ahead of its time some of this music must have been – a perfect example being the 1971 track, “Pompeii 76 A.D.” So futuristic sounding is the bell like harp and cavernous reverb that it was used some 11 years later by Ridley Scott in Blade Runner, a film widely considered the archetype for modern science fiction. Indeed, as the compilation progresses, I am repeatedly amazed by the lush electronic textures and extreme use of reverb in creating spaces. The glacial atmospherics and fragmented textures in tracks like “Om Mani Padme Hum” ebb and pulsate with such subtle intensity and depth, it is easy to forget it was recorded long before the advent of digital effects.”

Music journalists, as early as 2011, were picking up on the fruits of this exploration. Some artists and revivalists seemed to revel in the repulsion some still feel at the term.

“Underground noisemakers like Emeralds, Oneohtrix Point Never, Stellar Om Source and Blues Control are following suit, mixing the soothing sound textures of the genre as well as its visual aesthetic into their own works. San Francisco specialty record shop Aquarius Records raves not just about the latest Norwegian doom metal album but also the dronescapes of composer David Parsons, and New York’s Other Music touts artists like Claire Hamill. For some, such music might be of passing interest, but other musicians gravitate toward it as a balm in the age of digital overload. Call it the new age of New Age. “‘New Age’ is a thoroughly discredited term,” said Douglas Mcgowan, who reissues rare New Age albums through his Yoga Records imprint. “Part of why I like the term is because of how much it bothers people. I think it’s more fun to enjoy something that is frowned upon. There’s a rebelliousness to embracing something that has been discarded and deemed worthless by the culture at large.””

All of this would simply be an odd curiosity, except for the fact that two of this year’s best albums: Julia Holter’s “Loud City Song” and Julianna Barwick’s “Nepenthe.” Both have backgrounds in experimental music,  and both have drawn multiple comparisons to New Age music.

“There are some distinctly new age influences on Loud City Song, starting with the almost unaccompanied vocal intro to “World.” Holter’s proclivity for subtitling grand art rock structures with jazz instrumentation and lounge tones – especially when it comes to the album’s upright bass parts – is reminiscent of Talk Talk’s Spirit of Eden LP. “In the Green Wild” is as much late Arto Lindsay as it is early Kate Bush, containing strange hints of each’s Invoke andNever For Ever albums respectively. The latter seems to be, if not a direct influence of Holter, a startlingly apt comparison point, especially on Loud City Song’s proclivity towards creating tonal swells out of the dialogue between deliberately separated instruments.”

This is especially true for Barwick. While Holter enters into terrain that is percussive and jazz-influenced, Barwick’s “Nepenthe” is an album of cascading waves of vocal and sound that remind you just how emotionally affecting these effects can be. It is both church and misty forest, a numinous crossroads where our hearts open almost unconsciously.

“Back in 2011, with the release of The Magic Place, not a few column inches were expended trying to explain why Julianna Barwick was not “the new Enya”, as the NYT had previously suggested. Many people seemed to feel that, in order to justify the value of Barwick’s music, they first had to distance it from that most toxic of tags, ‘New Age’. Which seems like an odd viewpoint given the pluralist, post-canonical taste-o-sphere we inhabit these days – one where the musical whipping boys of yesteryear are routinely revived as cult favourites. In 2013, there is plenty of music around that is emotionally monochrome and pleasingly so; more still that is pretty much entirely surface, but gorgeous surface nonetheless.”

It should be pointed out that neither Barwick or Holter are the “new” anybody, and those looking for a new “Watermark” will be disappointed. But, for the adventurous explorer of sound, one who isn’t turned off by music that suggests, that surrounds, rather than bludgeons, these artists bring forth the best aspects of a much-maligned mode of musical expression. These three albums:  “I Am The Center,” “Loud City Song,” and “Nepenthe” remind us that every genre gained an audience for a reason. That the gross cash-in of the later years of New Age came from a purer place, one of honest expression. That New Age music does have a legacy worth preserving, and incorporating into the now of popular taste.

There are other places I could go in this exploration, the new documentary about Krishna Das, for example. But I don’t want to stray too far from the center of my main point. Wrapped in this story is a cautionary tale, one that tells of spiritual and artistic ambition exploited, degraded, and ultimately left to rot in a cultural cul-de-sac. An art form left to wander in the wilderness until rescued by a new generation untainted by the associations it had affixed to this creative form. Every artist wishes for fiscal reward, for a comfortable living from their art, but that reward can also undo them. Finally, it is the striving for excellence that makes a work of art distinctive. Barwick and Holter are not pigeon-holed as “New Age” because their artistry and ambition resist easy categories. A lesson that “Pagan” musicians could take to heart. For perhaps we don’t need a “Pagan Music” any more than spiritual seekers needed a “New Age” genre back in the 1980s. All we need are artists dancing the liminal, embracing the mythic, without the labels, tropes, or expectations of any one group.

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.

  • Will Marianne Williamson become the first New Age guru elected to Congress? Williamson, who rocketed to fame with the publication of “A Return to Love” in 1992, is challenging Democrat Henry Waxman in California’s 33rd Congressional District of the U.S. House of Representatives. Quote: “In these first days of her unlikely campaign, Ms. Williamson is making the case that an injection of her brand of spirituality is what American politics needs. ‘America has swerved from its ethical center,’ she said. ‘Most of us want to feel that we can have a progressive conversation and contextualize it morally. To me, drone use is a moral issue.’” Unseating the popular Waxman may be difficult, and Democratic operatives are skeptical that she’ll succeed. Still, Williamson’s candidacy does introduce an interesting dynamic of spiritual progressive “Left-Coast” superstars deciding to take an active interest in political matters.
  • The Hopi Tribe has filed suit against a Paris auction house, hoping to stop the sale of sacred Katsinam masks. French laws are far more permissive about such sales, and doesn’t have the regulations that the United States has regarding indigenous sacred items. Quote: “Advocates for the Hopis argue that selling the sacred Katsinam masks as commercial art is illegal because the masks are like tombs and represent their ancestors’ spirits. The tribe nurtures and feed the masks as if they are the living dead. The objects are surreal faces made from wood, leather, horse hair and feathers and painted in vivid pigments of red, blue, yellow and orange.” This is not the first time such a sale has transpired, and the Hopis hope this new round of court battles will provide a different outcome.
  • The Guardian reports that the Vatican and Bodleian libraries have launched an online archive of ancient religious texts. Included in those texts will be several works of interest to my readers. Quote: “The works to be digitised include the small but staggering collection of Greek manuscripts in the Vatican, including ancient texts of works by Homer, Sophocles, Plato and Hippocrates.” 
  • I maybe be downright chilly towards the antics of New Age gurus, but early New Age music? That’s another thing entirely. Quote: “Forget everything you think you hate about New Age music. I Am The Center: Private Issue New Age Music In America 1950-1999 is a stunning compilation of beautiful, chill, complex, psychedelic, trancy, spacey, and surprisingly deep music that was self-published and self-distributed, mostly on cassette tapes in a 1970s and early-1980s heyday of experimentalism.” Like Disco, commercial plunder ruined the genre, but both are having their proper place in history restored.
  • Televangelist Paul Crouch, founder of the Trinity Broadcasting Network, died on November 30th. During his life Crouch was dogged by accusations of fiscal impropriety and plagiarism, among other things. The Los Angeles Times has a thorough obituary for the curious.
Lance Reddick

Lance Reddick

  • Actor Lance Reddick, famous for his work with the show Fringe, is joining the cast of American Horror Story: Coven as the loa Papa Legba, who oversees communication, and acts as the intermediary between our world and the word of spirits and powers (as such he is uniquely honored within Haitian Vodou). There’s just one problem, he’s being decribed as, quote, “voodoo Satan” by the producers. Quote: “The character, described as Coven‘s version of ‘voodoo Satan,’ plays a pivotal role in the life of Marie Laveau (Angela Bassett) and will be an important figure in the series’ remaining four episodes. Show co-creator Ryan Murphy teased Legba’s involvement in our recent EW AHS: Coven cover story: ‘You find out that’s how come Marie Laveau looks so good — because she sold her soul!’” So, that’s problematic, to put it nicely. I imagine practitioners of Vodou who are already unhappy with how their faith is being portrayed won’t be especially pleased by this new turn of events. I will be following up on this story soon.
  • Brooke McGowan of the Tea Party News Network is apparently concerned that Wiccans are making God, like, really, really, angry. Quote: “In this nation we have turned away from the God of the Bible and we’ve told him he’s simply not welcome here,” McGowan said. “We have welcomed pluralism, atheism, secular humanism, Wicca and even Islam.” What a charmer! I bet she’s fun at parties.
  • The Fayette County jail in Pennsylvania will now allow Wiccan services for inmates thanks to the efforts of Kathryn Jones. Quote: “Kathryn Jones of Uniontown told the board Wednesday she has ’15 years’ leadership as a Wiccan.’ [...] Jones said she had been permitted to conduct services in the prison chapel in the past, but recent requests have been denied. ‘I’ve asked for months for a visit in the chapel,’ Jones said. [...] Angela Zimmerlink and Vincent Zapotosky, county commissioners who serve on the prison board, said Jones’ requests are to be granted, provided her requested times do not interfere with previously scheduled uses of the room.” Sometimes, activism can be a simple as not going away.
  • Here’s the first official trailer for Pompeii, out in February. Quote: “The film stars Kit Harington as an enslaved Celtic gladiator named Milo who falls in love with a noblewoman (Emily Browning) on the eve of a massive volcanic eruption that destroys Pompeii, an event that also brings him face-to-face with the man who slaughtered his family years earlier.”

That’s it for now! Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.