Archives For Magick

Alley Valkyrie and The Magic of Activism

Jason Pitzl-Waters —  December 19, 2012 — 4 Comments

The (in)famous occultist Aleister Crowley once explained his theory on magic, “Magick is the Science and Art of causing Change to occur in conformity with Will,” by noting that the act of writing a book was a magic(k)al act.

“It is my Will to inform the World of certain facts within my knowledge. I therefore take “magickal weapons”, pen, ink, and paper; I write “incantations” — these sentences — in the “magickal language” ie, that which is understood by the people I wish to instruct; I call forth “spirits”, such as printers, publishers, booksellers and so forth and constrain them to convey my message to those people. The composition and distribution of this book is thus an act of Magick by which I cause Changes to take place in conformity with my Will.”

This has always been the definition of magic I’ve preferred when explaining its practice within modern Pagan religions to the uninitiated. These are exercises of our Will, we see our actions in this world as magical acts that create changes around us. For that reason I’ve often seen the activism of someone like Starhawk, as unified with her magical practice, something she asserts often in her writings. So it has been fascinating for me to witness the activities of my friend Alley Valkyrie here in Eugene, Oregon.

Alley is a Feri initiate and Witch who runs a small local gift and clothing business in town called Practical Rabbit, and has become a central activist regarding how the homeless are treated in Eugene, Oregon. This solidarity with the homeless rose to new levels when she became involved in the local Occupy movement a year ago, and continued as Occupy Eugene splintered into smaller, more focused, organizations, with the battles over Eugene’s controversial “exclusion zone.”

Jean Stacey said police use the law to harass and exclude homeless people from downtown. “We are ruining people’s lives,” she said. Alley Valkyrie said the ordinance provides the perception that downtown is safer. “Who are we as a people?” Valkyrie said. “Do we exclude? Do we really think it works or do we bow down to perception?”

Now, Alley is a part of SLEEPS which aims to “establish and maintain safe, legally entitled, emergency places to sleep for those who are currently unhoused and want or need such a place.” In Eugene, it is illegal camp on public property, and the homeless in Eugene are often cited for carrying camping equipment. As a result, Eugene’s homeless often sleep in isolated spots and are exposed to violence and environmental hazards. To draw attention to this issue a coalition of homeless and housed activists have been publicly camping at targeted public spots, including the Wayne Morse Free Speech Plaza, where Valkyrie was recently arrested after defying an order to shut down and vacate the space.

A Wiccan altar is erected at the SLEEPS camp in Eugene, Oregon.

A Wiccan altar is erected at the SLEEPS camp in Eugene, Oregon.

“Immediately after Valkyrie was arrested Thursday, the protest group that had camped outside the county courthouse earlier in the week returned to the Federal Building property and pitched about a dozen tents there.”

Alley Valkyrie holds up the front-page story of her arrest.

Alley Valkyrie holds up the front-page story of her arrest.

I recently sat down with Alley Valkyrie to talk to her about SLEEPS, working with the homeless, and the practice of activism as a form of magic.

I’m hoping to have a transcript of the interview up soon. In the meantime, you can follow the exploits of SLEEPS at their Facebook page, or their official website.

Obviously not everyone will want to become an activist in solidarity with the homeless, but I think Alley’s experience highlights how magical practice unifies with the choices we make in our lives, and brings a sense of sacred purpose to what we do. Magic is just as much about what we do, as what we believe or ritually practice. With magic we become increasingly aware of the ripples we create with the choices we make, and act accordingly, with intent in all things. You may not want to be arrested as a form of magic, but every magical act should be weighed as seriously.

In Paganism, Religion , , , , , , , , ,
permalink

Ritual Magick as Performance Art?

Jason Pitzl-Waters —  December 6, 2012 — 20 Comments

For some time now there’s been a current of occult and magic(k)al elements within the arts, most notably in the worlds of fashion and fine art. An especially popular theme within this current today are the works of magician Aleister Crowley, most likely due to the influence of experimental filmmaker Kenneth Anger, who introduced several famous actors and musicians to Crowley’s philosophies and practices. I mention Anger specifically, because a recent ritual performance of a Crowley working at L&M Arts in Los Angeles stems directly from his influence, involving Anger collaborator Brian Butler. Why is this of note? Because Butler was joined (and almost joined) by some rather famous names.

Noot Seear at The Bartzebel Working.

Noot Seear at The Bartzebel Working

“Tuesday night, artist/musician Brian Butler assisted by Twilight: New Moon actress Noot Seear, and actor Henry Hopper [son of Dennis Hopper] was supposed to  invoke Bartzabel, the forceful spirit of Mars into to the body of actor/hipster/James Franco at L&M Gallery to celebrate “For The Martian Chronicles” exhibit, honoring the work of sci-fi author Ray Bradbury. But UPDATE: JAMES FRANCO MISSED HIS FLIGHT AND THERE WAS AN UNANNOUNCED STAND-IN, ACCORDING TO COMMENTS AFTER THIS WENT TO PRESS. We have revised this post to reflect this. According to L&M Gallery, Material Basis was performed by Christopher Emerson.”

I’ll leave commentary on the ritual itself to Lisa Derrick, who noted that “despite the act of invoking and drawing a magical circle, at the end of the ritual, there was no closing or banishing–kinda like sterilizing a jar, making jam, then leaving it unsealed in a toilet.” What I’m more interested in are the larger cultural questions this poses. Is this just a closed cul-de-sac of the hipster famous (and semi-famous) slumming it with robes and a bit of Thelema to bring a bit of excitement to their lives (and the LA gallery scene), or does this represent something else? Are Seear, Franco, Emerson, and others earnestly interested in ritual magick? It’s not all that unusual to see an occasional “big name” become truly interested in Paganism or the occult, but it is unusual to see a number of them expressing their interest at once (publicly).

 

My second question is, if this is simply theater, a performance in tribute to Crowley and the mystique of magic(k), does this event signify a new resurgence of ritual as performance art? Performance art has often turned to religion and magical ritual as a vehicle for expression, Gina Ulysse’s recent avant-garde meditation, “Voodoo Doll, What if Haiti Were a Woman,” or the “Manhattanhenge” workings in New York, for instance. But both of those have a sincerity at their core that implies adherence to the underlying belief systems involved. While I have no doubt that Brian Butler is a sincere occultist, one wonders how Seear or Franco understand or experience events like this. In short, can you separate the art of magic(k), of religion, from its tenants or belief systems? One spectator at the event seemed dissatisfied with how the ritual performance seemed to want to both be a serious ritual, and be a performance piece.

“Would it be an actual (attempted) evocation of Bartzabel, the spirit of Mars? Would it rather be a piece of performance art inspired by Crowley’s evocation of the same? It was neither – or, to be more specific, it was BOTH and that’s why it failed miserably. Evocation is an art unto itself. Even if one is skeptical as to the efficacy of magical activity outside the purely psychological realm, one must recognize the fact that every art form has its own rules. Film has its rules. Theater has its own. Performance art also has certain ideals and conventions that make exclusive demands on the artist. Successful evocation is no different.”

If we are going to see more high-profile ritual magic(k) as performance art, then the ritual must be respected as an art form in of itself, one that can be appropriated, surely, but treated with care all the same. Practitioners who have connections with the art world will also have to decide how they want to engage with this trend, and if it serves their beliefs and practices well to become involved, or distance themselves. Finally, for the famous, semi-famous, or nearly famous who decide to practice these rituals, if only for the sake of performance, should remember that even the intoning of lines and mere participation can have consequences. Not of the dark and spooky alarmist variety, but simply that invoking your Will ritually can change you, and those around you.  What begins as fun, can turn into something else, and no one should make a decision like that lightly.

In Paganism, Religion , , , , , , , , ,
permalink

Unleash the Hounds! (Link Roundup)

Jason Pitzl-Waters —  July 6, 2012 — 41 Comments

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.

Christina Oakley-Harrington

Christina Oakley-Harrington

That’s it for now! Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.

In Paganism, Religion , , , , , , , , , , , , , , , , , , , ,
permalink

Unleash the Hounds! (Link Roundup)

Jason Pitzl-Waters —  February 24, 2012 — 2 Comments

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.

That’s it for now! Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.

In Paganism, Religion , , , , , , , , , , , , , , , , , , , , , , ,
permalink

Casting Spells on Your Boss Could Get You Fired

Jason Pitzl-Waters —  December 6, 2011 — 51 Comments

For those faith traditions that incorporate magic and spellwork into their practices, Wicca, Santeria, Vodou, and any number of modern Pagan faiths, the urge to invoke supernatural help to solve a problem is sometimes overwhelming. This is especially true when an individual feels limited in what they can do in their day-to-day lives to remove an obstacle or improve their situation. That said, if you’re careless, casting spells on your boss could get you fired.

“Officer Elizabeth Torres, a 24-year department veteran, was terminated by City Manager Lyndon Bonner for conduct unbecoming of a police officer, according to a city news release. [...] Torres and office manager Yvonne Rodriguez had been accused of targeting Bonner with birdseed, which they believed to be part of a Santeria practice. The two had allegedly planned to scatter the seeds in and around Bonner’s city hall office in August. The alleged plan was concocted after Bonner had planned to cut the police budget, but was discovered after Torres and Rodriguez asked a janitor to help sprinkle the seeds, and the janitor turned them in.”

Both parties involved in the spell plot claim nothing malicious was intended, but it wasn’t enough to save their jobs. So, I guess there’s something of an object lesson here. At the very least, it reinforces the need to not incriminate yourself through accomplices or risky physical manifestations of your work. If it can’t be accomplished at home, or at a private temple, it might not be worth it.

However, underneath this cautionary tale is the larger issue of how businesses, law enforcement, and government should approach spells and spellwork. What’s protected expression, and what’s harassment, or improper conduct? As religions and traditions that engage in magic increasingly enter the mainstream, a larger ethos as to what’s acceptable and what crosses the line will increasingly be needed. What if there wasn’t birdseed, what if they were merely caught after hours chanting, praying, or reading from a book? What if, as Tim Elfrink at the Miami New Times posits, they were Christians caught praying? Would that still be improper conduct? I think we’ll continue to see cases like this in the news, and working their way through the court systems. Until then, I would keep the curses at home.

In Paganism, Religion , , , ,
permalink

Lon Milo DuQuette on “Aleister Crowley – Revolt of the Magicians”

Jason Pitzl-Waters —  July 1, 2011 — 14 Comments

I’ve often been intrigued by the novels written by Pagans and occultists. Whether well-known like Starhawk’s “The Fifth Sacred Thing,” now in the process of being pitched as a feature film, or obscure like Stewart Farrar’s post-apocalyptic Wiccans-save-the-world (or at least Britain) novel “Omega.” I feel that religiously-motivated works like this can often tell you a lot about the beliefs, ambitions, and hopes of the author. While “religious fiction” is often synonymous today with Christian literature, we shouldn’t forget that modern Paganism and the occult/magickal arts have a long used fictional stories as a way to teach and entertain, from Gerald Gardner’s “High Magic’s Aid” to Dion Fortune’s “The Sea Priestess.” One of the most influential novels of all time is “The Metamorphoses of Apuleius” (aka “The Golden Ass”) by Lucius Apuleius, an initiate to the cult of Isis, written between 160-170 CE. So it’s fair to say there’s a long lineage of “Pagan” novels.

Lon Milo DuQuette has now added his own volume to this tradition, a work that takes a romping fictionalized look at the early life and magical adventures of the notorious occultist Aleister Crowley. “Aleister Crowley – Revolt of the Magicians” is set during Crowley’s time with The Golden Dawn and features a who’s who of famous occultists from that period, including William Butler Yeats, Maude Gonne, and Bram Stoker. DuQuette, who has written several texts on magick and the occult, and is something of an expert on the subject of Crowley, brings a knowledgeable flair to the dramas and intrigues of the time, putting his own unique spin on history. I was lucky enough to have  brief email exchange with DuQuette  about the new work, how it came about, and what he really thinks about Crowley’s fiction.


Lon Milo DuQuette

Several occult authors over the years have dipped their toes into writing fiction, most recently Raymond Buckland and Donald Michael Craig, what prompted you to go this route?

“Aleister Crowley — Revolt of the Magicians” is actually my second novel. The first, “Accidental Christ — The Story of Jesus as Told by His Uncle” came out a few years ago. “Revolt…” began not as a book but as a screenplay I was hired to write about 10 years ago. It was optioned by a film production company, and for a while looked like it would actually be produced … but nothing came of it. I had more or less forgotten about it when I was contacted again about nine months ago. As it turns out another film company is interested in the story but in order for the project to qualify for partial funding from (whatever the newest incarnation of …) the UK Film Council the screenplay must be written by a Brit or a Commonwealth citizen. They could, however, adapt the screenplay from a novel written by a non Brit. So I transformed my screenplay into a novel so it might be transformed into a screenplay. Have I confused you enough?

I love the genre of fiction. It is like taking a holiday. I love creating characters and breathing life into them … observing them develop and behave in my mind like independent entities. It’s very magical.

‘Revolt’ is a fantasy (albeit based on historic events and characters) about Crowley and his involvement in the breakup of the Golden Dawn.

You’ve written about Aleister Crowley and his teachings for several years, so it must be something of a “no-brainer” to make him the protagonist of your novel. Did your experience and history make it easy or hard to put yourself inside the head of this fictionalized Crowley?

It was curiously easy, and lots of fun.

Literary works featuring Crowley, or ficitonal characters based on Crowley, have been appearing since 1908. Crowley himself engaged in the practice for “Moonchild”. Do you feel this long literary history influenced you at all? Is there a sort of “fictional” Crowley egregore that feeds the many, many, “Crowleys” in various mediums?

I can’t say it influenced me at all. I wanted to follow a young Crowley, brilliant, naive, passionate … encountering for the first time the world of magick and the secret forces that would later shape him into an adept. This Crowley has never to my knowledge been explored in literature.

In addition to Crowley, your book features Bram Stoker, Moina and MacGregor Mathers, William Butler Yeats, and Maude Gonne, among others. Was it a challenge bringing all these larger-then-life figures together in one book, or did the real-life events on which the novel is loosely based help drive the drama and characterization?

Yes, the real-life events drove the plot, and I shamelessly used the dramatis personae as caricatures. It was great fun, and not at all hard. People point out that there is no evidence that Bram Stoker was a member of the Golden Dawn … I ask them to read the book to see how his presence is justified. Besides … It’s a fantasy people …. lighten up!

Now that the book has been out for over a month now, have you gotten much reaction from occultists, Thelemites, modern Golden Dawn members, and other interested magick-makers about the work? Has the response to these “fairytale caricatures,” as you put it, been largely positive?

So far the personal feedback and the few Amazon reviews have been positive. I’m sure I’ll eventually catch s–t from all directions.

In the book, one of your characters says that “this story can‘t be told as a history because truth cannot be revealed in history.” Do you believe that’s the case with the infamous Golden Dawn schism? Do you think that someday we’ll have more fictionalized retellings of famous incidents in Pagan and occult history? Sort of like Katherine Kurtz’s ”Lammas Night” or even Gardner’s “High Magic’s Aid”?

The development of myth is a strange and inscrutable process. It isn’t people or institutions that drive the process, but the alchemy of human consciousness that chisels the elements of a myth upon the stone of our souls. No one at this point, I believe, can predict what the mythological Crowley will eventually become.

If someone wanted to research the real events that inspired your novel, where would they start? Are there any good books covering that period?

“Perdurabo: The Life of Aleister Crowley” by Richard Kaczynski is the most complete and brilliant biography of Crowley. Kaczynski takes great pains to put all the events of Crowley’s life within the context of the history and characters of his world.

Also, “The Battle of Blythe Road: A Golden Dawn Affair (Golden Dawn Studies No 14)” capably edited by Darcy Kuntz

What authors inspire you in your own writing? Are there any occult-themed works of fiction that you find yourself returning to again and again? What would you suggest to someone who loves “Aleister Crowley – Revolt of the Magicians” and wants to read more?

You know … It’s even hard for me to read Crowley’s fiction. It’s like trying to be detached and objective when reading the manuscript of a friend’s novel. You know the author too well … you spot the phoniness of it all … embarrassed by the transparent affectations of the ‘voice’. I feel the same way about Dion Fortune’s fiction … only she is, in my opinion, painfully and distractingly obvious in her attempt to be 19th century-ish.

Other than Crowley himself, the writers who inspire me the most are for the most part not occultists at all … Mark Twain, Jane Austen, the screenplays of Robert Benchley, Shakespeare, Oscar Wilde, and (believe it or not) the lyrics of Cole Porter, Ira Gershwin, and Dorothy Fields. Great wit is the voice of the gods. I worship wit. Wit is Ruach sizzling upon the altar of the Neshamah.

Now that you’ve written one novel, are you going to write more? If so, will they also be themed around the occult and magic(k)al history? What other works outside of novels do you have planned for the near future?

Who knows when I’ll feel called to write another novel. I’m currently working on two magical texts with a spring 2011 deadline. I’d talk about them but it’s a little early in the game.

–

I’d like to thank Lon Milo DuQuette for taking time out of his busy schedule to answer some of my questions. In addition to  “Aleister Crowley – Revolt of the Magicians” he recently published “Low Magick: It’s All In Your Head … You Just Have No Idea How Big Your Head Is” a follow-up to his acclaimed autobiography, “My Life With The Spirits: The Adventures of a Modern Magician”.

In Paganism, Religion , , , , , ,
permalink

Kenneth Grant 1924 – 2011

Jason Pitzl-Waters —  February 2, 2011 — 6 Comments

Yesterday Michael Staley at Starfire Publishing announced to the public that British occultist and writer Kenneth Grant passed away on January 15th.

“Kenneth Grant died on 15th January 2011 after a period of illness. Our condolences go first and foremost to his family, whose privacy is something which we all wish to respect at this difficult time.

Kenneth Grant had an extraordinary life, and his work has a remarkable depth and breadth of magical and mystical insight. In particular, his monumental series of Typhonian Trilogies is creative, innovatory and inspiring, extending across thirty years from the publication of the opening volume The Magical Revival in 1972, to the appearance of the final volume The Ninth Arch in 2002. This is a substantial body of work, constituting a solid foundation for further development, widening and deepening in the years to come; his work will continue.”


Portrait of Kenneth Grant by Austin Osman Spare.

Grant had a long and passionate interest in the practice of magic. He studied and corresponded directly with Aleister Crowley, and subsequently devoted a large potion of his life and writings to Thelema and the the Ordo Templi Orientis. Grant and his wife Steffi also had a personal and working relationship with artist and occultist Austin Osman Spare. By the 1950s, Grant had fallen out with Karl Germer, Outer Head of the Order (OHO) of Ordo Templi Orientis, which sparked a schism and the foundation of The Typhonian Order (aka the Typhonian Ordo Templi Orientis). Over the subsequent decades these two groups would battle over legitimacy and the use the name “O.T.O” until very recently, when Grant’s order lost the right to use the name.

Despite, or perhaps because of, this tension over succession, Grant was a hugely influential writer, thinker, and magician. At the news of his death yesterday, tributes from all corners of the magickal/occult world started to pour out.

“Rest well, occultist Kenneth Grant. May the next leg of the journey be as interesting as your time on earth.” – T. Thorn Coyle

“Kenneth Grant was a most significant author to many of us young magicians in the 1970′s. He revived Austin Spare through his books and articles in Man Myth and Magic and deserves to be remembered for that and his kindness to the artist during his life. His remarkable magical partnership with Steffi Grant is without parallel. His life spanned contact with the Old Guard occultists and he spoke the language of the modernist magician. He was a generous correspondent and kind to me and others in our interactions with him. I shall miss him.” - Geraldine Beskin, The Atlantis Bookshop.

“Kenneth Grant’s occultism was not the fervent, dry adherence of the ideologue. Rather, he fashioned a deeply personal, fantastical, dynamic, and intricate system of magic woven together from syncretic elements of Tantra, Voudon, Gnosticism, Surrealism, fiction and a variety of other exotic threads. Building on the foundations of Crowley’s work, Grant expanded the current understanding of the meaning and implications of the “Law of Thelema”. Much like the mystic William Blake, Grant forged his own path beyond esoteric speculation, writing first-hand accounts of what he perceived to exist outside of the range of mundane experience.” – Scott Spencer, Coilhouse

“Grant left a powerful and irreparable stamp on the practice of ceremonial magick and occultism, and those who practice chaos magick, emulate the practices of Austin Spare, seek to integrate ATR beliefs and practices into their western occultism and magick, develop a system of magick based on the Necronomicon and the Chthulhu mythos, practice lefthand tantra, or who seek a deeper understanding and appreciation of the writings of Crowley, owe him a great debt of gratitude. Grant seemed to leave no stone unturned, and he managed to forge together the dispirit threads of post modern occultism, science fiction and fantasy, horror fiction, exotic ethnic traditions and obscure antiquities, producing a blend of dark occultism and Lefthand Path practices. If you have even the faintest attraction to the dark side of occultism and magick, then Grant is likely your spiritual godfather, whether or not you have read his books.” – Frater Barrabbas

For more on the life and influence of Kenneth Grant, I would recommend checking out artist and researcher Scott Spencer’s obituary for Coilhouse, and the Fulgur publishing house biography. Many of Grant’s works can be purchased through Starfire Publishing.

My best wishes and condolences to Grant’s friends and family. I wish Kenneth Grant well as he begins the next leg of his journey.

In Paganism, Religion , , , , , , ,
permalink

Did It All Happen in the 1980s?

Jason Pitzl-Waters —  December 27, 2010 — 53 Comments

Technoccult uses Google’s new Ngram Viewer, which searches for trends among various corpus of books Google has scanned, to track a seeming explosion of interest in the occult and “magick” in the mid-1980s. So I decided to do my own search, and compare the terms “Wicca”, “Paganism”, and “Magick.”

Both Wicca and Magick, as terms in published books, experienced a dramatic period of growth starting around 1985, not starting to decrease again until around 2003. Paganism, as a more general term used in many different contexts, also saw a rise of interest, but didn’t experience the downturn of the other two. This could be because of the non-religious contexts, but also because many books targeting the modern Pagan community started using “Paganism” in titles instead of “Wicca” or “Neopaganism.”

Searching for the terms “Asatru” and “Heathen” you also see growth, though not as dramatic in nature.

In the case of “Asatru” it’s the 1990s where you start to see growth, and then seems to level off around 1995 and stays there. For “Heathen,” again a general term used in many contexts, it also rises in the 1990s and seems to have enjoyed a resurgence of use since then.

So it does seem something sparked in the publishing world in the 1980s, not only within Pagan/occult publishing contexts, but, as Technoccult points out, with the “Satanic Panics” pushing up interest as well. Anyone involved in the Pagan publishing world in the mid-1980s, perhaps you can shed some more light? Another interesting question is the rapid decline in mentions of “Wicca” and “magick” starting in the mid-2000s. Is this an artifact of the books Google has scanned, or a larger trend in an ongoing downturn?

I encourage my readers to use the Ngram Viewer to check for other terms of interest, and see if they can spot any pertinent trends for our communities.

In Paganism, Religion , , , , , ,
permalink

Pagan Community Notes: Scarlet Imprint Swears Vengeance, Trigger93, Pagan Studies, and More!

Jason Pitzl-Waters —  December 13, 2010 — 63 Comments

Pagan Community Notes is a companion to my usual Pagan News of Note, a series more focused on news originating from within the Pagan community. I want to reinforce the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So lets get started!

Scarlet Imprint Declares War: The esoteric publishing house Scarlet Imprint, after learning of the arrest of Wikileaks founder Julian Assange, has thrown down the magickal gauntlet.

“It is not enough to dither or ask What would Aleister Crowley do? We are here NOW. It is for us to confront this direct attack on our freedom. This is a critical time, and magick, if it is to prove anything at all, is the art of applying leverage at critical moments in time, as the Temple of Psychic Youth would say: To force thee hand of chance. [...] We will use our art to envisage a different future. We will take magic onto the streets. We swear vengeance. And we, we are Legion.”

The publisher also suggests closing your Amazon account (because they closed Wikileak’s hosting account), closing your Mastercard and Visa account (because they froze donations to Wikileaks), and supporting the hacker attacks of Anonymous. However, they don’t suggest cancelling your Paypal account, nor have they closed theirs, even though that site has also frozen donations to Wikileaks. Then again, they also stress that the most important action is to “enchant for freedom.”

“This is a time for Witchcraft, for the birth of a rhizomatic underground of resistance. This is the Witchcraft advocated by Jack Parsons in the face of McCarthyism. This is the Witchcraft that has drunk wisdom from the bloody grail of mystery.”

The problem with all the outrage, media blitz, and no-doubt politically motivated pressure to have Assange extradited is that it is causing some reasonable people to whitewash what might have actually been rape. Engaging in some troubling victim-blaming. Perhaps these accusations are being overblown, or used as a way to “get Assange,” but they shouldn’t be erased because we support the leaking of government documents. As for Wikileaks itself, I’m generally a fan of transparency and whistle-blowers, and I’m even a fan of occasionally “crushing bastards,” but I’m not sure I’m ready to swear vengeance on its behalf just yet.

Pulling the Trigger: LAShTal points us to the launch of Trigger93: A Journal of Magic(k), Culture, and The Issues.

“Trigger93 is a radical new journal of literature, art, and the uncanny—a journal that juxtaposes magic(k)ally informed works created by established artists and academics with similar works created by established practitioners of magic(k). Our first issue, The Word, explores the relationship between language and the spirit, and includes contributions from writer and Columbia Professor, Michael Taussig; ceremonial magician, James A. Eshelman; artists Simryn Gill, Mikala Dwyer and Tamara Wyndham; and cartoonist, Seth Tobocman, to name a few. Trigger93: The Word will be available 12/17/10″

You can pre-order your copy now. Always nice to see a new esoteric/magickal publication hitting the “stands”.

The Difference Between Scholars and Practitioners: Over at Letter From Hardscrabble Creek, Chas Clifton talks about being a Pagan within Pagan Studies, and how what religion scholars do is very different from what practitioners writing for their own communities do.

So if I were revising Her Hidden Children (I have no plan to do so), I would have to take [Bron Taylor’s] ideas into account. The conversation would continue. Not that I am right and he is wrong, or vice versa, but I would have to sort out the differences and similarities, intellectual influences (e.g., he gives Henry Thoreau much more space than I do), and so on, because I think that Dark Green Religion is a significant book, and it would be a glaring omission to ignore it now.

These are just two books, against the flood of practitioner-oriented texts coming out from Llewellyn and other publishers.  And neither I nor Bron (so far as I know) are teaching workshops on “How to be a better nature-religionist,” complete with breathing exercises, movement, and song. Other people could do that much better. Audiences want to hear a speaker with a schtick.

I think some of us have fallen into the trap of labeling Pagan Studies works as “advanced” books for our faiths, when they should instead be seen as an illuminating aid towards deeper understanding of how and why we do what we do. How we got to where we are today, and what that might mean for our future. This should be separated from books that actually seek to deepen our own practices, works on practice and theology from authors like Brendan Myers or Thorn Coyle.

King Arthur Wants Reburial: The Salisbury Journal reports that Druid leader King Arthur Pendragon is seeking judicial review and reburial of cremated remains taken from Stonehenge in 2008.

King Arthur said: ‘This is not just a Druid or Pagan issue, and we have the support of thousands of people from all walks of life from nations around the world and all the major faiths, who have signed our petition demanding that the remains be re-interred at what should have been their final resting place. ‘The remains will never go on display and they should just be reburied.’ The remains were removed from the site for tests to be carried out as part of The Stonehenge Riverside Archaeological Project.

This move was sparked by Sheffield University asking for an extension to retain the remains for five years, something Pendragon vociferously opposes, calling for the “timely return of our ancestors.” As I’ve noted several times before on this site, there is no consensus among British Pagans on this issue, with many, most notably Pagans for Archeology, opposed to the reburial of ancient human remains. Other groups, like Honouring the Ancient Dead (HAD), only call for the reburial of remains that “have no scientific or research potential”.

Reminder on Operation Circle Care: I’d just like to end with a quick reminder that it’s not too late to donate towards Operation Circle Care, which sends care packages to Pagan military personnel serving in war zones.

“For the fourth year in a row, Circle Sanctuary is honoring and supporting active duty Pagan service members through Operation Circle Care. This year, we are widening our focus and sending Yuletide care packages to active duty Pagan troops serving in any overseas theater of operation, including Germany, Korea, Iraq, Afghanistan, or on board Navy ships. The success of this program is due to the generous support and donations from Pagan community members from many paths and places. With your continued support, it is our goal to honor and remember each and every Pagan US military service member we can with a special personalized gift for Yule, just as we have in years past.”

You can find a list of donation suggestions, and ways to help, at their web site.

That’s all I have for now, have a great day!

In Paganism, Religion , , , , , , , , , , , , , , , ,
permalink

Shakmah Winddrum 1931 – 2010

Jason Pitzl-Waters —  November 28, 2010 — Leave a comment

Word has come to us that Shakmah Winddrum, an author, priestess, ceremonial magician, Vodoun Mambo, and founder of The New SEED Sanctuary, passed away yesterday. While not as well known as some public figures within modern Paganism, the depth of her influence has been considerable, and tributes to this great lady have been pouring out from several noted figures within our interconnected communities.

Shakmah Winddrum

Shakmah Winddrum

“Shakmah was friend and teacher to many other powerful teachers, priests, and priestesses of many magical traditions, some of whom you may have heard, and others who work quietly, with small groups, moving toward spiritual evolution. Her influence is both deep and broad. I feel grateful to have been touched by her wisdom, guided by her in visions and dreams, and though I never formally studied with her, I sense the ways in which the stream of her magic and mine flow along similar pathways. She gave her life over to her magic, and to seeking the mystery, even allowing her body to become subsumed by this. Though that last is not my way, I am grateful that Shakmah remained true to her vision, even unto her transition from this manifest world we know and love.” – T. Thorn Coyle, “Emissary of Divine Grace: Shakmah Winddrum”

“We within the Order of Elemental Mysteries are officially in mourning. We stand with our sisters, brothers and warriors of the New Seed Sanctuary and their sister tradition Light Haven in love, light and ultimately in grief. May She return to the Mystery that borne Her and may Her name resound loudly through the hearts of all who walk the path She carved out of sheer Will and boundless Love.” – Katrina Messenger, “A Great Lion Passes Beyond the Veil”

In addition to her work within the Haitian tradition and The New SEED Sanctuary, Shakmah Winddrum was also an ordained priest in the Liberal Catholic and the Ethiopian Coptic Churches, and author of “African Initiations: Rites of Passage Through the Eyes of an Initiate”. Of all her accomplishments, her greatest legacy may be the impression she made on her many students, who speak of her immense charm, power, will, and presence.

“Over the years I’ve had the honor and privilege to be in Shakmah’s presence, here at Light Haven, at her home in Philadelphia, and on numerous retreats and gatherings. I never ceased to be amazed by her poise, her charm and her miraculous way of penetrating to the essence of truth. I’ve born witness to unbelievable feats of magic, and watched as she negotiated the world with skill and grace. I’ve seen grown men break down in tears as she reached into their hearts and gave them a glimpse of the Great Mother who holds us all. Wherever I went with her, people who had no idea who or what she was were drawn to her light, like moths to the flame. She was always gracious, and people carried away something greater than they could understand from just being, for a moment, in her presence.” – Abba Thoniah, “Remembering Shakmah Winddrum”

“Over time I witnessed how her statements brought light and clarity, catalyzing those stuck in a rut, empowering the tentative, activating the procrastinating. Decisions were made, careers changed, vows taken, spiritual lives jump-started and enriched. Time after time I heard, “she said exactly what I needed to hear”. For those who have the eyes to see and the ears to hear, she offered so much.” – Thealandrah Davis, “There Can Be Only One”

An official statement on Shakmah Winddrum should be posted today at the New SEED Sanctuary Facebook page. In the meantime, I leave you with the following poem written in her honor by New SEED Sanctuary member Jon Ahjudah Barr.

Nov 27, 2010
by Jon Ahjudah Barr

Strange how you
Had been so present,
So active, in my dreams of late.
I won’t recount the details here
Knowing how you loathed the chore
Of patiently listening while we, in vain
Tried to give words
to what can never be said.

Strange that you
Were so absent
Last night.  When I needed you the most.
They took you fast.  And far.
True to their word.
And now, the next morning,
I stand here alone.  In a house gone silent.
Head tilted, numb, one question unanswered:

Is the worst behind me, or ahead?

My blessings to all who knew her. What is remembered, lives!

In Paganism, Religion , , , ,
permalink