“This is a Pagan event” a visiting California-based Pagan exclaimed to me at Faerieworlds this weekend, and she was not wrong. I replied as I have often replied: It’s a Pagan event, but it isn’t a Pagan event, which allows it to become something unique and special. Over the years I’ve been attending and working at the little faerie-themed mythic festival in my hometown of Eugene, Oregon many have tried to sum up what makes this event so special. How it isn’t a transformational festival, or a Pagan festival, or a music festival, or a fantasy festival, but contains elements of all of these. Perhaps like those magical fairy markets depicted so often in literature, it is the undefinable collision of everything that creates the liminal magic.
Though Faerieworlds has traveled to a few homes in its history, I have only known it existing at the foot of Mt. Pisgah, in an area dubbed the Emerald Meadows. Due to NIMBY-motivated political fights that I won’t get into, all large-scale events were forced out, and this past weekend would be the last year Faerieworlds would create its special magic in my “back yard.” Though I knew the festival had found a new home outside Portland for next year, and that Faerieworlds would rise again, I couldn’t help but feel a certain melancholy of an era ending. Here, I had encountered a new community, new friends, new family, and had been blessed with the opportunity of opening the doors to this realm to others.
While Faerieworlds is not an explicitly Pagan event, and is open to all who want to enjoy it, there is so much there for the Pagan soul. The opening spiral dance ritual, the workshops this year by individuals like Raven Grimassi, T. Thorn Coyle, LaSara Firefox, Morpheus Ravenna, S.J. Tucker, and Lupa, the main stage altar, the music of bands like The Wicker Men, Woodland, and Omnia, and much, much, more. All part of a liminal creative explosion of color, sound, and intense creativity.
I mention the bands and workshop presenters, but really, the spirit of Faerieworlds is how it inspires those who attend it, and how they create an event the goes beyond the easy borders of classification. There are very few passive viewers here, and instead, everyone is a part of the show. A cascade of costumes, wings, horns, fabric, and hide that can make you wonder if you’ve truly stepped through a gateway into another reality. Attending Faerieworlds, and then, being a part of the team the helps make it happen, has changed me, and my expectations of the festival experience. Faerieworlds is the flowering of thousands of souls that feel safe together, and that is powerful magic.
I know there are other great festivals out there, but I also know that the energy and excitement built here is unique. So, until next year, when the Realm rises again, please enjoy some photos I’ve taken in my travels through faerie this year. You may also want to read my coverage from years’ past.