Archives For Eugene

I’ve written before about my friend Alley Valkyrie, a Feri initiate and Witch who runs a small local gift and clothing business in my town called Practical Rabbit, and who has become a central activist regarding how the homeless are treated in Eugene, Oregon. Her work on behalf of the homeless population’s basic legal rights has gotten her arrested, and garnered her plenty of local press in various stand-offs with local law enforcement and government officials.  I know first-hand that Alley has spent thousands of her own dollars (and hours) on public record requests, legal challenges, and providing assistance to the local community, but as many veteran activists know, such individual efforts on problems so large and systematic can be draining, and without support many activists quickly burn out. Knowing this, and wanting to take her activism to the next level, a small group which includes Alley have launched a new organization called the Nightingale Public Advocacy Collective.

nightingalebanner231

“Our actions and objectives are rooted in the principle that everyone has a right to exist in public space regardless of socioeconomic status, and that the basic civil rights of individuals in public space outweigh the economic interests of businesses and government.

We believe that all members of our community have inherent value regardless of their economic contributions or financial worth. Everyone has a right to congregate in public, to participate in civic affairs, and to have access to local community and culture without being targeted for harassment, and everyone has a right to engage in life-sustaining activities in public space if they have no other option.”

To fund this new venture, Nightingale Public Advocacy Collective has launched an IndieGoGo campaign to raise $50,000 dollars in which to fund their ongoing work, enable more assistance and advocacy for the homeless population, and provide a small stipend to Alley so that she can devote herself full-time to this mission.

“For the past few years, I have been closely working with, learning from, and speaking out on behalf of the homeless population in downtown Eugene, Oregon. I’ve spent this time bearing witness to and raising awareness about patterns of harassment and discrimination, advocating on behalf of individuals who have been adversely impacted by local policies or practices, and fighting against laws and policies that criminalize the actions of those who must live in public space.

What began as simple inquiries and actions based on observed injustices quickly morphed into a massive undertaking due to a confluence of factors, the main ones being a continually deterioriating local economic situation, the presence and influence of the Occupy movement, and the politics and effects of downtown revitalization. Over the past year or so I have come to fill multiple roles, most prominently as a liaison/advocate/mediator/educator that works with and weaves between the homeless community, elected officials, public entities, law enforcement, and the general public.

While I never intended nor desired to become a “professional activist”, the results of my efforts thus far have only further illustrated and revealed the depth and severity of these issues, and the amount of work ahead is daunting. Metaphorically speaking, what’s currently piled up on my desk is much more than I can possibly do on my own at this point. In response to the need and demand for this type of advocacy work, I am in the process of forming a non-profit public advocacy collective in order to provide the framework and support that will not only allow me to continue this work, but to take it up the next level in terms of effectiveness.”

On the day the project and fundraising campaign was launched I sat down with Alley and did an audio interview where we talked about her work, this new initiative, what its goals are, and how her religious/spiritual beliefs permeate these actions.

Because I feel that what Alley is doing is important, and because I think that she walks in a long tradition of Pagan activism, and indeed represents a new generation of that tradition, I have asked her to become a monthly columnist here at The Wild Hunt. We’ll get to read regular updates on her work, and how her beliefs as a Feri Witch infuse what she does on a day-to-day basis. In the meantime, if you feel inspired by Alley’s work, please consider donating to the Nightingale Public Advocacy Collective’s campaign. Obviously, this is something the local Eugene, Oregon community should bear the largest share in working to fund, but I think it would be wonderful if a significant percentage of the total raised came from the modern Pagan communities and organizations. We often speak (and are asked) about where the Pagan-led or Pagan-funded charity organizations are, where the signs of our good works lie, here is a concrete response. A local collective doing good work, and one that is led by the vision of a modern Pagan.

The (in)famous occultist Aleister Crowley once explained his theory on magic, “Magick is the Science and Art of causing Change to occur in conformity with Will,” by noting that the act of writing a book was a magic(k)al act.

“It is my Will to inform the World of certain facts within my knowledge. I therefore take “magickal weapons”, pen, ink, and paper; I write “incantations” — these sentences — in the “magickal language” ie, that which is understood by the people I wish to instruct; I call forth “spirits”, such as printers, publishers, booksellers and so forth and constrain them to convey my message to those people. The composition and distribution of this book is thus an act of Magick by which I cause Changes to take place in conformity with my Will.”

This has always been the definition of magic I’ve preferred when explaining its practice within modern Pagan religions to the uninitiated. These are exercises of our Will, we see our actions in this world as magical acts that create changes around us. For that reason I’ve often seen the activism of someone like Starhawk, as unified with her magical practice, something she asserts often in her writings. So it has been fascinating for me to witness the activities of my friend Alley Valkyrie here in Eugene, Oregon.

Alley is a Feri initiate and Witch who runs a small local gift and clothing business in town called Practical Rabbit, and has become a central activist regarding how the homeless are treated in Eugene, Oregon. This solidarity with the homeless rose to new levels when she became involved in the local Occupy movement a year ago, and continued as Occupy Eugene splintered into smaller, more focused, organizations, with the battles over Eugene’s controversial “exclusion zone.”

Jean Stacey said police use the law to harass and exclude homeless people from downtown. “We are ruining people’s lives,” she said. Alley Valkyrie said the ordinance provides the perception that downtown is safer. “Who are we as a people?” Valkyrie said. “Do we exclude? Do we really think it works or do we bow down to perception?”

Now, Alley is a part of SLEEPS which aims to “establish and maintain safe, legally entitled, emergency places to sleep for those who are currently unhoused and want or need such a place.” In Eugene, it is illegal camp on public property, and the homeless in Eugene are often cited for carrying camping equipment. As a result, Eugene’s homeless often sleep in isolated spots and are exposed to violence and environmental hazards. To draw attention to this issue a coalition of homeless and housed activists have been publicly camping at targeted public spots, including the Wayne Morse Free Speech Plaza, where Valkyrie was recently arrested after defying an order to shut down and vacate the space.

A Wiccan altar is erected at the SLEEPS camp in Eugene, Oregon.

A Wiccan altar is erected at the SLEEPS camp in Eugene, Oregon.

“Immediately after Valkyrie was arrested Thursday, the protest group that had camped outside the county courthouse earlier in the week returned to the Federal Building property and pitched about a dozen tents there.”

Alley Valkyrie holds up the front-page story of her arrest.

Alley Valkyrie holds up the front-page story of her arrest.

I recently sat down with Alley Valkyrie to talk to her about SLEEPS, working with the homeless, and the practice of activism as a form of magic.

I’m hoping to have a transcript of the interview up soon. In the meantime, you can follow the exploits of SLEEPS at their Facebook page, or their official website.

Obviously not everyone will want to become an activist in solidarity with the homeless, but I think Alley’s experience highlights how magical practice unifies with the choices we make in our lives, and brings a sense of sacred purpose to what we do. Magic is just as much about what we do, as what we believe or ritually practice. With magic we become increasingly aware of the ripples we create with the choices we make, and act accordingly, with intent in all things. You may not want to be arrested as a form of magic, but every magical act should be weighed as seriously.

Not much time to do a proper post today, but do check out my interview with Soriah and Ashkelon Sain at my A Darker Shade of Pagan podcast, and check out a small selection of photos from my Saturday at the Faerieworlds festival.

A view of the crowd at Faerieworlds.

A view of the crowd at Faerieworlds.

Jesse and Emilio from the band Treguenda.

Jesse and Emilio from the band Treguenda.

Deborah "DJ" Hamouris leading a circle singing workshop.

Deborah “DJ” Hamouris leading a circle singing workshop.

Faerieworlds MC Mark Lewis with headliner Donovan.

Faerieworlds MC Mark Lewis with headliner Donovan.

Your humble author with some wonderful Portland Pagan friends.

Your humble author with some wonderful Portland Pagan friends.

Regular Wild Hunt posting will resume tomorrow!

At past Faerieworlds, Friday is usually seen as the least busy of the three-day event. People have to work, it’s a shorter day, and many are still arriving. However, this year seemed far, far, larger, and the energy level was high, making me think that we’ll see record-breaking attendances on Saturday and Sunday. Like all opening Fridays at Faerieworlds, it started with a ceremony/ritual led by Emilio and Kelly from Woodland, with help from S.J. Tucker. They did a Lammas invocation, including offerings of fruits and grains, with Donovan and his wife as special guests of honor. Then, a giant spiral dance was led by a local priestess while the musicians played.

That kicked off a day of amazing music, headlined by the transcendent Persian fusion ensemble Niyaz, featuring the amazing vocals of Azam Ali. However, I think that the performance by Soriah with Ashkelon Sain is one that truly surprised a lot of people, and created hundreds of new fans. The shamanic throat-singing ensemble, by the end of their set, had entranced the audience, and I feel confident this won’t be the last time they’ll play at Faerieworlds.

Soriah with Ashkelon Sain and Lucretia*Renee

Soriah with Ashkelon Sain and Lucretia*Renee

Check out my A Darker Shade of Pagan podcast tomorrow for an exclusive post-show interview with Soriah and Ashkelon Sain. Today at Faerieworlds I’m hoping to conduct an interview with S.J. Tucker for The Wild Hunt, so stay tuned! Meanwhile, here are some Pagan news links to peruse while I’m away with the faeries.

That’s it for now, back to the Realm for me!

Today marks the beginning of Faerieworlds, a three-day arts and music festival in Eugene, Oregon that embraces the mythic and the fantastic in ways that many of us in the Pagan community would find familiar. A transformational space where each of us is encouraged to embrace the numinous in our own way, our own context. A chance to “live our legend.” As I said last year, this event taps into a blossoming re-enchantment of the world, one that is very in line with modern Paganism, but is not exclusively so.

The stones at the center of Faerieworlds, before the event is underway.

The stones at the center of Faerieworlds’ realm, before the event is underway.

“Events like Faerieworlds tap into a deep cultural hunger for romanticism, for a re-enchantment of the world that has long been denied by both secular and religious institutions in the West. I don’t think the recent fantasy boom is happening in a vacuum, nor do I think it is any coincidence that a growing number of people are opting out of traditional forms of religion altogether while still holding onto religious beliefs. While Faerieworlds, or Burning Man for that matter, aren’t explicitly “Pagan” they tap into a primal need for festival, for gathering to honor the numinous, the changing seasons, each other, and our own creativity. I think that these events, especially as we weather hard times, will continue to grow in importance. There is a vital roots-up form of small-p “paganism” emerging here that is very compatible with our more formal adoption of Pagan religion.”

Jeet-Kei Leung dubbed Faerieworlds part of a”transformational festival culture,” one that re-merges spiritual/religious practices within the context of secular festival culture. Leung has just crowd-funded a web-series documentary on these festivals, and will be visiting Faerieworlds this year to document and interview participants.

“This webseries aims to explain this remarkable and important phenomenon while retaining the artistic sensibility and inspired creativity from which these festivals have been birthed in the first place. Our goal is to promote coherency and cohesion among those in the culture while building a bridge of understanding with those outside it–to support growth and expansion while preserving the magic and integrity of this potent movement.”

As in previous years, there are number of Pagan musicians involved, including Sharon Knight and SJ Tucker, and this year they are joined by the shamanic sounds of Soriah with Ashkelon Sain, the Persian world-fusion of Niyaz feat. Azam Ali, and, of course, festival headliner Donovan. Those elements, along with the performers, artists, vendors, and costumed participants, create a atmosphere that I feel is unique, one not even duplicated at the many explicitly Pagan events I’ve attended over the years. It’s a focused burst of creative energy that changes you if you’re open to the experience.

This year, I’m not only attending as a journalist, I also work for the producers of Faerieworlds, and I’m hoping to use that access to capture some images, impressions, and interviews that will enlighten and enrich. I would like to give a glimpse of the magic happening in my own backyard, in hopes that perhaps you’ll join me here someday, or even be inspired to create that pluralistic, transformational, fusion in your own backyard. Expect updates throughout this weekend!

Pagan Community Notes is a companion to my usual Pagan News of Note series, more focused on news originating from within the Pagan community. I want to reinforce the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So lets get started!

The Passing of Danelle Dragonetti: On December 16th Danelle Dragonetti, also known as WinterHawk, died after a prolonged battle with cancer. Dragonetti was well known in many Pagan circles as a musician, producer, and founder of the Wiccan Pagan Broadcast Network (WPBN), an Internet streaming radio service that prefigured the vibrant Pagan radio and podcasting community we now enjoy. Pagan podcasters Sparrow and Mojo of the The Wigglian Way dedicated their most recent podcast to Danelle, with Sparrow noting that “it weren’t for Danelle we probably wouldn’t have our show.” Witches’ Voice co-founder Wren Walker also noted Dragonetti’s influence in the world of Pagan podcasts.

“The Witch/Wiccan/Pagan communities have lost a guiding light and a vibrant voice. Danelle Dragonetti (Winterhawk) opened the door and set the bar for many of the podcasts that we enjoy today. Danelle wasn’t afraid to aim high or to take on a challenge. Good journey, Danelle. Thank you for speaking your mind and singing your song.”

In addition to her work within the Pagan community, Dragonetti was also a much-beloved figure within the Vampire subculture in her home of Denver, this included being dubbed the “Queen Vampyre Of Denver.” An outpouring of love, sorrow, and remembrances from friends and acquaintances have appeared at her Facebook profile. A memorial service and wake is scheduled for January 15th in Denver. My condolences go out to Dragonetti’s family and friends, may her spirit find rest and return to us again.

Justice for Kathy Dempsey: Nineteen years ago in Lexington, Massachusetts Kathleen Dempsey, 31, was stabbed to death in her home by an unknown assailant. Now, her killer, already serving a life sentence for another murder, has stepped forward and admitted his crime, bringing some sense of closure to her friends and family. Among those friends and family were the local Pagan community, as Dempsey was one of them, a member of EarthSpirit and their ritual performance troupe MotherTongue. One of Kathy’s acquaintances from that time, Peg Aloi, writes about the killing, how it affected her friends in the Pagan community, and how it feels to finally see her killer brought to account.

Kathleen Dempsey

Kathleen Dempsey

“I remember KD as a kind, funny, sweet, talented woman: always friendly, always upbeat. She loved animals, did not consider cleaning a priority, loved to dance, and seemed to think the best of everyone unless she had a reason not to. I saw her for the last time a mere three weeks before she was killed. Her smile, glimpsed in a hallway, still haunts me. I recall the Earthspirit Samhain gathering that year: the tears and wails of loss during the ritual as we named those who had passed that year. I don’t know who it was but one male voice screamed out “Kathy!” after a number of other names were recited. It was a soul-shattering moment I will never forget.”

I would recommend reading the entire post at Peg’s blog. My deepest sympathies go out to Kathy’s friends and family, I hope these events bring some measure of solace.

A Pagan Organizer at Occupy Eugene: One of the longest-running Occupy movement encampments has been the one happening in my own home town of Eugene, Oregon. There, a unique alliance between homeless tribes, anarchists, veterans, labor unions, college students, faculty, and Baby Boom generation activists who helped give Eugene its unique cultural stamp managed to create a community that was actively working to build new solutions to the problems brought on by economic disparity and injustice. Now, as we speak that encampment is being dismantled, and many Occupiers are claiming that local police engaged in sabotage tactics and psychological warfare to make it happen.  One of the main organizers of Occupy Eugene, who has acted as a go-between with city officials and police, is Alley Valkyrie, a longtime member of the Pagan community who originally lived on the East Coast and was a part of festivals like Brushwood. Valkyrie has been in the local media a lot lately, and she is featured in the Eugene Weekly’s cover story about the end of Eugene’s Occupy encampment.

Alley Valkyrie. Photo by Rob Sydor.

Alley Valkyrie. Photo by Rob Sydor.

“I don’t sleep here,” Valkyrie said, laughing. “I’m up all night.” She said in recent days the crackdown on fires had made the camp colder, and the stadium lighting the police put up and increased patrols were “psychological warfare.” [...] According to Valkyrie, one of the extraordinary things Occupy has done is bring the street families together and let street kids learn from older activists, and the activists in turn learn from the street families. “A Ph.D. stands next to a homeless kid and they both have an equal say and an equal vote,” she said.

I’ve been honored to get to know Alley in recent days, and have sat down to talk with her about Occupy Eugene and its future. I’ll be running a future story here at The Wild Hunt that will feature an interview with Alley Valkyrie, and discuss the unique spiritual culture of Eugene and its Occupy movement. In the meantime, keep an eye on Alley Valkyrie as I think she represents the shape of our future leaders and organizers: passionate, engaged, and more concerned about building community than taking credit for building community.

Other Community Notes:

That’s all I have for now, have a great day!

It’s a rare and wonderful think to have a major Pagan-friendly event happening in your figurative backyard. Living in Eugene, Oregon (home of the Slug Queen) I’m lucky enough to attend the yearly Faerieworlds festival during the Summer and witness amazing Pagan (and Pagan-friendly) bands like Faun, S.J. Tucker, Woodland, and Stellamara play in a friendly, colorful, and creative atmosphere. This year, in addition to the now-traditional Summer festival, they are holding a Harvest event taking place over this weekend. What’s interesting is that while Faerieworlds is not explicitly Pagan, and draws individuals from all sorts of backgrounds who appreciate a weekend of fantasy, music, art, and skilled artisans, the openness and embrace of Pagan culture can’t be missed by anyone whose eyes are open to it. Take, for example, the community altar built in front of the main stage at every Faerieworlds.

Faerieworlds communal altar.

Faerieworlds communal altar.

Throughout the day people will add offerings to it, while others will offer prayers to their respective gods and goddesses, and it is an integral part of the experience at Faerieworlds. In addition, as I pointed out at the beginning of this post, a variety of Pagan bands and musicians play here, and last night I got to witness the birth of a new one. Treguenda, a group made up from members of Woodland and cellist/composer Adam Hurst, who performed live for the first time last night.

Treguenda

Treguenda

With a sound very close to that of Woodland’s (for obvious reasons) but enhanced with Hurst’s cello and added electronic elements, Treguenda performed a raft of songs about Pagan festivals, the gods, and a special composition dedicated to Aradia. The audience, Pagan and non-Pagan alike, swooped, danced, cavorted, and enjoyed themselves as the night grew darker (some, no doubt, anticipating that evening’s closing act Delhi 2 Dublin). I’m very much looking forward to hearing recorded material from them.

Events like Faerieworlds tap into a deep cultural hunger for romanticism, for a re-enchantment of the world that has long been denied by both secular and religious institutions in the West. I don’t think the recent fantasy boom is happening in a vacuum, nor do I think it is any coincidence that a growing number of people are opting out of traditional forms of religion altogether while still holding onto religious beliefs. While Faerieworlds, or Burning Man for that matter, aren’t explicitly “Pagan” they tap into a primal need for festival, for gathering to honor the numinous, the changing seasons, each other, and our own creativity. I think that these events, especially as we weather hard times, will continue to grow in importance. There is a vital roots-up form of small-p “paganism” emerging here that is very compatible with our more formal adoption of Pagan religion.

Tonight, I’m looking forward to seeing Stellamara and Faun perform this evening on the main stage. I was lucky enough to interview Oliver Pade of Faun yesterday, to talk about their work, performing in the United States, Paganism in Europe, the intersections of Goth and Pagan music, and future plans. You’ll be able to hear that interview in tomorrow’s A Darker Shade of Pagan podcast, so stay tuned, and if you’re in the Pacific Northwest, it’s still not too late to participate!