Ecstasy and the Craft

The core of Witchcraft has always been carnal in nature. It is rooted in the wisdom of both the land and the body, recognizing the physical world as the holy temple through which we worship the omnipresent divine, the indwelling consciousness within all things and places. It is this consciousness which we often deify, calling it Goddess or God or some other equally nebulous title meant to inspire a sense of awe, reverence, and mystery.

Nigerian festival drums the future

Coverage of the fourth annual African Drum Festival, held in Ogun State, Nigeria, in which performers collaborated and celebrated the history of African drumming traditions and discussed the future of the music.

Column: Healing to the Beat of a Different Drum

Having been raised in both Cuban culture and in Lukumí (or Santeria), it is impossible for me to underestimate the significance drumming and rhythm in both my cultural expressions and spiritual development. They represent one of the fundamental pillars that create “Cuban-ness.”  My godfather used to say “Los tambores de la tierra tienen que oírse en el cielo.” Very loosely translated, this means, “Play the drums so they are heard in Heaven.” The saying speaks to the vigor and ecstasy with which drums must be played during ceremonies because of their deep and raw power. With little exaggeration, their rhythms have changed and sustained cultures as well as brought forth new musical forms to the world.