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The Anti-Agora Campaign Begins

Catholic groups in Spain are protesting the soon-to-open film “Agora” (about the death of Hypatia of Alexandria) saying it is “biased” and “anti-Christian”.

“The president of the Religious Anti-Defamation Observatory, Antonio Alonso Marcos, has sent an open letter to Amenabar, also know for his pro-euthanasia film “The Sea Inside,” denouncing the film’s anti-Christian bias. “The reason for my letter is to make you realize something that you already know but have dismissed as unimportant: your film is going to awaken hatred against Christians in today’s society. You present a biased view of the relationship between science and the Church, between faith and reason. It has been pointed out to you directly and indirectly, and you have used a somewhat vague excuse and looked the other way,” Marcos wrote.”

Spanish Catholics would obviously prefer that the past misdeeds of Christianity be forever tucked away and never mentioned. To do otherwise is to be “biased” against them (they also claim it will “awaken hatred against Christians”). Of course it’s just fine for Catholics to constantly criticize paganism, both ancient and modern, they have no concerns about being seen as “anti-pagan” (indeed it is a point of pride). Despite these attacks, Oscar-winning director Alejandro Amenabar makes it clear that his movie is about violent extremists not common believers.

“The movie denounces people who at a certain moment stop debating ideas, set aside reason, have no room for dialogue and resort to violence. This happened 1,600 years ago and it continues happening today…”

As for the film, it is still looking for distributors in America, and once/if it does, expect more cries of protest from those who would like everyone to forget that Christians weren’t always the persecuted, but instead acted as persecutors as well.

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Quick Note: Return of the Olympians?

It seems I’m somewhat out of the loop concerning what’s hot in the post-Harry Potter world of young adult fantasy fiction, because producer/director Chris Columbus (who directed the first two Harry Potter movies) is bringing a new series to the big screen, and this one seems more explicitly mythical (and dare I say “pagan”) than the “Potterverse” ever was. “Percy Jackson & The Olympians: The Lightning Thief” follows the adventures of Percy (Perseus) Jackson, a son of Poseidon, who, along with some fellow demigods, goes on a series of adventures.

“Directed by Harry Potter veteran Chris Columbus, the film is a fantasy based on the first book in Rick Riordan’s popular series. In the story, a young modern-day boy named Percy Jackson learns that he’s the half-human/half-god son of Poseidon and embarks on a journey of adventure and self-discovery that also involves warring gods.”

You can see the official film web site, here. It is scheduled for release February 12, 2010. Can a film tied so deeply to the pre-Christian Greek mythos find the kind of mega-success that Potter did? One thing’s for certain, if you thought certain Christians went nuts over a bunch of English boarding-school kids casting spells, wait till their kids want to see a film about the children of pagan gods.

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A Look at Earth Days and The Wicker Tree

We here at The Wild Hunt love to keep tabs on films that may interest (or concern) a Pagan audience, and today I have information on two films, one a documentary, and one a long-awaited sequel to a beloved cult-classic. We start off with the Robert Stone documentary “Earth Days”, which looks at the formation of the modern environmental movement culminating in the wildly successful 1970 Earth Day celebration.

“It is now all the rage in the Age of Al Gore and Obama, but can you remember when everyone in America was not “Going Green”? Visually stunning, vastly entertaining and awe-inspiring, Earth Days looks back to the dawn and development of the modern environmental movement—from its post-war rustlings in the 1950s and the 1962 publication of Rachel Carson’s incendiary bestseller Silent Spring, to the first wildly successful 1970 Earth Day celebration and the subsequent firestorm of political action.”

Aside from the natural interest many Pagans have in environmental conservation and activism, the movement that produced the 1970 Earth Day celebration also had a fundamental impact on Wicca and modern Paganism in America.

“The spirit of Earth Day 1970 did not just happen; its roots could include the gradual stirring of environmental consciousness that accelerated in the 1960s, but that stirring itself had deeper roots in an American consciousness of a special relationship with the land, even if that relationship was often abusive. Still, if there was a year when Wicca (in the broad sense) became “nature religion,” as opposed to the “mystery religion” or “metaphorical fertility religion” labels that it had brought from England, that year was 1970.”Chas Clifton, Her Hidden Children: The Rise of Wicca and Paganism in America

“Earth Days” is scheduled to start hitting theatres on August 14th (today!), so be sure to check it out when it hits your neck of the woods (if it doesn’t hit your neck of the woods, don’t despair, it’ll air on PBS in April). Having seen some of Robert Stone’s other documentaries, most notably “Guerrilla: The Taking of Patty Hearst” and “Oswald’s Ghost”, it is clear he has a keen perspective of the cultural threads weaving in and out of America in the 1960s. For some early reviews check out this Salon.com critic’s pick, and three perspectives from The Daily Green.

We now turn to a film that takes an entirely different perspective on “caring for the Earth”, the long-awaited Robin Hardy-directed companion to the 1973 cult-classic movie “The Wicker Man”. That film “Cowboys For Christ” “The Wicker Tree” is currently shooting in Scotland, and Shock Till You Drop has an exclusive set report from Susan Granger.

After coaxing British Lion chairman and CEO Peter Snell out of retirement to become his producer, Hardy and Snell joined forces with Peter Watson-Wood and his partner, Alastair Gourlay, to bring The Wicker Tree to the screen for a tight $3 million budget. Last year, Hardy shot some exteriors in Texas and had preliminary talks with Christopher Lee and Joan Collins. Then Lee developed back problems when he tripped over a cable on a movie set in Mexico, leaving him unable to tackle the physically demanding role of Lachlan, and Joan Collins made other plans for this summer. So Hardy chose Scottish actor Graham McTavish (Rambo) who says, “I feel in some ways, a great responsibility to Christopher Lee, to Robin and to the legacy of The Wicker Man. As someone who was inspired by that film, it’s tremendously exciting and challenging to fill the shoes of Christopher Lee -- and I only hope I can do it. For an actor, Lachlan is a role you seize with both hands.”

For those greatly disappointed by Sir Christopher Lee getting hurt and not being able to play the leading role of Lachlan fear not! According to the report he’ll still be appearing in a “pivotal” and “instantly recognizable” role in the film. Could this mean a direct connection to “The Wicker Man”? Could Lee be reprising the role of Lord Summerisle in a cameo? The thought of waiting till 2010 to find out seems torturous. I recommend reading the whole set report for some Robin Hardy quotes bagging on the horrid Nicolas Cage “Wicker Man” re-make (apparantly Cage is clueless as to why it failed), and some short interviews with some of the other stars of “The Wicker Tree”. Be sure to also check out the gallery of production stills.

ADDENDUM: Oh! How could I forget that Hayao Miyazaki’s new film “Ponyo on the Cliff By the Sea” is out in theaters now!

With Cate Blanchett as a sea-goddess (in the English dub) how can you go wrong?

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It’s called Wicca and it’s empowering!

You can try to escape “The Craft”, but it just won’t let go. That infamous witchy cult-classic film debuted 13 years ago, but the stars still find themselves drawn back into its orbit. Fairuza Balk, who was already interested in Witchcraft and Paganism, owned Panpipes Magickal Marketplace in California for six years, Robin Tunney’s new show “The Mentalist” had an especially awful Witch-themed episode this year, and now Neve Campbell will be playing a Witch again in the upcoming 21st season of the animated comedy “The Simpsons”.

Seth Rogen, Jonah Hill, Anne Hathaway, Jackie Mason, Neve Campbell and the late Eartha Kitt are among the guest voices on the upcoming 21st season of THE SIMPSONS airing Sundays (8:00-8:30 PM ET/PT) on FOX … Neve Campbell plays “Cassandra,” a Wiccan accused of blinding the town with a spell (a la “The Craft”) in “Rednecks and Broomsticks.”

Makes you wonder if Rachel True has been up to anything occult-ish lately. I would say that this is all leading up to a big Craft reunion, but the planned direct-to-DVD sequel (which wasn’t to feature any of the original stars) is dead in the water. Still, if they can make a “The Witches of Eastwick” television series (called simply “Eastwick”) 22 years after the original film, you never know when “The Craft” will come back.

The title of this post is, of course, from Wicca-curious Lisa Simpson, in “The Simpsons” episode “Catch ‘em If You Can”.

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Wicker Man Companion Finally Filming

As hinted in my recent post about the knighting of Sir Christopher Lee, it looks like the fiscally derailed production of “Cowboys For Christ” is back to filming in Scotland. Both /Film and ShockTillYouDrop are reporting that the long-promised sequel/re-imagining/companion to the classic 1973 horror/folk-musical “The Wicker Man” is now in the midst of shooting.

“ShockTillYouDrop have been informed that Robin Hardy’s long awaited Cowboys For Christ is finally in production. Some shooting has already taken place in the US and the filmmakers are reportedly in the midst of the Scottish shoot right now. Hardy’s 1973 directorial debut The Wicker Man is truly one of the most jubilantly beloved films in the pantheon of British genre pictures. I still see it doing abundant business as late night screenings, and pretty much everybody I speak to holds it close and dear, including those of us all too aware of its shortcomings. For a good few years now, Hardy has been touting Cowboys as a kind of follow up, a ’spiritual successor’ to feature a number of the same ingredients as Wicker Man: a clash between pagans and Christians, a remote rural location, Christopher Lee as a mysterious aristocrat.”

That there will be a continuity of director and lead actor (Hardy and Lee) from the original film is certainly promising, as is the prospect of a another folk-centric soundtrack. This time headed by Scottish musician Keith Easdale of the band Calasaig. If this production finds success, or at least an appreciative cult audience, we might get the full “Wicker Man Trilogy” that Hardy mentioned back in 2007 (the proposed third film “Twilight of the Gods” would be set in Iceland and deal with Norse pagan themes). Then again, considering the 36-year wait between “The Wicker Man” and “Cowboys For Christ”, Hardy might not make it to a third installment, he’s no spring chicken you know.

In any case, I’ll be queuing up to see the film once it sees the light of day, and who knows? Perhaps the subcultural love for the original film, a love that has spawned a musical in England, and a rock opera in California, might just erase the bad taste of the misguided 2006 remake and spur a big sequel-demanding payday for “Cowboys For Christ”.

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That’s “Sir” Christopher Lee to you!

Queen Elizabeth, finally recognizing Lord Summerisle’s Christopher Lee’s contributions to culture, philanthropy, and the preservation of Britain’s unique religious heritage, has awarded him a knighthood.


Sir Christopher Lee

“Golf legend Nick Faldo and veteran horror actor Christopher Lee were both made knights in Queen Elizabeth II’s birthday honours list released Saturday … Lee, 87, has spent his career terrifying cinema-goers. As well as appearing in classic horror films such as 1958’s “Dracula” and 1959’s “The Mummy“, Sir Christopher also played memorable baddie Scaramanga in the 1974 James Bond classic “The Man With The Golden Gun“. In recent years he starred as Saruman in “The Lord Of The Rings” trilogy and Count Dooku in the “Star Wars” prequels.”

He not only won the hearts of many Pagans (including mine) for his role in “The Wicker Man”, he is also, in the words of Wired Magazine’s “Underwire” blog, “King of All Nerd Franchises”.

“Lee can lay claim to the unofficial additional title of King of All Nerd Franchises. In addition to his several battles with Peter Cushing in Hammer Films’ Dracula movies, he was a Bond Villain (The Man with the Golden Gun), Fu Manchu in a bunch of movies, a Lord of the Rings baddie (Saruman), the eerie villain in The Wicker Man (the original) and Count Dooku in the Star Wars series. Along the way, he appeared on The Avengers, Space: 1999, multiple Tim Burton movies and more video games than you’ve had hot dinners.”

Sir Christopher, who is now 87 years old, is still working. He is set to appear in Tim Burton’s adaptation of “Alice In Wonderland” as The Jabberwock, and is finally participating (if current accounts are correct) in the filming of Robin Hardy’s long-delayed sort-of sequel/re-imagining of “The Wicker Man” entitled “Cowboys For Christ”.

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Heather Graham Comes Out of the Broom Closet?

The tabloids and gossip blogs are afire with the news that actress Heather Graham (”The Hangover”, “Boogie Nights”, “From Hell”) has admitted to being, well, a Witch (of some sort).


Heather Graham

“I have this group of friends and we get together and we call ourselves The Goddesses and we wish for things and then a lot of amazing things have happened to all of us,” Heather admitted.   “We burn things — honoring the elements of earth, wind, air and fire. You do spells. “We did this thing where we were calling on the wind and the air and this whole storm started on my roof… It was amazing… empowering.”

Graham joins the ranks of fellow actresses Megan Cavanagh and Cybill Shepherd in publicly admitting to some sort of Goddess worship or magical/witchcraft practice. Graham, in addition to admitting her participation in a spell-working group, and performing “good sex spells” with her boyfriend, also talks about doing workings to get Barack Obama elected.

“My friends really wanted Obama to be elected so we all did a spell and then he got elected,” … “It worked out good.”

So there you go. Heather Graham is a Witch, or perhaps a Goddess worshipper, or maybe just into casting empowering spells with her friends. Whatever the circumstance, it seems she’s “one of us” for the moment (though at least one gossip blogger thinks she’s just a “sad” wannabee). That’s two “outings” this year, will 2009 be the big moment for Hollywood to come out of the broom closet? Will we soon hear tales of extravagant high-powered covens, decked out in the finest witchy fashions? I guess we’ll just have to wait and see.

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A Modern Pagan Villain Comes to the Screen

If you were going to make a major motion picture that casts the modern Pagan impulse in the worst possible light, you couldn’t do much better than picking Varg Vikernes as the subject. Vikernes, founder of the infamous Norwegian black metal band Burzum, was convicted of the arson of a string of Christian churches (which he described as “revenge” for the desecration of heathen graves), and the murder of guitarist Oystein Aarseth. Vikernes also subscribes to racialist form of Heathenry, and has claimed in the past to be a Nazi. So we’re talking about a figure who personally fulfilled all the hysterical extremist Christian stereotypes about what modern Pagans are. Naturally, this means his story is being made into a movie that will be starring one of the teen heartthrobs from the movie “Twilight”.


Jackson Rathbone and Varg Vikernes

“Jackson Rathbone, the teen heartthrob from “Twilight”, has reportedly agreed to play Varg Vikernes (a.k.a. Count Grishnackh) — the former BURZUM mastermind who is currently serving a Norwegian prison term for the August 1993 murder of MAYHEM guitarist Oystein Aarseth (a.k.a. Euronymous) and setting fire to three churches — in the upcoming movie “Lords Of Chaos”. Based on Michael Moynihan and Didrik Soderlind’s book of the same name, the film depicts true events and revolves around the black metal sub-culture that spawned a wave of murders and church arsons across Norway in the early 1990s. Making his English-language debut with “Lords Of Chaos” will be hot Japanese director Sion Sono.”

The weird confluence of a hot teen-film star, a hugely popular avant-garde Japanese film-maker, and a notoriously influential member of the black metal underground almost guarantee “Lords of Chaos” instant cult status. The open question now is will the film be a critical examinaiton of the black metal scene and Vikernes’ life and mistakes, or will it turn him into a romantic anti-hero? Producer Stuart Pollock of Saltire Entertainment called the yet-to-be-shot film “a fun portrayal of Norway”, which doesn’t exactly reassure me that this will be some sort of arty morality play. As for Varg Vikernes, he’s just been released from prison after 16 years, so he’ll be able to see the film, and if he and the film’s producers are desperate enough for publicicty maybe help promote it as well. “Lords of Chaos” is set for a 2010 release, consider it the anti-“Agora” in terms of depicting paganism in a positive light. Oh, and if you’re looking for some more information on black metal, you might want to check out the book “Lords of Chaos” by Michael Moynihan and Didrik Soderlind. Vikernes calls the book “a pool of mud”, so you can’t get a better endorsement than that.

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Post-Cannes Reaction to “Agora”

The movie “Agora”, which centers on the life of Neoplatonist pagan philosopher Hypatia, had its first official screening at the Cannes Film Festival and initial reviews are trickling in from the entertainment press. While some thought the epic overreached and fell a bit flat, others, like Variety’s Todd McCarthy, thinks the film succeeds with its handling of difficult subjects despite some “dramaturgical” shortcomings.


Director Alejandro Amenábar with Rachel Weisz

“…there is much in the picture to sustain sympathetic interest, including its dedicated historical perspective, intellectual seriousness and credible presentation of epic film elements that have often tripped up filmmakers in the past. Then there is the physical side of the production, which is genuinely impressive. Lensing entirely in Malta, Amenabar has fleshed out real locations with extensive sets and helpful (and largely undetectable) CGI extensions to provide a striking impression of a legendary ancient city. Production designer Guy Hendrix Dyas has mixed traditional Greco-Roman style buildings with Egyptian motifs and various interior decorative influences to palpably evoke a Mediterranean port city where many cultures convened. Gabriella Pescucci’s costumes colorfully support this approach, and Xavi Gimenez’s widescreen lensing captures it all with colorful mobility. Dario Marianelli’s score is rich, with occasional swells into the bombastic.”

Also speaking positively about the film are the Hollywood Reporter’s Natasha Senjanovic, who says that Rachel Weisz gives an “unfaltering” performance as Hypatia, and Patrick Goldstein of the Los Angeles Times who calls the film rich in “visual imagination”. As for the historical accuracy buffs, The Guardian’s Charlotte Higgins calls “Agora” a “gift to classicists”.

“Classicists are going to have a field day with Alejandro Amenábar’s Agora, which premiered yesterday at the Cannes film festival. Starring Rachel Weisz as Hypatia, the 4th- to 5th-century Alexandrian astronomer, philosopher and mathematician, who was brutally killed by an angry Christian mob, it avoids some of the pitfalls of movies set in the ancient world. The characters behave naturally and speak normally, without either jolting archaisms or ridiculous anachronisms, and the world that has been created to stand in for Alexandria – a huge set on Malta – works well, with minimum CGI nastiness and an obvious attention to historical detail. The costumes and the “look” of the characters was based on Romano-Egyptian mummy portraits, said Amenábar at his press conference, and that was deftly done.”

Even better, Higgins assures us that the film manages to “deftly” include the famous tale of Hypatia repelling a suitor by showing him her menstrual rags. Also reassuring to those worried that Hypatia the virgin philosopher would be thrust into romance is this comment by director Alejandro Amenabar when counselling Rachel Weisz in the role.

“Rachel had accepted the part, but then she grew worried about that solitude, so she called me one day to talk,” Amenabar recalls. “I told her, ‘Remember, I’m not offering you the part of the scientist’s wife. You are the scientist. And you are very much in love — you’re just in love with the sky.’ ”

So it looks like “Agora” really will be a treat for Pagan film-goers once it sees wide release in December. Prepare to ramp up your expectations! I can’t wait to see this one on the big screen.

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Is Ross Douthat Living in Dan Brown’s America?

I’m not a fan of Dan Brown’s writing. I think he’s something of a hack, who lucked out by stumbling onto a deep yearning to embrace the divine feminine. The films, thanks partly to director Ron Howard, are far more entertaining, excising much of the tiresome lecturing masquerading as prose in Brown’s novels. One of my only real pleasures in considering the influence of Brown’s career is how he seems to make conservative Catholics (and quite a few conservative Protestants) spend countless hours debunking a popular fiction writer. Enter conservative (Catholic) columnist Ross Douthat, who in his zeal to slam the co-existence of Jesus with Brown’s various New Age/heretical theories does his own sloppy research.

“Brown’s … depiction of the Roman Church’s past constitutes a greatest hits of anti-Catholicism, with slurs invented by 19th-century Protestants jostling for space alongside libels fabricated by 20th-century Wiccans. (If he targeted Judaism or Islam this way, one suspects that no publisher would touch him.) … In the Brownian worldview, all religions — even Roman Catholicism — have the potential to be wonderful, so long as we can get over the idea that any one of them might be particularly true. It’s a message perfectly tailored for 21st-century America, where the most important religious trend is neither swelling unbelief nor rising fundamentalism, but the emergence of a generalized “religiousness” detached from the claims of any specific faith tradition.”

Wiccan-fabricated libels? Oh! You mean the “Burning Times”, right? The old “nine million witches” killed thing. Funny thing about that, it wasn’t a libel fabricated by Wiccans, it was an estimate by an 18th century German scholar which was then propogated (in part) by a 20th century British anthropologist. While some debunking of that estimate already existed in academic circles, it was hardly common reading at the time it was picked up by feminists and early Wiccans (the 1960s and 1970s). In the last twenty years, as the number was successfully reevaluated, modern Paganism has mostly dropped that meme, and those who don’t are often criticiszed within the modern Pagan community. Even Charlotte Allen, who wrote the critical piece from 2001 that Douthat links to, admits that Wiccans and Pagans have mostly moved on from “The Burning Times”.

“Generally speaking, though, Wiccans appear to be accommodating themselves to much of the emerging evidence concerning their antecedents: for example, they are coming to view their ancient provenance as inspiring legend rather than hard-and-fast history. By the end of the 1990s, with the appearance of Davis’s book and then of Hutton’s, many Wiccans had begun referring to their story as a myth of origin, not a history of survival.”

Funny that Douthat, in his zeal to discredit Brown, engages in the very act of libel he seems to disdain. It’s also interesting that he remarks on the fact that Brown wouldn’t write about Judaism in the same manner he writes about Catholicism, since the Catholic Church recently dealt with a scandal regarding their lifting an excommunication from a traditionalist Catholic Bishop who endorsed the the ultimate anti-Judaism tact “The Protocols of the Elders of Zion”. Glass houses and all that, right? In any case, all this talk about libel and blasphemy is really just a front. What Douthat is really upset about is the fact that we’re entering a post-Christian society where Catholic teachings aren’t given the same deference they once were, and “spiritual but not religious” types are increasingly on the rise.

“The polls that show more Americans abandoning organized religion don’t suggest a dramatic uptick in atheism: They reveal the growth of do-it-yourself spirituality, with traditional religion’s dogmas and moral requirements shorn away. The same trend is at work within organized faiths as well … These are Dan Brown’s kind of readers. Piggybacking on the fascination with lost gospels and alternative Christianities, he serves up a Jesus who’s a thoroughly modern sort of messiah — sexy, worldly, and Goddess-worshiping, with a wife and kids, a house in the Galilean suburbs, and no delusions about his own divinity. But the success of this message — which also shows up in the work of Brown’s many thriller-writing imitators — can’t be separated from its dishonesty.”

This is a man who is truly and deeply upset by the fact that he’s living in “Dan Brown’s America”. But I would postulate that he placed himself there. Heresy and eclecticism are the price of freedom, they have always existed and they always will. The vast majority of Americans are still Christian, and Catholics make up a whopping 24% of American adherents. What has changed is that the Catholic church, or any church for that matter, no longer has the power to silence heretics, ruin careers, or ban books. As for Brown’s warmed-over conspiracy theories, I agree with Matthew Yglesias who points out that the Catholic church is custom-made for a good conspiracy-themed fictional yarn.

“You could target Judaism or Islam for criticism in a book, but you simply couldn’t target Judaism or Islam “this way.” The Catholic Church has a centralized bureaucracy and an institutional continuity lasting over a thousand years. That’s good fodder for conspiracy theories. Other religions aren’t organized this way. Protocols of the Elders of Zion had to postulate not only a conspiracy, but the elders themselves, since you can’t have a conspiracy without conspirators.”

There is a very good chance that the Catholic Church was nothing more than a good vehicle for a conspiracy-laden tale that would transmit Brown’s feel-good divine feminine message. By writing one more angry editorial, Douthat not only proves that he’s living in Dan Brown’s America (and hating it), but that he’s willing to be a part of his promotional machinery (cast as the villain, of course).

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