“‘Night of Pan’ is a seven and a half minute film featuring film auteur Kenneth Anger and actor Vincent Gallo. The film has been screened in various versions internationally – Beijing, Lisbon, Cannes, Athens, Rome, Berlin and elsewhere, but never in Butler’s base, Los Angeles. In the film, Anger, Gallo, and Butler depict an occult ritual that symbolizes the stage of ego death in the process of spiritual attainment.”

If you’re going to do a short ritualistic art-film, there’s no finer stamp of approval than getting Kenneth Anger (the undisputed master of the genre, and long-time Thelemite) to co-star in it. After it’s finished making the festival rounds, maybe they’ll post the whole thing to Youtube?

Turning from short art-films with Pagan and occult themes to long big-budget historical films with pagan themes, I have some “Agora” (the film about Hypatia of Alexandria) news to share. While Americans are still awaiting an official release date for the film, in Spain it has garnered 13 Goya Award nominations from the Spanish Film Academy.

“[Alejandro] Amenabar said at the ceremony in the Academy building that it had been “a great year for Spanish cinema” and was quick to push the worth of his fellow nominees, Agora co-scriptwriter Mateo Gil and lead actress Rachel Weisz.”

Now if we can only get a release date! Perhaps the new flurry of international acclaim and press will speed things along?

In a final “and water’s wet” sort of note, Vatican media isn’t pleased with the pantheistic elements of the global mega-blockbuster “Avatar”, criticizing it for turning “creation” into a “divinity to worship”.

“L’Osservatore said the film “gets bogged down by a spiritualism linked to the worship of nature.” Similarly, Vatican Radio said it “cleverly winks at all those pseudo-doctrines that turn ecology into the religion of the millennium.” “Nature is no longer a creation to defend, but a divinity to worship,” the radio said.”

And while we should never conflate Vatican media with the official opinion of the Pope, Vatican spokesman the Rev. Federico Lombardi did state that these views “reflect” Benedict XVI’s opinions on the matter. Indeed, how could they not?  The pontiff has a long history of warning against the dangers of “neo-paganism”, especially within the context of environmental concerns. I’m sure Ross Douthat is excited to be so “on the same page” as his spiritual authority.

That’s all I have for now, have a great day!

I have a few news items to start off your Saturday, beginning with a story that’s spread like wildfire through the political and religious blogospheres gaining mainstream coverage, and its all about prayer. Specifically its about “imprecatory prayer”, the Christian equivalent to malefic “black” magic (you’re basically asking God to kill, maim, or trouble some person). While there have been a few high-profile imprecatory prayer stories popping up lately, the most recent centers on a meme and line of merchandise urging people to “pray” for President Barack Obama, invoking the biblical Psalm 109:8 “let his days be few; and let another take his office”. It seems rather harmless as imprecatory prayers go until you read the rest of the psalm in question.

“It was, most likely, intended as a joke.  But it isn’t really very funny.  Especially since the next verse reads, “May his children be orphans, and his wife a widow.”  The passage goes on the same way--asking God to pulverize this poor fellow--that he lose all his worldly goods, that his orphans be abandoned, that his father be remembered as a sinner, and finally, that “his memory be cut off from the earth.” Thus, the “Prayer for Obama,” does more than anticipate that he leaves office; it entreats God to destroy the president.”

Supporters and opponents of this prayer are battling it out at Cafe Press, with stores being removed and reinstated. Meanwhile, pundits are split on whether this is harmless fun, or yet another sign that far-right Christianity is coming unglued and “trawling for assassins”. How should Pagans and occultists, many of whom believe in the power of magic and intention, react to these sort of stories? Harmless? Or the beginning of a particularly nasty egregore?

Turning from prayer to more material conflicts over belief, Chas Clifton reports on a Russian Orthodox priest who was recently murdered in his church. 34-year-old Daniil Sysoyev was missionary who bragged of converting 80 Muslims personally, and wrote several books critical of Islam, gaining many death-threats in the process. But while this seems a rather open-and-shut case of a Russian Muslim taking revenge against a firebrand converter of Muslims, authorities are also looking at other groups, like Russian Pagans.

“Sysoyev also worked with former members of religious sects and wrote a book on Seventh Day Adventists and Jehovahs’ Witnesses. He also spoke out against nationalists and Stalinists, whom he criticized on his blog for ignoring the murder of innocent people.”

None of the articles specifically mentions Pagans when they mention “various religious sects”, but the ABC article links the phrase to another report they did on Russian Pagans, so they must know something we don’t. Clifton points out that Russian Pagans do come into direct conflict with the Russian Orthodoxy and “are more likely to have their own line of “blood and soil” rhetoric and to claim that they represent the true spirituality of their people”. All that said, I’m siding with Occam’s razor on this one, so the Russian Pagans and hard-liner Stalinists most likely have little to worry about during the investigation.

In a final note, it looks like “Agora”, which centers on the life (and death) of Neoplatonist pagan philosopher Hypatia, has finally found an American distributor and will hit theaters in early 2010.

“Alejandro Amenabar’s intellectual epic that had sat without a U.S. buyer for six months, has found a stateside home. Newmarket Films has picked up U.S. rights to the Rachel Weisz starrer and is prepping a release for the first half of 2010.”

Distribution deals finally materialized after the film starting doing far better than expected in European markets. So we’ll finally get a chance to see “Agora” on the big screen, anyone want to place bets on if/when it will gain American protesters?

“Next, he introduced a 10-minute (rough cut, the sound was incomplete) clip of The Wicker Tree (2010), which follows The Wicker Man in “style” and slightly in story. The clip was not a 10-minute chunk but rather snippets of various scenes in the film. Beth (Brittania Nicol) is a born-again Christian music star with a haughty Britney Spears past and a cowboy boyfriend, Steve (Henry Garrett). Both are missionaries sent by their reverend to bring the “Lord’s love” to Scotland. During their trip, Beth’s beau takes a dip in some sacred springs with a voluptuous libertine only to find himself in another scene cornered by the strange townsfolk singing and out for blood.”

Sounds like fun! Lets hope it holds a candle to the original movie, and doesn’t fall in the horribleness of the ill-advised 2006 remake. They also seem to all-but-confirm that Sir Christopher Lee will be making a cameo as Lord Summerisle, linking the two films together into the same shared universe. Needless to say I await more news of the film, including its release date.

Turning from fictional Pagans looking for a sacrifice to a famous pagan trying to escape Christian mobs, we look at the status of the film “Agora”, which centers on the life (and death) of Neoplatonist pagan philosopher Hypatia. The film, while winning critical accolades, has experienced trouble in finding an American distributor, and was encountering protests in places like Spain due to its “anti-Christian” tone. Well, it seems that the film has been a smash-hit in Europe, and it’s looking like Sony may put in a bid for American distribution.

“Sony Pictures Worldwide Acquisitions Group is considering a bid for U.S. distribution rights to Alejandro Amenabar’s ancient historical epic “Agora,” starring Rachel Weisz. “Agora’s” boffo performance at the Spanish B.O. in recent weeks has sparked renewed interest in the film, which is being shopped domestically by John Sloss’ Cinetic Media and overseas by Focus Features Intl. … Bowing in Spain on Oct. 9, “Agora” scored the highest opening of the year, and to date has cumed $25 million dollars. It’s topped the box office there over the past four weekends, and even bested the debut of Michael Jackson topliner “This Is It,” from Sony, during the Oct. 30-Nov. 1 frame. Pre-AFM, other territories Focus Intl. had sold include France, Germany, Scandinavia and Greece. Rights have been sold for Taiwan and Thailand as well.”

Director Alejandro Amenabar is apparently also willing to cut 20 minutes from the film in order to make it run a tidy two hours, further tempting the bean-counters at Sony (and Fox, who are also expressing interest). Could we be lucky enough to see a winter release here in America? Or possibly early Spring? We’ll keep our eyes open.

Finally, the long-awaited (well, by some of us) remake of “Clash of the Titans” has released a trailer!

I know it, like the original, completely mangles Greek myth, but I have to admit that I had a little geek-tingle from the younger Jason who watched the original like a million times on cable when I was a kid. I also kind of hope they keep the symphonic metal soundtrack they utilize in the trailer, I mean, it’s not historical anyway, so let’s go all out! “Clash of the Titans” is due out in March.

“The president of the Religious Anti-Defamation Observatory, Antonio Alonso Marcos, has sent an open letter to Amenabar, also know for his pro-euthanasia film “The Sea Inside,” denouncing the film’s anti-Christian bias. “The reason for my letter is to make you realize something that you already know but have dismissed as unimportant: your film is going to awaken hatred against Christians in today’s society. You present a biased view of the relationship between science and the Church, between faith and reason. It has been pointed out to you directly and indirectly, and you have used a somewhat vague excuse and looked the other way,” Marcos wrote.”

Spanish Catholics would obviously prefer that the past misdeeds of Christianity be forever tucked away and never mentioned. To do otherwise is to be “biased” against them (they also claim it will “awaken hatred against Christians”). Of course it’s just fine for Catholics to constantly criticize paganism, both ancient and modern, they have no concerns about being seen as “anti-pagan” (indeed it is a point of pride). Despite these attacks, Oscar-winning director Alejandro Amenabar makes it clear that his movie is about violent extremists not common believers.

“The movie denounces people who at a certain moment stop debating ideas, set aside reason, have no room for dialogue and resort to violence. This happened 1,600 years ago and it continues happening today…”

As for the film, it is still looking for distributors in America, and once/if it does, expect more cries of protest from those who would like everyone to forget that Christians weren’t always the persecuted, but instead acted as persecutors as well.

Director Alejandro Amenábar with Rachel Weisz

“…there is much in the picture to sustain sympathetic interest, including its dedicated historical perspective, intellectual seriousness and credible presentation of epic film elements that have often tripped up filmmakers in the past. Then there is the physical side of the production, which is genuinely impressive. Lensing entirely in Malta, Amenabar has fleshed out real locations with extensive sets and helpful (and largely undetectable) CGI extensions to provide a striking impression of a legendary ancient city. Production designer Guy Hendrix Dyas has mixed traditional Greco-Roman style buildings with Egyptian motifs and various interior decorative influences to palpably evoke a Mediterranean port city where many cultures convened. Gabriella Pescucci’s costumes colorfully support this approach, and Xavi Gimenez’s widescreen lensing captures it all with colorful mobility. Dario Marianelli’s score is rich, with occasional swells into the bombastic.”

Also speaking positively about the film are the Hollywood Reporter’s Natasha Senjanovic, who says that Rachel Weisz gives an “unfaltering” performance as Hypatia, and Patrick Goldstein of the Los Angeles Times who calls the film rich in “visual imagination”. As for the historical accuracy buffs, The Guardian’s Charlotte Higgins calls “Agora” a “gift to classicists”.

“Classicists are going to have a field day with Alejandro Amenábar’s Agora, which premiered yesterday at the Cannes film festival. Starring Rachel Weisz as Hypatia, the 4th- to 5th-century Alexandrian astronomer, philosopher and mathematician, who was brutally killed by an angry Christian mob, it avoids some of the pitfalls of movies set in the ancient world. The characters behave naturally and speak normally, without either jolting archaisms or ridiculous anachronisms, and the world that has been created to stand in for Alexandria – a huge set on Malta – works well, with minimum CGI nastiness and an obvious attention to historical detail. The costumes and the “look” of the characters was based on Romano-Egyptian mummy portraits, said Amenábar at his press conference, and that was deftly done.”

Even better, Higgins assures us that the film manages to “deftly” include the famous tale of Hypatia repelling a suitor by showing him her menstrual rags. Also reassuring to those worried that Hypatia the virgin philosopher would be thrust into romance is this comment by director Alejandro Amenabar when counselling Rachel Weisz in the role.

“Rachel had accepted the part, but then she grew worried about that solitude, so she called me one day to talk,” Amenabar recalls. “I told her, ‘Remember, I’m not offering you the part of the scientist’s wife. You are the scientist. And you are very much in love — you’re just in love with the sky.’ ”

So it looks like “Agora” really will be a treat for Pagan film-goers once it sees wide release in December. Prepare to ramp up your expectations! I can’t wait to see this one on the big screen.

“Agora” is scheduled for a mid-December 2009 release (rioting Christian mobs are quite Christmas-y). The film is directed by Alejandro Amenabar (“The Others”, “The Sea Inside”), and stars Academy Award-winning English actress Rachel Weisz as Hypatia. For more on the film check out my post from March 2008. Thanks to Rimrunner for the heads-up!

Max Minghella, Alejandro Amenabar, and Rachel Weisz.

This film, more than any other recent film set during the classical period, will be closely watched by modern Pagans (especially Hellenic reconstructionists). Many of whom consider Hypatia to be one of the primary martyrs of pre-Christian pagan religion.

“Yet even she fell a victim to the political jealousy which at that time prevailed. For as she had frequent interviews with Orestes, it was calumniously reported among the Christian populace, that it was she who prevented Orestes from being reconciled to the bishop. Some of them therefore, hurried away by a fierce and bigoted zeal, whose ringleader was a reader named Peter, waylaid her returning home, and dragging her from her carriage, they took her to the church called Caesareum, where they completely stripped her, and then murdered her by scraping her skin off with tiles and bits of shell. After tearing her body in pieces, they took her mangled limbs to a place called Cinaron, and there burnt them.” – Socrates of Constantinople

Hypatia was renowned for her knowledge and virtue, and reportedly remained a virgin until her death (she once repelled a suitor by showing him her menstrual rags). But virgin or not, such things can’t stop a romantic sub-plot from being introduced into the film.

“Set in Roman Egypt in the fourth century, “Agora” tells the story of the legendary astronomer Hypatia (Weisz), trapped in the legendary Library of Alexandria, and her fight to save the old world’s wisdom from the religious riots sweeping the streets of Alexandria. Her slave Davus (Minghella) wrestles with his yearning for freedom and his professed love for his mistress.”

All the same, the director (who also co-wrote the script) seems passionate about the film, and according to Rachel Weisz the work “gets to the heart of the ugliness and the beauty of what it is to be human.” So for now, I’m feeling quite positive about the film’s prospects. With “Agora” currently filming, and “Cowboys for Christ” scheduled to start shooting in April, it looks like 2009 may be a very good year for Pagan-friendly films.
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