[While I like to keep something of a firewall between my work at The Wild Hunt, and my job at Mythic Events, the folks who put on Faerieworlds in Eugene, and the FaerieCons in Seattle and Baltimore, I felt that in this case an exception was in order. Faerieworlds, while not explicitly Pagan, is steeped in the same mythic, transformational, energy you’d find at any number of festivals marketed to our community. This year, we are immensely proud to have recent Rock & Roll Hall of Fame inductee Donovan headlining, and Robert Gould, a co-owner and Producer of Faerieworlds, has written an eloquent appreciation exploring why this artist fits so well into the ethos our event inhabits. I greatly enjoyed reading it, and I felt that many of you would as well.]
“Why Donovan?” is a question we have been asked since we announced his landmark appearance at our event in Eugene, OR on July 29th, several months ago.
A master of the poetic evocation of place, character and emotion, Donovan is, first and foremost a storyteller in the bardic tradition. Tales of love, longing loss, rapture, adventure, crisis, mystics, heroes, heroines and above all, devotion fill his songbook. Tactile and sensual, these stories have deep roots in mythic and folkloric tales of the Land and the cultural, often timeless challenges faced by humanity within our global community.
Like any great artist, Donovan sees and uses words and music as symbols for ideas and emotions; rarely are his expressions fixed or overtly literal. He seeks and showcases the inherent poetry within words and the syllabic rhythms they contain as best evidenced in “Wear You Love Like Heaven.” Melodies often flow over a drone of instrument or voice, serving as an inner mantra for the expression of the lyric. He has a respect for and appreciation of the importance of poignant, delicate and fragile musical moments that produce enormous emotional impact: within even in his most dramatic songs there is a heart of suspended stillness. Such moments become fixed in time and memory and produce instantaneous, visceral recall when heard even decades later.
His gentle, often whispered voice with its warm, Northern burr creates a seductive intimacy that quietly commands attention. The master of the sideways glance, Donovan rarely addresses any subject directly; all is liquid, evolving, emerging. His lyrics do not offer obvious observations or insights, they are as if observed in a mirror, tempered by a poetic symbol or provocative metaphor. His music is welcoming and seductive, accounting in part for the exceptional number of artists he has inspired or influenced. His unique finger style method alone has spawned a celebrated lineage of the finest guitar players of our time.
The most common and unifying quality of great art is ambiguity: it’s ability to be experienced and interpreted by people of any gender, age, culture or time. Donovan’s music shares this rare, open quality: it is most often simple in form and melody but at the same time elusive and ephemeral. He hangs his art in the air and subjects it to the harmonizing influence of the elements. Never dogmatic, he addresses social issues as a poet, not as a politician and avoids literal conversations about power within his art.
Since the beginning, Donovan’s spiritual practice has been at the heart of his physical, emotional and spiritual life. He joins George Harrison as a pioneer and champion of introducing and popularizing the philosophies and music of the East to the West during the 60s and 70s and his presence, influence and support lies at the foundation of much of what we call alternative culture today. His work has transcended being solely linked to two world-shifting decades because his music, poetry and the subjects of his art are timeless.
In a rampant consumer and celebrity obsessed culture that is addicted to the empty calories of entraining, metronomic beats and autotuned robo-voices, Donovan’s music reminds us of the transcendent power of a compelling melody and a poetically crafted lyric to touch the human heart and soul and bring Meaning, if only for a moment, to our all too temporal lives, To accomplish this, Donovan sources his art from something greater than himself. It is evident that his lifetime practice of meditation has produced an enormous bounty. For Donovan, life, art and music are a ceremony of innocence and a sacrament of devotion. He lives and creates today in joyful celebration of and in service to Spirit and Beauty, a wise and accomplished artist and poet humbled before the greatness and vastness of the Universe to which he knows he shall return.
Simply put: Donovan is an artist very much of our time and completely embodies the intention, heart and spirit of Faerieworlds. Donovan has always been and remains to this day, an artist for the ages.
[I’d like to thank Robert Gould for sharing this with us. Donovan performs at Faerieworlds, the music and arts festival in Eugene, OR, on July 29, 2012. For more information, visit: www.faerieworlds.com. Stay tuned, because I may soon have an exclusive interview with Donovan to share, one that I think many Pagans will find interesting.]