I wanted to point out a couple of recent Pagan-themed interviews that I think are worth checking out. The first is with Ben Whitmore, author of the book “Trials of the Moon: Reopening the Case for Historical Witchcraft,” conducted by Star Foster at Patheos. This self-pubished study/critique of Ronald Hutton’s “Triumph of the Moon” has generated quite a bit of notice, and respectable amount of criticism from Pagan academics, so this opportunity for Whitmore to make his case seems very appropriate.
“At first, I hoped it would make Triumph a more useful resource for pagans and Wiccans. As I started talking with others about what I was doing, though, I discovered that Triumph had become something of a cult, and I risked getting a dressing-down for even questioning it. A fairly typical response was condescension followed by condemnation, and being told that I obviously hadn’t read Hutton very carefully, and only fluff-bunnies still cling to the old myths. Pointing out that I wasn’t clinging to the old myths didn’t seem to make any difference. In fact, “Wicca” seemed to be turning into some sort of derisive joke, with “Ronald Hutton” as the punch line. Some people were quite vicious about it. I started to feel that my critique might help restore some dignity to the Craft, and turn Triumph back into just a book; a book with no greater claim to infallibility than any other.”
Whitmore also notes recent criticisms of his work by Peg Aloi (who is currently working on a longer-form criticism for Pagan academic journal The Pomegranate) and Chas Clifton, saying they make “a big fuss about me not being an academic,” and accused him of “being too lazy to write a proper critique.” One academic in Whitmore’s corner is Max Dashu, who recently penned a lengthy and glowing review of “Trials.” Then again, one could argue that Dashu isn’t exactly a fan of Hutton’s work to begin with, making her positively predisposed to a Hutton critique. In any case, it seems that this renewed debate isn’t going anywhere, anytime soon.
The second interview I wanted to bring your attention to is with musician Arthur Hinds, a member of the popular Celtic-American folk rock band Emerald Rose, and a longtime fixture on the Pagan festival circuit. Laura LaVoie from The Juggler interviews Arthur about being an “out” Pagan musician in honor of International Pagan Coming Out Day (May 2nd, 2011).
“The idea of a formalized pagan coming out day I think I has two edges. First of all, I hope that, for many people, it may give them strength or the moment to speak of who they are. I also hope that they have the wisdom not to speak it where it doesn’t belong. I do not believe in rubbing it in people’s faces anymore that I enjoy having another faith splashed in mine. I also hope that eventually the purpose for the day will simply fade away entirely and Pagans need not feel imprisoned by the secrecy they fear is necessary.”
Hinds is planning to release a new single “about the path of being Pagan” on May 2nd in honor of IPCOD. For more about Arthur Hinds’ work, check out his 2008 solo album “Poetry of Wonder”. Arthur is an extremely talented individual, and a friend, and I’m extremely pleased to see him throw his support behind this new effort. Be sure to read the entire interview!